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All I Quotes

“I'd be willing to bet that the notion of the end of time is more common today in the secular world than in the Christian. The Christian world makes it the object of meditation, but acts as if it may be projected into a dimension not measured by calendars. The secular world pretends to ignore the end of time, but is fundamentally obsessed by it. This is not a paradox, but a repetition of what transpired in the first thousand years of history. ... I will remind readers that the idea of the end of time comes out of one of the most ambiguous passages of John's text, chapter 20... This approach, which isn't only Augustine's but also the Church Fathers' as a whole, casts History as a journey forward—a notion alien to the pagan world. Even Hegel and Marx are indebted to this fundamental idea, which Pierre Teilhard de Chardin pursued. Christianity invented History, and it is in fact a modern incarnation of the Antichrist that denounces History as a disease. It's possible that secular historicism has understood history as infinitely perfectible—so that tomorrow we improve upon today, always and without reservation... But the entire secular world is not of the ideological view that through history we understand how to look at the regression and folly of history itself. There is, nonetheless, an originally Christian view of history whenever the signpost of Hope on this road is followed. The simple knowledge of how to judge history and its horrors is fundamentally Christian, whether the speaker is Emmanuel Mounier on tragic optimism or Gramsci on pessimism of reason and optimism of will.”

“I'd become a follower of Emerson for that one sentence: the miracle of "the blowing clover and the falling rain." Just imagine what it would do for your religion if you shifted your sense of the miraculous from some astounding feat of a master magician to a profound appreciation of the miracle of rain. You would be a different kind of person living a different kind of life You wouldn't be sad from the weight of your religious obligations, but rather joyful at the beauty and holiness of the natural world. You'd be happy, open, and graceful, all because of your positive, world-based spiritual vision.”

“I’d become friendly with Tom Courtenay on Doctor Zhivago. He was an English actor, based in London, and didn’t want the hassle of navigating Paris alone. To make things simple, he moved in with Omar Sharif and me in the Avenue Foch apartment provided by the production. With angular features and a conventionally English look, Tom was young, sensitive, and an avid supporter of Hull City football club. While shooting in Paris, he would dart back to England whenever he could to see them play. Once, upon returning to Paris, he discovered assorted pubic hairs in his bedsheets—telltale evidence that one of Omar’s sleepovers had made use of his room. Tom was enraged. He confronted Omar, and their relationship almost didn’t survive. Never in all my life have I seen someone so angry.”

“I’d been compelled to confront her. People always have a way of chasing what’s bad for them, and I wasn’t immune. Maybe it was that instinct, that primeval pull to run straight at what could take you down, that appealed to me. Hell, that was how men like me ended up heading off to war.”

“I'd been in love, and I'd meant it- the happiness, the lust, the peace... I'd felt all of those things. Once. ... But maybe those things had blinded me, too. Maybe they'd been a blanket over my eyes about the temper. The need for control, the need to protect that ran so deep he'd locked me up. Like a prisoner.”

“I’d been kissed before. Many times. There were awkward and sloppy kisses, those tension-fraught moments of fumbling intensity as a teenager. There were more skilled kisses, passionate and intentional. There were kisses that stole my breath, kisses that merged seamlessly with the shedding of clothes and the joining of bodies. But never, before this moment, had there ever been a kiss that stole my will to pull away, that devoured my capacity for thought, that removed my ability to resist, to feel anything but the kiss.”

“I’d been living in this room for years, it was the same as when I’d left it a few hours ago. And yet the way I looked around it, you’d think I’d never seen it before. So maybe it wasn’t quite the same to me—as when I’d left it. I closed the door behind me. I suddenly caught my head between both hands, as suddenly as though it was something that had just fallen from the ceiling, alighting on my shoulders. I dragged myself sort of stickily across into the bathroom, as though something were impeding my feet, as though I had on snowshoes. I shrugged off my coat, rolled up my cuffs, spun the hot-water tap, tempered it with a little cold so I wouldn’t scald myself. I started to wash my hands. They weren’t particularly grimy. I happened to look up, caught sight of my face in the cabinet-mirror before me. I quickly opened the cabinet, folded the mirror back out of the way. It’s a rare man that can’t stand the sight of his own face.”

“I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.”

Author:Jandy Nelson

“I’d been raised to be confident and see no limits, to believe I could go after and get absolutely anything I wanted. And I wanted everything. Because, as Suzanne would say, why not? I wanted to live with the hat-tossing, independent-career-woman zest of Mary Tyler Moore, and at the same time I gravitated toward the stabilizing, self-sacrificing, seemingly bland normalcy of being a wife and mother. I wanted to have a work life and a home life, but with some promise that one would never fully squelch the other. I hoped to be exactly like my own mother and at the same time nothing like her at all. It was an odd and confounding thing to ponder. Could I have everything? Would I have everything? I had no idea.”

“I’d been so used to the court system and thinking of myself as a criminal. I’d been so used to pleading in abeyance, proclaiming my guilt and unworthiness and asking the judge for mercy. But God’s love went beyond anything I’d seen in my lifetime. He wasn’t just giving me mercy by overlooking my sins, He was giving me justice by paying off every debt I’d ever created and bearing every damnation I’d ever deserved.”

“I'd been spending my professional life, at GQ and Esquire both, reading fiction by men about men. The sub-subjects: The Land of Marriage. A middle-aged man coming to terms with Something. Extramarital affairs. Hotel rooms. Adult life as unwinnable game. A man trying, and failing, to be a man - whatever that thing was. A wife. A waif. Oh, God, the mothers. How many trailer parks were there upon the greensward? There sure were a lot of trains. Why were there so many prostitutes? And why were so many of the women dead? Rarely did any children appear in the stuff I read, and when they did, they tended to serve as devices for the teaching of moral lessons - touching ones, usually. And the women - voluble, irrational, rarely all that smart, but, with any luck, sexy, sexy, sexy - functioned as instruments to male enlightenment. Oh, if I had a dime for each time I read the sentence "She made me feel alive..." (to which my private stock response was always "And you made her feel dead").”

“I’d been stuck in one gender my whole life. It never bothered me. Now I wondered how that would feel for Alex. The only analogy I could come up with wasn’t a very good one. My second grade teacher, Miss Mengler (aka Miss Mangler), had forced me to write with my right hand even though I was left-handed. She’d actually taped my left hand to the desk. My mom had exploded when she found out, but I still remembered the panicky feeling of being restrained, forced to write in such an unnatural way because Miss Mengler had insisted, 'This is the normal way, Magnus. Stop complaining. You’ll get used to it.”

“I'd been surprised by the depth of emotion that was invested in that curiously archaic phrase 'great power'. What would it mean, I'd asked myself, to the lives of working journalists, salaried technocrats and so on if India achieved 'great power status'? What were the images evoked by this tag? Now, walking through this echoing old palace, looking at the pictures in the corridors, this aspiration took on, for the first time, the contours of an imagined reality. This is what the nuclearists wanted: to sign treaties, to be pictured with the world's powerful, to hang portraits on their walls, to become ancestors. On the bomb they had pinned their hopes of bringing it all back.”