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I Quotes

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All I Quotes

“I think as you grow up and you see things which are around you and you ask questions and you hear the answers, your situation becomes more and more of a puzzle. Now, why is it like this, why are things like this and since writing is one way in which one can ask this questions and try to find these answers, it seems to me a very natural thing to do, especially as it meant stories which I always found moving, almost unbearably necessary.”

“I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.”

“I think at a place like Harvard, our experience, I was involved with, at various stages, in trying to implement a new general education curriculum, our experience was that Harvard's all about specialization, that's not just true of the professori, it's also true of a lot of the undergraduates, too, and they come, they kind of know what they want to do, they select it because they have a strong aptitude for something in particular.”

“I think at every moment in the last probably 100 years, when the institutional church had the opportunity to do the right thing, they did the wrong thing. They're a dying institution in many parts of the world because they refuse to ordain women or married people. And now they're a dying institution because some of their members did enormous harm to young people and instead of responding aggressively with humility, and with love, and with the confession of wrongdoing, they tried to spin it as though they were a political party, and that's just deplorable.”

“I think at one point, a whole new younger generation of critics come in and they're really aware of zeitgeist in their group, and the older artists tend to get forgotten as their critics retire and do other things or stop paying attention. So there's a factor of aging that I think is to be considered, too. As a middle-aged artist, you kind of get put on a shelf for the young ones.”

“I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.”

“I think at some point [Big Pun] really wanted to be a singer as well. He would call me at 3 or 4 in the morning and say "Yo Twin, sing something for me!". That's the type of love Big Pun had for me. He had this faith and belief and he expressed it many times. It was overwhelming for me. I think that he honestly believed I was going to make a difference in the game.”

“I think at the end of the day you can do both: make money and stay true to yourself. But a lot of young people look for that fame that some of these huge artists that they see on TV have, not knowing they can do what some of these underground artist are doing which is not selling their souls for a buck.”

“I think at the moment we did not even want to break the seal [on the inner chamber of the tomb of Tutankhamen], for a feeling of intrusion had descended heavily upon us... We felt that we were in the presence of the dead King and must do him reverence, and in imagination could see the doors of the successive shrines open one.”