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I Quotes

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All I Quotes

“I survived a potentially life-threatening childbirth-related complication after delivering my daughter. I learned that hundreds of thousands of girls and women die each year due to similar and often manageable complications. They die because they don't have access to critical maternity care that could easily save their lives.”

“I survived being Australian of the Year because I knew already that it wouldn't be a true reflection of my worth. I knew it would be ugly, at least in part. I came equipped with a glimpse of fame that made me realise two profound things. One is that people's ideas of it will always be warped from the outside and there's little that can be done to control that. The other being that you don't have to let it warp you if you hold on to what is most dear. (p.298)”

“I survived this torture which left me paralyzed for years. That's what that night was all about, mutilation, more than violence through sex. I really do feel as though I was psychologically mutilated that night and now I'm trying to put the pieces back together again. Through love, not hatred. And through my music. My strength has been to open again, to life, and my victory is the fact that, despite it all, I kept alive my vulnerability.”

“I suspect he's sweet on Sophie and doesn't like to see her work too hard.' Tessa was glad to hear it. She'd felt awful about her reaction to Sophie's scar, and the thought that Sophie had a male admirer - and a handsome one like that- eased her conscience slightly. 'Perhaps he's in love with Agatha', she said. 'I hope not. I intend to marry Agatha myself. She may be a thousand years old, but she makes an incomparable jam tart. Beauty fades, but cooking is eternal.”

“I suspect in most companies, the public relations person is down at No. 20 in the pecking order. But here, he is fighting incredibly important battles. If a negative story starts running away with itself in the press and is not dealt with fast, it can badly damage the brand, and so we put enormous weight on our PR people.”

“I suspect it is for one’s self-interest that one looks at one’s surroundings and one’s self. This search is personally born and is indeed my reason and motive for making photographs. The camera is not merely a reflecting pool and the photographs are not exactly the mirror, mirror on the wall that speaks with a twisted tongue. Witness is borne and puzzles come together at the photographic moment which is very simple and complete. The mind-finger presses the release on the silly machine and it stops time and holds what its jaws can encompass and what the light will stain.”

“I suspect it is simply a feature of being an adult, what I will call being grown, or a grown person, to have endured some variety of thorough emotional turmoil, to have made your way to the brink, and, if you’re lucky, to have stepped back from it—if not permanently, then for some time, or time to time. Then it is, too, a kind of grownness by which I see three squares of light on my wall, the shadow of a tree trembling in two of them, and hear the train going by and feel no panic or despair, feel no sense of condemnation or doom or horrible align- ment, but simply observe the signs—light and song—for what they are—light and song. And, knowing what I have felt before, and might feel again, feel a sense of relief, which is cousin to, or rather, water to, delight.”

“I suspect it was...the old story of the implacable necessity of a man having honour within his own natural spirit. A man cannot live and temper his mettle without such honour. There is deep in him a sense of the heroic quest; and our modern way of life, with its emphasis on security, its distrust of the unknown and its elevation of abstract collective values has repressed the heroic impulse to a degree that may produce the most dangerous consequences.”

“I suspect millions of people from my generation probably have comparable stories to tell: if not of sports simulations then of Dungeons & Dragons, or the geopolitical strategy of games like Diplomacy, a kind of chess superimposed onto actual history.”