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H Quotes

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All H Quotes

“Here the walls have ears. Spies are stationed behind every drapery, curtain, arras. Your spies, the agents of your secret service: their assignment is to draft detailed reports on the palace conspiracies. The court teems with enemies, to such an extent that it is increasingly difficult to tell them from friends; it is known for sure that the conspiracy that will dethrone you will be made up of your ministers and officials. And you know that every secret service has been infiltrated by agents of the opposing secret service. Perhaps all the agents in your pay work also for the conspirators, are themselves conspirators; and thus you are obliged to continue paying them, to keep them quiet as long as possible. Voluminous bundles of secret reports are turned out daily by electronic machines and laid at your feet on the steps of the throne. It is pointless for you to read them: your spies can only confirm the existence of the conspiracies, justifying the necessity of your espionage; and at the same time they must deny any immediate danger, to prove that their spying is effective. No one, for that matter, thinks you must read the reports delivered to you; the light in the throne room is inadequate for reading, and the assumption is that a king need not read anything, the king already knows what he has to know.”

“Here the whole world (stars, water, air, And field, and forest, as they were Reflected in a single mind) Like cast off clothes was left behind In ashes, yet with hopes that she, Re-born from holy poverty, In lenten lands, hereafter may Resume them on her Easter Day." (Epitaph for Joy Gresham)”

“Here then are the choices we all face moment by moment: Will we aim to be impressive? Will we expect to be in complete control? Will we ensure that we always come out on top as winners? Or will we be happy for the power of Christ to rest upon us in our endless weakness? 'No man can give at once the impressions that he himself is clever and that Jesus Christ is mighty to save.' Neither can any church.”

“Here, then, happiness is obviously a form of strength, a subversion even, a modus of survival, even if at times it appears superficial and misplaced. Besides, for all of boxing's brutality, there is lyricism in its rhythm, too, something that dreamy, romantic Filipinos perhaps recognize. It is almost too facile to ascribe too much significance in this metaphor, but this incongruous combination of lyrical violence is default in Manila, where beauty is scarce, and which flourishes side by side with the hideous. There is pride in that stubborn independence, I think, whether it is on the canvas of a boxing ring or history. How did that killer song end again? The record shows I took the blows and did it my way.”

“Here then is an infallible criterion, by which the nation may judge of the intentions of those who govern it ... if they corrupt the morals of the people, spread a taste for luxury, effeminacy, a rage for licentious pleasures, - if they stimulate the higher orders to a ruinous pomp and extravagance, - beware, citizens! beware of those corruptors! they only aim at purchasing slaves in order to exercise over them an arbitrary sway.”

“Here then is the real problem of our negligence. We fail in our duty to study God's Word not so much because it is difficult to understand, not so much because it is dull and boring, but because it is work. Our problem is not a lack of intelligence or a lack of passion. Our problem is that we are lazy.”

“Here there are no griots, only poets. You think that you are leading an extraordinary life and that people see you as you would like them to. You adorn yourself with your writing. It becomes your identity, your bread and butter, and your reason for living. You begin to believe in what people say. You become locked up in your creation, become submerged in words, and sentences suffocate you in the solitude of your retreat. They make you forget the blood and the dust.”

“Here there is buried legend after legend of youth and melancholy, of savage nights and mysterious bosoms dancing on the wet mirror of the pavement, of women chuckling softly as they scratch themselves, of wild sailors’ shouts, of long queues standing in front of the lobby, of boats brushing each other in the fog and tugs snorting furiously against the rush of tide while up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.”

“Here there is no doubt that timidity and a total lack of personal initiative have always been regarded among us as the chiefest and best sign of the practical man—and are so regarded even now. But why blame only ourselves—if this opinion can be considered an accusation? Lack of originality, everywhere, all over the world, from time immemorial, has always been considered the foremost quality and the best recommendation of the active, efficient and practical man.”

“Here there is no hope, and consequently no duty, no work, nothing to be gained by praying, nothing to be lost by doing what you like. Hell, in short, is a place where you have nothing to do but amuse yourself.”

“Here there was a cheerful boy At least he created tales and lived in joy. Nursery rhymes his grandmother told, Songs and tales emerged gladly in gold. Caring heart, affection spoke loud as brighter, He made the decision: he would be a writer! Rising laughters, crying tears, many feelings, Inserted everything and nothing was in vain. So he transformed the ugly into beautiful, Tales to amuse and make everyone sane, In there he went, without daydreams or zeal. As such it was born the icon of literature still. No one denied he was exceedingly bountiful. A ballerina loves the soldier in his world, Nothing gets involved in his fairy tales, Dancing from a poor weak boy to a king, Eccentric prince of charm in winged corners! Rare star of sweet tenderness, Sensible and masterful in tenderness, Emchanted kingdom of dreams and candor, Now a divine fire of a soul he shines. Havia um menino alegre porem so Ao menos criava contos e deles vivia Nas historias que contava sua avo, Seus contos surgiam pois ele os via. Carinho nao faltava em seu coracao ator, Havia tomado a decisao: seria escritor! Risos, lagrimas, sentimentos saos, Inseria tudo e nada era em vao. Transformava ate o feio em belo, Inadvertia e divertia com seu elo, Adiante ia, sem devaneios e zelo. Nascia assim o icone da literatura. A bailarina ama o soldado em seu mundo, Nada se interpunha em seus contos de fadas, De pobre menino fraco e cogitabundo, Era principe de encantos em cantos alados! Rara estrela de doce brandura, Sensata e magistral em ternura, Em seu reino de sonhos e candura, No fogo divino de sua alma fulgura.”

“Here they learn the rest of the lesson begun in those soft houses with porch swings and pots of bleeding heart: how to behave. The careful development of thrift, patience, high morals, and good manners. In short, how to get rid of the funkiness. The dreadful funkiness of passion, the funkiness of nature, the funkiness of the wide range of human emotions. Wherever it erupts, this Funk, they wipe it away; where it crusts, they dissolve it; wherever it drips, flowers, or clings, they find it and fight it until it dies. They fight this battle all the way to the grave. The laugh that is a little too loud; the enunciation a little too round; the gesture a little too generous. They hold their behind in for fear of a sway too free; when they wear lipstick, they never cover the entire mouth for fear of lips too thick, and they worry, worry, worry, about the edges of their hair.”

“Here, this is for you," the girl said, holding out one of the pages on which she'd been drawing. "Oh, I... well, thank you." Meg reached out and took the sketch between her fingers. Gazing down, her eyes widened. Instead of the typical childish scribble she'd expected, she discovered two well-rendered figures. The style was a bit loose, and still immature with a tendency to distort the proportions. Even so, it was refined enough enough to have captured remarkably accurate likenesses of her and Cade seated side by side on the sofa. Esme might be only be nine years of age, but already she was an exceptional artist, better than many adults would ever hope to be. "This is... extraordinary," Meg said. "It's you and Cade," the girl offered, clutching a small fist against her yellow wool skirt. "Do you like it?" "I most certainly do. How could I not? You've drawn Cade and me so perfectly. It's beautiful." The girl's oval features came alive with a pleased smile. "Good night, Miss Amberley. I'm glad you're going to be my sister." At a sudden loss for what she knew would never be, Meg settled on the only honest reply she could offer. "Sweet dreams, Esme.”

“Here too we see the disparity of treatment as between traditional Catholics who in any way present an obstacle to the new orientation, and those who embrace the new orientation wholly and entirely. In contrast with the Vatican's pandering to the CPA, Archbishop Marcel Lefebvre was publicly pronounced both excommunicated and schismatic in a motu proprio prepared for the Pope's signature within 48 hours of Archbishop Lefebvre's consecration of four bishops without a papal mandate - an action the Archbishop took in an effort (however misguided some may think it to be) to maintain Catholic tradition in a Church that appears to have gone mad. The Red Chinese procure (through former Catholic bishops) the consecration of 100 bishops without a papal mandate for their pro-abortion "church" and the Vatican takes no punitive action. Quite the contrary, it sends a Cardinal (no less) as a representative to hobnob with some of the illicit bishops! Yet, when Archbishop Lefebvre consecrates four bishops to serve Catholic Tradition, he is immediately cast into outer darkness by the same Vatican apparatus, even though Archbishop Lefebvre and the four newly consecrated bishops consistently professed their loyalty to the Pope whom they were attempting to serve by preserving traditional Catholic practice and belief. Why this striking disparity of treatment? The answer, once again, is that Archbishop Lefebvre resisted the Adaptation; the Red Chinese bishops, on the other hand, exemplify it. (page 124)”