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I Quotes

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All I Quotes

“I knew right then you were the only one for me." He pulled her hand from his face, kissed her palm, then pressed it flat against his chest. "Beatings, battles, fights. No matter how bleak the circumstance, no matter how my soul despaired ... this heart never once gave up." His voice deepened, went thick with emotion. "I've a theory as to why. Do you want to hear it?" She nodded. "This heart is yours. It's yours," he said. "It always will be.”

“I knew,' said Orwell in 1946 about his early youth, 'that I had a facility with words and a power of facing unpleasant facts.' For Orwell, this meant an ability to face not only that which troubles or disturbs us, but that which directly challenges our deepest convictions and assumptions: thus a power of facing. It is often the case, therefore, that to be 'in denial' is not only to commit an epistemological error, but also a moral one: a refusal or unwillingness to critically examine one’s own beliefs and value-judgments. "What the left needs, quite clearly, I think, is just such a 'power of facing.' Not only must it summon the nerve and courage to reconsider the idea that terrorism is a natural consequence of inequality and injustice; it must also acknowledge the equally disorienting fact that militant Islam is a foe with which compromise is not only undesirable, but axiomatically impossible. Even more decisively, it must attempt to fashion a less reductive and more dialectical understanding of American power and the world within which it operates. What it must materialize, in other words, is the antithesis of the fundamentalist world-view: a firm sense of reality and a certain openness of mind to face that which is deeply troubling.”

“I knew she was a party girl. The book I liked most on her was called [princess] Margaret: A Life of Contrasts and getting to know her, it was how conflicted her position and her internal life - or self - was. She is so fiercely royal and so fiercely "sister of the queen" or "daughter of the king" because that is her identity and it's all she's ever known. And at the same time she is struggling to push the boundaries and to break away from it, to be different or to modernize the monarchy, to turn it on its head.”

“I knew something as I watched: almost everyone was saying goodbye to me. I was becoming one of the many little-girl-losts. They would go back to their homes and put me to rest, a letter from the past never to be reopened or reread. And I could say goodbye to them, wish them well, bless them somehow for their good thoughts. A handshake in the street, a dropped item picked up and retrieved and handed back, or a friendly wave from the distant window, a nod, a smile, a moment when the eyes lock over the antics of a child.”

“I knew that [director/screenwriter] Catalina Aguilar Mastretta had an amazing take on the female psyche and the modern woman and the modern immigrant woman living in the U.S., and I really saw the need for a story told of our daily lives without being a statistic and without just trying to hit a demographic, and I felt that with this one.”

“I knew that coming from a family with an unhealthy social origins, things would be harder for me. Nonetheless, in my heart, hope never died. However, over time, I had learned that trying never died either. Trying was one thing I always had to do more than others, because, in the self-proclaimed society of equals, we were made to be less equal than many of the families around us.”

“I knew that danger lay ahead, of course; but I did not expect to meet it in our own Shire. Can't a hobbit walk from the Water to the River in peace?" "But it is not your own Shire," said Gildor. "Others dwelt here before hobbits were; and others will dwell here again when hobbits are no more. The wide world is all about you: you can fence yourselves in, but you cannot for ever fence it out.”