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I Quotes

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All I Quotes

“In place of our exhaustion and spiritual fatigue, God will give us rest. All He asks is that we come to Him...that we spend a while thinking about Him, meditating on Him, talking to Him, listening in silence, occupying ourselves with Him - totally and thoroughly lost in the hiding place of His presence.”

“In place of practising wholesome self-abnegation, we ever make the wish the father to the thought: we receive as friendly that which agrees with, we resist with dislike that which opposes us; whereas the very reverse is required by every dictate of common sense.”

“In place of the old beliefs of a civilization based on godliness, judgment and historical loyalty, young people are given the new beliefs of a society based on equality and inclusion, and are told that the judgment of other lifestyles is a crime. ... The "non-judgmental" attitude towards other cultures goes hand-in-hand with a fierce denunciation of the culture that might have been one's own”

“In places where a loved one has died, time stops for eternity. If I stand on the very spot, one says to oneself, like a prayer, might I feel the pain he felt? They say that on a visit to an old castle or whatever, the history of the place, the presence of people who walked there many years ago, can be felt in the body. Before, when I heard things like that, I would think, what are they talking about? But i felt I understood it now.”

“In places where government priorities and market imperatives create a world so capricious that to help a neighbor is to risk your ability to feed your family, and sometimes even your own liberty, the idea of the mutually supportive poor community is demolished. The poor blame one another for the choices of governments and markets, and we who are not poor are ready to blame the poor just as harshly.”

“In placid hours well-pleased we dream Of many a brave unbodied scheme. But form to lend, pulsed life create, What unlike things must meet and mate: A flame to melt--a wind to freeze; Sad patience--joyous energies; Humility--yet pride and scorn; Instinct and study; love and hate; Audacity--reverence. These must mate, And fuse with Jacob's mystic heart, To wrestle with the angel--Art.”

“In plain English, you need to wrestle the doubts and accusations that it’s all just bullshit. And, needless to say, the majority of the work of the triple-H population is undeniably so. The reason that it’s so valuable to society is just that some of it isn’t bullshit and even a small percentage of genuine innovations of software, culture or lifestyle can have a huge impact. Still, you never quite know if you are the bullshitter or the hero, or if you are being sold utter bullshit.”

“In plain language, every man is pent up within the limits of his own consciousness, and cannot directly get beyond those limits any more than he can get beyond his own skin; so external aid is not of much use to him. On the stage, one man is a prince, another a minister, a third a servant or a soldier or a general, and so on, — mere external differences: the inner reality, the kernel of all these appearances is the same — a poor player, with all the anxieties of his lot. In life it is just the same. Differences of rank and wealth give every man his part to play, but this by no means implies a difference of inward happiness and pleasure; here, too, there is the same being in all — a poor mortal, with his hardships and troubles.”

“In Plain Sight by Stewart Stafford How can I show the real me? My voice breaking as I speak, Parched hope's cracked lips, Delphic in this solitary chic. Vitriol cannot reach my shore, The purge reveals little to hide, Or does rage fester within me? A cannibal cheerleader inside. No father around guiding me, Burnt by mother's acid divide, Cataracts of persona non grata, A transient hat tipped in a lie. © Stewart Stafford, 2022. All rights reserved.”

“In playwriting, you've got to be able to write dialogue. And if you write enough of it and let it flow enough, you'll probably come across something that will give you a key as to structure. I think the process of writing a play is working back and forth between the moment and the whole. The moment and the whole, the fluidity of the dialogue and the necessity of a strict construction. Letting one predominate for a while and coming back and fixing it so that eventually what you do, like a pastry chef, is frost your mistakes, if you can.”