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H Quotes

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All H Quotes

“He made me want to take charge of every aspect of his goddamn life. To make sure he ate right, to tuck him into bed on time, to fuck him when he acted up—and needed release. To bully my way into every aspect of his life so that I could ensure he was well-maintained and happy. To put that same dopey, needy look on his face like he was sporting now, all flushed and turned on—embarrassed by his own nature, but desperate to let go. Like I was the only thing that mattered. Like I was his world. And he was trusting me to take care of him.”

“He made the boxes because he was lonely. He didn't have anyone to love, and he made the boxes so he could love them, and so people would know that he existed, and because birds are free and the boxes are hiding places for the birds so they will feel safe, and he wanted to be free and be safe. The boxes are for him so he can be a bird.”

“He made the earth first and peopled it with dumb creatures, and then He created man to be His overseer on the earth and to hold suzerainty over the earth and the animals on it in His name, not to hold for himself and his descendants inviolable title forever, generation after generation, to the oblongs and squares of the earth, but to hold the earth mutual and intact in the communal anonymity of brotherhood, and all the fee He asked was pity and humility and sufferance and endurance and the sweat of has face for bread.”

“He made what apology he could and hurried home, overjoyed that the satisfaction of his curiosity had preserved their love intact, and that, having feigned for so long, when in Odette's company, a sort of indifference, he had not now, by a demonstration of jealousy, given her that proof of the excess of his own passion which, in a pair of lovers, fully and finally dispenses the recipient from the obligation to love the other enough. He never spoke to her of this misadventure, he cased even to think of it himself. But now and then his thoughts in their wandering course would come upon this memory where it lay unobserved, would startle it into life, thrust it more deeply down into his consciousness, and leave him aching with a sharp, far-rooted pain.”

“he main point is that Conrad realistically described the terrible things done by Belgians in the Congo. Hochschild certainly wishes this was Conrad’s purpose. He repeats an old theory that Kurtz was based on the EIC officer Léon Rom whom Conrad “may have met” in 1890 and “almost certainly” read about in 1898. Visitors noted that Rom’s garden was decorated with polished skulls buried in the ground, the garden gnomes of the Congo then. But Kurtz’s compound has no skulls buried in the ground but rather freshly severed “heads on the stakes” that “seemed to sleep at the top of that pole.” As the British scholar Johan Adam Warodell notes, none of the “exclusively European prototypes” for Kurtz advanced by woke professors and historians followed this native mode of landscape gardening. By contrast, dozens of accounts of African warlords and slavers in the Congo published before 1898 described rotting heads on poles (“a wide-reaching area marked by a grass fence, tied to high poles, which at the very top were decorated with grinning, decomposing skulls,” as one 1888 account had it). Far from being “one of the most scathing indictments of [European] imperialism in all literature,” as Hochschild declares it, Heart of Darkness is one of the most scathing indictments of the absence of European imperialism in all literature. Kurtz is a symbol of the pre-colonial horrors of the Congo, horrors that the EIC, however fitfully, was bringing to an end.”

“He makes a face and tosses the flower at me. It lands on my cheek, and I pick it up and twirl it between my fingers. I could lie out here all day, not moving an inch, feeling the sun above and the grass below. With a contented sigh, I stretch my arms wide, raking the grass with my fingers—and find myself brushing Aladdin’s hand with my own. I pull it away quickly, my cheeks warming. He laughs a little. “Sometimes,” he says, “I forget you’re supposed to be four thousand years old. You act as shy as a girl of sixteen.” “I do not!” I sit up and glare at him. He grins and shrugs, sliding his hands under his head. There are bits of grass stuck in his hair, and after a moment’s hesitation, I reach over and flick them away. Aladdin watches me silently, his throat bobbing as he swallows. I drop my gaze.”

“He makes the moment with loved ones so memorable and filled with laughter. His presence transforms ordinary events into cherished memorable times. His kindness, humour, and genuine interest in others leave an indelible mark. He is a blessed man.”