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I Quotes

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All I Quotes

“I drape my arm around his shoulder. We sit together like that for a moment, until something bright floating in the lake catches my eye. I lean over the dock gently to pick it up. It's a little sprig of morning glory, the flowering vine Naomi bemoaned. "If you left, everyone would miss you," Jimmy says softly. "Everyone would be sad. But not me. No one even cares that I'm here." "That's not true," I say. "I'd miss you." He smiles. I hold up the little vine I've rescued from the lake. A drop of lake water falls from one of its white blossoms onto my dress. "Every person, every thing, has a purpose in this life. You, me, this little morning glory. We're all interconnected." Jimmy pauses to look at the flower in my hand. "It's our job to remember that and to realize how it all works together, even when it feels like the puzzle pieces don't fit.”

“I draw a distinction between freedom of the internet and freedom via the internet. In the first case, it's making sure cyberspace is not over regulated and people can say what they want without fear of repercussions. But that's different from this freedom via the internet notion, which is often touted by all sorts of conservatives and neoconservatives who want young people in the Middle East and elsewhere in the world to use Facebook and Twitter and then go oppose their governments.”

“I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.”

“I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English or Spanish or Chinese or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture, everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say “that’s a flower.” So I draw because I want to talk to the world and I want the world to pay attention to me.”

“I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.”

“I draw the blue heron flying up and protecting her territory. The purest images come as I wake, and I need to catch them before they disappear. As I sketch, the old story my father used to tell echoes in my brain. No wonder the fairy queen of the marsh chose this bird to inhabit. The heron is regal in her blue, asserting her will with shimmering, outstretched wings.”