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C Quotes

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All C Quotes

“Country music is about new love and it's about old love. It's about gettin' drunk and gettin' sober. It's about leavin' and it's about comin' home. It's real music sung by real people for real people, the people that make up the backbone of this country. You can call us rednecks if you want. We're not offended, 'cause we know what we're all about. We get up and go to work, we get up and go to church, and we get up and go to war when necessary.”

“Country music to me is heartfelt music that speaks to the common man. It is about real life stories with rather simple melodies that the average person can follow. Country music should speak directly and simply about the highs and lows of life. Something that anyone can relate to.”

“Country' and 'city' are very powerful words, and this is not surprising when we remember how much they seem to stand for in the experience of human communities. In English, 'country' is both a nation and a part of a 'land'; 'the country' can be the whole society or its rural area. In the long history of human settlements, this connection between the land from which directly or indirectly we all get our living and the achievements of human society has been deeply known.”

“Countrymen, the task ahead is great indeed, and heavy is the responsibility; and yet it is a noble and glorious challenge - a challenge which calls for the courage to dream, the courage to believe, the courage to dare, the courage to do, the courage to envision, the courage to fight, the courage to work, the courage to achieve - to achieve the highest excellencies and the fullest greatness of man. Dare we ask for more in life?”

“County, two-county (meso-regional), and broader regional elites and identities: …the greater gentry were in a better position to form an identity that was regional in nature than the lesser gentry because of the broader nature of their landed, marital, and personal interests; in addition, they were also the individuals who would be recruited by magnates for the influence that they could wield over their clients. It appears possible to speak of ‘county elites’: the shires seem to have been the primary foci for identification … The ‘regional elite’–comprising those involved in all counties–was small in number, being composed mostly of peers and greater gentry. While there was a significant supra-shire dimension to elites’ landholding, office-holding, and marriages, this seems to have been focused on meso-scale regions–the coupled-county units of Somerset/Dorset, and Devon/Cornwall. (p. 147) …With the principal foci appearing to be at shire and meso-regional levels, the concept of a broader south-west regional identity seems somewhat problematic. However, that said, the trans-county and trans-regional nature of the Hungerford affinity–with many of the same clients utilised in transactions concerning different shires–shows how a magnate and his circle could provide a focus for patronage that was extra-county, perhaps even regional, in scope (p.148). The principal themes of this study have been the interplay of the contemporaneous politics of the south-western elites, and long-term shire and regional identities (p. 347). …The ‘regional elite’, as seen, appears to have consisted mostly of only a small number of peers and the greatest gentry who cannot be regarded as a purely ‘regional’ elite because of their possession of wide-ranging estates on a trans-regional or national scale. The surveys of landowning and office-holding showed that, amongst the political elites, there tended to be some emphasis on the county unit; yet, while there were distinct shire elites, there were also extra-county elements to their identities. A significant emphasis seems to have been on the meso-regional communities of Somerset/Dorset and Devon/Cornwall, corroborating the earlier exploration of the region’s broader geography, economy, and culture (pp. 347–8) ... Both sets of political elites seem to have become more entwined over the period, and there was a growing region-wide dimension… (p. 348).”

“Coup d'œil dans la vitrine d'une bijouterie, pleine d'or et de réveils. C'est entre effroi et amusement. Sa propre allure. Elle ressemble à d'autres filles qu'elle. Jamais auparavant elle n'avait cru que c'était possible, sortir comme ça et que personne ne s'exclame : « Mais qu'est-ce que c'est que cette imposture ? » Cette allure qu'elle a, jambes sublimées, silhouette transformée. Et personne ne se rend compte qu'elle n'est pas du tout comme ça. C'est la première fois qu'elle comprend, qu'en fait aucune fille n'est comme ça.”