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Quote by Kate Thompson

“A library is the only place you can go--from cradle to grave--that is free, safe, democratic and no one will try to flog you anything. You don't have to part with a penny to travel the world. It's the heartbeat of a community, offering precious resources to people in need. It's a place just to be, to dream, and to escape -- with books." And what's more precious than that? So here's to all library workers. We need you.”

Quote by Kate Thompson

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Kate Thompson

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“A lot of buildings were burnt out, others badly racked and unsafe, some completely smashed. Off the main road it was worse; here and there houses were being demolished, blasting going on sometimes, traffic being cleared, here a bridge being propped up, there a loudspeaker van telling people where to go for money or food. All windows gone everywhere... everywhere was the smell of plaster and burning, everywhere this incredible mess, everywhere people trailing about with a mattress or a bundle or a few pots and pans.”

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Book:Among You Taking Notes...: The Wartime Diaries of Naomi Mitchison 1939 - 1945
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“It was easy for complacent centuries like the Nineteenth, which knew no overwhelming disasters, to say that the Great Fire was a blessing because it swept out of existence a vast conglomeration of insanitary streets and made way for the cleaner brick-and-stone London of Stuart and later times; but we of to-day, who have seen so much that we loved go up in flames, are probably in a better position to feel sympathy for those of our forebears who suffered the tragedy of the Great Fire.”

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“...carrying water to flush toilets and whoever could taking the prints and negs home to do at night if they happened to have the sacred combination of gas, electricity, and water, in fact we slept on the floor of the kitchen corridor and sometimes had ten or more friends, either bombed out of their own flats--or isolated by the presence of a time bomb--or just thinking that Hampstead [was safer].”

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“If I can write, who possibly can’t. Even drawing a line in the sand is writing”

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Book:Pearls Of Eternity
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“Nothing looks the same after a trip to the Congo. The world back home no longer makes sense. It is difficult to reconcile how it even inhabits the same planet. Neatly arranged mountains of vegetables at grocery stores seem vulgar. Bright lights and flushing toilets seem like sorcery. Clean air and water feel like a crime. The markers of wealth and consumption appear violent.”

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Book:Cobalt Red: How the Blood of the Congo Powers Our Lives
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“No one can know, of course, accurate population figures from an era before there was a census, but many officials on the ground at the time and later historians, demographers, and anthropologists have made estimates of great loss.”

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Book:The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
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“On another point: King Leopold’s Ghost reproduces some of the photographs of Congo atrocities that fueled the worldwide protests against Leopold’s rule during the first decade of the twentieth century. These “fake photos,” Gilley declares, were “staged” by the photographer. Yes, some images appear posed—something true of most photos everywhere in an era when cameras were bulky contraptions on tripods whose subjects had to remain still for a few seconds.”

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“Adam Hochschild has enjoyed a long run of success with King Leopold’s Ghost, his distortionary 1998 tale about the État Indépendant du Congo (EIC). So long, in fact, that he appears unable to come clean about its many fabrications. It is not just the doctoring of the quotation that anchors the story of “chopped hands for red rubber” (which I am grateful he has admitted), but the vast skein of distortion in which that little dodge is embedded.”

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Book:The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
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