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I Quotes

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All I Quotes

“I think at times the very strong feelings I have about my country coincide with my musical ability, and I'm able to actually turn it into music, a song or even hopefully a memorable song, sometimes. You may find it surprising, but I'm a very intense, proud American. I love being an American.”

“I think auditions are set up for failure because they're not really the set experience. There's no time to develop the character. You're just looking at someone... if someone's really good in an audition, sometimes they're not good in the film. It's something you learn when you're doing short films. It's the same way that some people do well at taking tests and some people don't. But when you're on a long-term filmmaking process it's a completely different feeling.”

“I think back to some of the pots we made when we first started our pottery, and they were pretty awful pots. We thought at the time they were good; they were the best we could make, but our thinking was so elemental that the pots had that quality also, and so they don't have a richness about them which I look for in my work today. Whether I achieve it all the time, that's another question, because I don't think a person can produce at top level 100 percent of the time.”

“I think back to the day I drove Michelle and a newborn Malia home from the hospital nearly 11 years ago - crawling along, miles under the speed limit, feeling the weight of my daughter's future resting in my hands. I think about the pledge I made to her that day: that I would give her what I never had - that if I could be anything in life, I would be a good father. I knew that day that my own life wouldn't count for much unless she had every opportunity in hers.”

“I think back to the day I stood before my wife's grave for the final time, and turned away from it without regret, because I knew that what she was was not contained in that hole in the ground. I entered a new life and found her again, in a woman who was entirely her own person. When this life is done, I'll turn away from it without regret as well, because I know she waits for me, in another, different life.”

“I think back to the parties Aimee and I planned, and how all those tuxedos and ball gowns weren't really that much different, costumewise, than some of these getups. Not as elaborate or out there, to be sure, but not so different. After all, is an hour at Bobbi Brown for the perfect party makeup that much of a stretch from an hour putting on a Klingon forehead or Spock ears? Is searching for the perfect dress, shoes, bag, wrap, jewelry so much different from the perfect jumpsuit, ray gun, ammo belt, and communicator? And unlike most of the regular parties we did, these people are way open to each other and the experience. There don't seem to be gaggles of people standing back to judge the other gaggles. And while a lot of the subsets do seem to flock together, Star Wars over here, Lord of the Rings over there, I haven't overheard one snarky comment about someone's costume. None of the women here, in all of their variety of shapes and sizes, seem to be doing anything other than squeeing at each other and praising how gorgeous they are. And everyone seems to just own themselves. I've been at hundreds of events looking at a sea of black dresses because everyone thinks it is slimming. But today I've seen a riot of color and skin. Including a 350-pound raven-haired vixen in a chain-mail corset, with cleavage you could park a hovercraft in, surrounded by a coterie of clearly smitten men. I wanted to high-five her.”

“I think back to the years when I barely left my room, when the pills I took each day for anxiety and depression made the light hurt my skin and my hands tremble too hard to hold a pen. How I devoured books, lying in the fetal position in the dark until my hips hurt against the mattress. How much I needed the desolate predictability, the safeties of stillness and solitude. Beyond distraction or entertainment was just the perfect permanence of the written word and the camaraderie embroidered in its silence.”

“I think back to this so often in trying to make sense of the world - how there are people who have so much and people who have so little, and how I fit in with them both. Often I find myself trying to bridge the two worlds, to show people, either the people with so much or the people with so little, that everything is yours and everything is not yours. I want to make people understand that boxing ourselves into tiny cubbies based n class, race, ethnicity, religion—anything, really—comes from a poverty of mind, a poverty of imagination. The world is dull and cruel when we isolate ourselves. Survival, true survival of the body and soul, requires creativity, freedom of thought, collaboration. You might have time and I might have land. You might have ideas and I might have strength. You might have a tomato and I might have a knife. We need each other. We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me. Nobody is better than anyone else. Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves. […] I’ve seen enough to know that you can be a human with a mountain of resources and you can be a human with nothing, and you can be a monster either way. Everywhere, and especially at both extremes, you can find monsters. It’s at the extremes that people are most scared—scared of deprivation, one one end; and scared of their privilege, on the other. With privilege comes a nearly avoidable egoism and so much shame, and often the coping mechanism is to give. This is great and necessary, but giving, as a framework, creates problems. You give, I take; you take, I give—both scenarios establish hierarchy. Both instill entitlement. The only road to equality—a sense of common humanity; peace—is sharing, my mother’s orange. When we share, you are not using your privilege to get me to line up behind you. When we share, you are not insisting on being my savior. Claire and I always looked for the sharers, the people who just said, ‘I have sugar, I have water. Let’s share water. Let’s not make charity about it.”