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M Quotes

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All M Quotes

“My mother gave me a piece of bread, which was love and encouragement. The correction was the meat, the substance. And then she would sandwich that, sandwich that with another piece of bread, which was love and encouragement. That was very important in shaping and molding our morality, our understanding of ourselves, making sure that we didn’t think we were better than or less than anyone, feeling no more worthy or no less worthy than anyone else.”

“My mother gave me very good advice years ago. I grew up in the Great Depression and she always told me to get a good little basic black dress - well-cut, well-made, good fabric - and it could take me through everything. I could go to the office in the morning and stay out all day in the same dress. Just by changing accessories, because they are so transformative, you can make six different outfits. I find that very useful. My mother worshipped at the altar of accessories and I'm an accessory freak, as everybody knows. That, I got from my mother.”

“MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.”

“My mother gets up and puts the needle back to the start of the record or onto a select song. Light ones, famous with tourists, aren't her favorites. She prefers those that tear like an ache in your heart. Afterwards, she exhales a deep breath and looks up as if she is waking to the clap of a hypnotist. She leaves the smoky club, the sulfurous streetlights, the even darker cars, the clouds of ouzo in glasses, plates of chicken livers crusted with oregano and salt, and the man with a mustache at the door who calls the hat check girl his 'little doll.”

“My mother got sick when I was rich. And my mother, you know … I don’t really want to get into it, but my mother was sicker than my father. And my mother’s alive. My mother’s fine, OK? I remember going to the hospital to see my mother and wondering, ‘Was I in the right place?’ Like, this was a hotel. Like it had a concierge, man. If the average person really knew the discrepancy in the health care system, there’d be riots in the streets, OK? They would burn this m-therf—ker down!”

“My mother had a definite influence on my leadership style. She was very involved in the community. She would say that whenever you run into challenges or you're trying to make things happen, you've got to understand what makes people tick, what motivates them. Even though she was a business major in college, I think psychology was more of a passion for her.”

“My mother had a great deal of trouble with me, but I think she enjoyed it.”

“My mother had a life-altering stroke when I was nineteen and she died when I was twenty-three. I'm now older than my mother when she died and my relationship with her has really changed over these many years. I continue to stay interested in her and I know her differently now. Losing my mother, losing dear friends, is now part of the fabric of my being alive. And the fabric keeps changing, which is interesting.”

“My mother had a passion for all fruit except oranges, which she refused to allow in the house. She named each one of us, on a seeming whim, after a fruit and a recipe- Cassis, for her thick black-currant cake. Framboise, her raspberry liqueur, and Reinette after the reine-claude greengages that grew against the south wall of the house, thick as grapes, syrupy with wasps in midsummer. At one time we had over a hundred trees (apples, pears, plums, gages, cherries, quinces), not to mention the raspberry canes and the fields of strawberries, gooseberries, currants- the fruits of which were dried, stored, made into jams and liqueurs and wonderful cartwheel tarts on pâte brisée and crème pâtissière and almond paste. My memories are flavored with their scents, their colors, their names. My mother tended them as if they were her favorite children. Smudge pots against the frost, which we base every spring. And in summer, to keep the birds away, we would tie shapes cut out of silver paper onto the ends of the branches that would shiver and flick-flack in the wind, moose blowers of string drawn tightly across empty tin cans to make eerie bird-frightening sounds, windmills of colored paper that would spin wildly, so that the orchard was a carnival of baubles and shining ribbons and shrieking wires, like a Christmas party in midsummer. And the trees all had names. Belle Yvonne, my mother would say as she passed a gnarled pear tree. Rose d'Aquitane. Beurre du Roe Henry. Her voice at these times was soft, almost monotone. I could not tell whether she was speaking to me or to herself. Conference. Williams. Ghislane de Penthièvre. This sweetness.”

“My mother had a slender, small body, but a large heart-a heart so large that everybody's joys found welcome in it, and hospitable accommodation.”