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I Quotes

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All I Quotes

“I was like a train, headed full steam, down an old set of tracks that would eventually drop me into oblivion. Instead of heeding the warning of the conductor, I annihilated him to remove my guilt as I passively and regretfully watched my life go slipping by. I considered anyone who tried to warn me of the dangers ahead to be an enemy: the law, the authorities, the police, my family, the educational institutions, God. I silenced all of them so I could live in the way I pleased.”

“I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.”

“I was like the only diverse kid in my high school, and I'm half-Puerto Rican. But yeah, I have a huge family and tons of cousins in Puerto Rico. We actually hung out with them last summer, and it was awesome. But I wish my grandfather had taught my dad Spanish when he was younger so he could've taught me when I was younger, and sometimes he does, too. It's a shame.”

“I was like, "This is a new thing that the gay people have decided? That's the gayest thing I've ever heard in my life." You can't do that. You can't decide that a word is forbidden now collectively amongst your group of human beings, that the word is a slanderous evil nasty word about homosexuals. It's not, the word doesn't mean that. And sometimes it's a good word to use in comedy. That's what your friend has to realize when he's at a bar just yelling out the word.”

“I was like, wow, this guy's [Donald Trump ] going to do well. And I remember people laughed at me. People were like, oh, you silly ignorant person who's just come to this world. You clearly shouldn't be at "The Daily Show" 'cause you don't know what you're talking about. And I was like, but I don't know. He seems like he connects with people. I can relate to him as a performer. I can see what tools he's using. He's good at riffing. He's good at taking the crowd on a journey. I can see what he's doing.”

“I was lingering out on the pavement. There was a missing person inside of myself and I needed to find him . . . I felt done for, an empty burned-out wreck . . . Wherever I am, I'm a '60s troubadour, a folk-rock relic, a wordsmith from bygone days, a fictitious head of state from a place nobody knows.”