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I Quotes

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All I Quotes

“In fiecare viata exista un moment. O criza. Una care spune: „Ceea ce cred e gresit”. Li se intampla tuturor, singura diferenta e cum ii schimba acea informatie. In cele mai multe situatii, e pur si simplu vorba de un caz de ingropare a acelei informatii si apoi a pretinde ca ea nu se afla acolo. Asa imbatranesc oamenii. Asta este, in cele din urma, ceea ce le increteste fetele si le indoaie spinarile si le micsoreaza gurile si ambitiile. Povara acestei negari. Stresul cauzat de ea. Acest lucru nu le este unic umanilor. Unicul si cel mai mare act de curaj sau de nebunie pe care il poate face cineva, oricine, este actul schimbarii.”

“In fifth–sixth-century Athens, philosophy appears more and more as a systematic whole, its study guided by a canon of authoritative works, including both Aristotle and Plato. The peak of the philosophical curriculum is no longer metaphysics, but theology, i.e.,a philosophical discourse about the divine principles, whose sources lie first and foremost in the revelations of late paganism and then in Plato’s dialogues, allegorically interpreted as conveying his theological doctrine. […] Both the Platonic Theology and the Elements of Theology begin with the One, the First Principle. Departing from Plotinus, who was convinced that the suprasensible causes were but three – the One-Good, Intellect, and Soul – the two Proclean works expound the procession of multiplicity from the One as the derivation of a series of intermediate principles, first between the One and the intelligible being, then between the intelligible being and the divine Intellect (and intellects), and then between the divine Intellect and the divine Soul (and souls). For Proclus, an entire hierarchy of divine principles lies both outside the visible universe and within it, and the human soul, fallen into the world of coming-to-be and passing away, can return to the First Principle only through the “appropriate mediations.” [...] Philosophy, insofar as it celebrates the truly divine principles of the visible cosmos, is prayer.”

“In fighting a bull you're always aware of a paradox concerning your perceptions of the bull. On the one hand it's your perceptions of the bull that give you the upper hand. You read the bull, you learn to read the bull more and more accurately, and this reading of the bull is how you deploy your intelligence against the bull's intelligence. Your accuracy in reading the bull is a weapon, maybe your most important weapon, against all the bull's weapons. On the other hand, you're human, you have the human tendency to read into the bull things which may not actually be there.”

“In film, it's up to the director to tell the story in whatever way he sees fit, and however you fit into that ultimate vision is where you fit in. So what you did on that stage, on that set, may not be what you ultimately see when you see the final product. And TV works so fast, it works so fast, it's just about product. The average TV show, one episode shoots eight, 10 days. That's it. You get three or four takes for a scene, and then it's over. But people do it for the money.”

“In film, there are two ways of including human beings. One is depicting human beings. Another is to create a film form which, in itself, has all the qualities of being human: tenderness, observation, fear, relaxation, the sense of stepping into the world and pulling back, expansion, contraction, changing, softening, tenderness of heart. The first is a form of theater and the latter is a form of poetry.”