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M Quotes

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All M Quotes

“Making art now means working in the face of uncertainty; it means living with doubt and contradiction, doing something no one much cares whether you do, and for which there may be neither an audience nor reward. Making the work you want to make means setting aside these doubts so that you may see clearly what you have done, and thereby see where to go next. Making the work you want to make means finding nourishment within the work itself.”

“Making art provides uncomfortably accurate feedback about the gap that inevitably exists between what you intended to do, and what you did. In fact, if artmaking did not tell you (the maker) so enormously about yourself, then making art that matters to you would be impossible. To all viewers but yourself, what matter is the product: the experience of shaping that artwork. The viewers' concerns are not your concerns (although it's dangerously easy to adopt their attitudes.) Their job is whatever it is: to be moved by art, to be entertained by it, to make a killing off it, whatever. Your job is to learn to work on your work.”

“Making art requires a degree of intentionality. All works of art require a contemplative individual drawing from their bank of knowledge and immersion into the realms of memory and imagination in order to make an outward, communicative expression. Only human beings can draw upon the dialectical tension between memory and imagination to create artistic renderings.”

“Making art, being creative, is risky, especially for actors, but everybody on the set is being creative. You're putting yourself out there with ideas, and to have your brain be free of stress so that it can actually do its best work, it feels like you want to have a real sense of intimacy and connection and trust with everybody.”

“Making big investments to get off oil, making clean energy alternatives widely available and cheap, and creating millions of new jobs in clean energy industries is a winner with American voters and can carry the whole suite of policies that we need to address global warming.”

“Making clothes involves what I like...color, pattern, shape and movement...I like the everyday process...the people, the pressure, the surprise of seeing the work come alive walking and dancing around on strangers. Like red lipstick on the mouth, my products wake up and brighten and bring the wearer to life...drawing attention to her beauty and specialness...her moods and movements...her dreams and fantasies.”

“Making clothes that everybody can wear is also something that stimulates me a lot, because I have this edgy, fashion-y part, but I am also totally involved with a brand that is about how people dress, and what they want. And it's a whole other look you can have on the street. It's exciting because it speaks to the other part of my job and what my passion is. A designer wants to make something useful for as many people as possible.”

“Making clothing is not just about the application of style and technique. At some stage, you want to experiment with new materials, or experiment in making materials. When you have a material to yourself, you get to make something totally new based on how that material acts. The access afforded by this tannery pushes you beyond your comfort or knowledge zone of hue and texture, forcing you - the designer - to think about how that flat plane will act when it enters the third dimension.”

“Making corn dollies under the watchful eye of Mrs Darley was an absolute must for all of us living in the tiny Cornish hamlet on Bodmin Moor.”

“Making decent human beings accept the principle of a private, divine covenant be it first, second, third, old, new or whatever, will destroy all humanity and decency in our species. All these diverging and contradicting one man “revelations” will always destroy our HUMAN grace, to serve one of the many “versions” of a hypothetical DIVINE grace… Something like… rape for a divine virginity…”