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M Quotes

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All M Quotes

“My theory for nonfiction is that nobody can be free of some kind of conceptions about whatever story they're writing. But if you can find a way to build those into the story, then the story becomes a process of deconstructing and heightening and sometimes changing those notions and that makes dramatic tension. The initial statement of your position, and then letting reality act on you to change it, is pretty good storytelling.”

“My theory is that Dad wanted to give Mom the only anniversary gift he hadn’t given her yet.” “You would take the romantic approach.” Zander had remained standing, one shoulder casually braced against the fireplace. “I think their anniversary reminded Garner that they’re getting older, and if they were ever going to be missionaries, it needed to be now.” Nora arched an eyebrow. “You would take the death-is-imminent approach.”

“My theory is that everyone at one time or another has been at the fringe of society in some way: an outcast in high school, a stranger in a foreign country, the best at something, the worst at something, the one who's different. Being an outsider is the one thing we all have in common.”

“My theory is that everything went to hell with Prohibition, because it was a law nobody could obey. So the whole concept of the rule of law was corrupted at that moment. Then came Vietnam, and marijuana, which clearly shouldn't be illegal, but is. If you go to jail for ten years in Texas when you light up a joint, who are you? You're a lawbreaker. It's just like Prohibition was. When people accept breaking the law as normal, something happens to the whole society, you see?”

“My theory is that humans aren't really bad; we all do bad things, but being bad is not our natural state. You're acting out of fear, lack of understanding, compassion, but essentially communication. Human beings are made of love, an overwhelming desire to love. When we communicate, we exist in our natural state.”

“My theory is that identity consists of two contradictory imperatives. There's the imperative to keep secrets, and the imperative to have them known. How do you know that you're a person, distinct from other people? By keeping certain things to yourself. You guard them inside you, because, if you don't, there's no distinction between inside and outside. Secrets are the way to know you even have an inside. A radical exhibitionist is a person who has forfeited his identity. But identity in a vacuum is also meaningless. Sooner or later, the inside of you needs a witness. Otherwise you're just a cow, a cat, a stone, a thing in the world, trapped in your thingness.”

“My theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.”

“My theory is that there is a finite amount of intelligence in a family, and you're supposed to gradually transfer it to your children over a period of many years. This is why your parents started to get so stupid just at the time in your life when you were getting really smart.”

“My theory is that we all have minority impules which are stifled by the normal personality and rarely break free into action. The minority impulses are the Negroes of the personality. They have not enjoyed freedom since the personality was founded; they have become the invisible men. We refuse to recognize that a minority impulse is a potential full man, and that until he is granted the same opportunity for development as the major conventional selves, the personality in which he lives will be divided, subject to tensions which lead to periodic explosions and riots”