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O Quotes

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All O Quotes

“Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient—dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it: in short, Orientalism as a Western style for dominating, restructuring, and having authority over the Orient.”

“Orientarea pe locus intern de control lucrează direct cu încrederea intrapersonală a clientului și cu convingerile limitative ale acestuia. În același timp, fiecare sesiune de coaching în sine este, pentru client, un exercițiu de încredere interpersonală, adică un exercițiu de poziționare față de locusul extern de control.”

“Orientation in time, space, and status are the essentials of social existence, and the Balinese, although they make very strong spirits for ceremonial occasions, with a few startling exceptions resist alcohol, because if one drinks one loses one's orientation. Orientation is felt as a protection rather than as a strait jacket and its loss provokes extreme anxiety.”

“Orientation & Proximity. Be aware of the orientation between yourself and others so that you can be sensitive and responsive to their comfort zones.”

“Origen significa aquí aquello a partir de donde y por lo que una cosa es lo que es y tal como es. Qué es algo y cómo es, es lo que llamamos su esencia. El origen de algo es la fuente de su esencia. La pregunta por el origen de la obra de arte pregunta por la fuente de su esencia. »Según la representación habitual, la obra surge a partir y por medio de la actividad del artista. Pero ¿por medio de qué y a partir de dónde es el artista aquello que es? Gracias a la obra; en efecto, decir que una obra hace al artista significa que si el artista destaca como maestro en su arte es únicamente gracias a la obra. »El artista es el origen de la obra. La obra es el origen del artista. Ninguno puede ser sin el otro. Pero ninguno de los dos soporta tampoco al otro por separado. El artista y la obra son en sí mismos y recíprocamente por medio de un tercero que viene a ser lo primero, aquello de donde el artista y la obra de arte reciben sus nombres: el arte”

“Origin of the Logical. Where has logic originated in men’s heads? Undoubtedly out of the illogical, the domain of which must originally have been immense. But numberless beings who reasoned otherwise than we do at present, perished; albeit that they may have come nearer to truth than we! Whoever, for example, could not discern the "like" often enough with regard to food, and with regard to animals dangerous to him, whoever, therefore, deduced too slowly, or was too circumspect in his deductions, had smaller probability of survival than he who in all similar cases immediately divined the equality. The preponderating inclination, however, to deal with the similar as the equal - an illogical inclination, for there is no thing equal in itself - first created the whole basis of logic. It was just so (in order that the conception of substance should originate, this being indispensable to logic, although in the strictest sense nothing actual corresponds to it) that for a long period the changing process in things had to be overlooked, and remain unperceived; the beings not seeing correctly had an advantage over those who saw everything "in flux." In itself every high degree of circumspection in conclusions, every sceptical inclination, is a great danger to life. No living being might have been preserved unless the contrary inclination - to affirm rather than suspend judgment, to mistake and fabricate rather than wait, to assent rather than deny, to decide rather than be in the right - had been cultivated with extraordinary assiduity. - The course of logical thought and reasoning in our modern brain corresponds to a process and struggle of impulses, which singly and in themselves are all very illogical and unjust; we experience usually only the result of the struggle, so rapidly and secretly does this primitive mechanism now operate in us.”

“Origin stories are like birthday parties: very exciting and colorful and noisy; but in the end, they’re all the same. Anticipation sizzles around for weeks before the Big Day, but when it comes, your shindig looks pretty much like the little one Peter had last month. That’s an order of operations: take off your coats, pin the tail on the donkey, infection, singing, cake, mutation, balloon, gifts, branding, maybe a magician or a clown, exhaustion, and a bag of toys to take home. You’re the same person today as yesterday. You just got a really big present and a shiny new hat to wear.”

“Origin stories matter, for individuals, groups of people, and for nations. They inform our sense of self; telling us what kind of people we believe we are, what kind of nation we believe in. They usually carry, at least, a hope that where we started might hold the key to where we are in the present. We can say, then, that much of the concern with origin stories is about our current needs and desires (usually to feel good about ourselves), not actual history.”

“Original, high-quality amateur movies featuring hot Mormon missionaries and Mormon boys baring it all for the camera. Mormonboyz are Mormonboys! If you are looking for Mormon porn, Mormon sex or gay Mormon men engaged in gay Mormon sex, you are at the right place . Home of Gay mormon and Mormon Porn.”

“Original sin and conscious awareness of human fallibility is the perpetual agent of transformation in human affairs. Humankind’s behavior is pathological; it is an admixture of instinct and reason, kindness and cruelty, immorality and seeking redemption.”

“Original sin is a self-initiating act because it evidences human free will. If humanity were devoid of free will, it would relegate humankind to living by instinct. A person who lives by instinct might survive for an enviable period, but they will never live a heroic existence. Every hero’s story commences with an unsatisfied and optimistic person venturing out from the comfortable confines of their common day world, facing forces of fabulous power, and fighting a magnificent personal battle. The greatest traditional heroes were warriors whom survived on the battlefield and learned valuable lessons of honor, love, loyalty, and courage. Heroic warriors and spiritual seekers undertook a rigorous quest, an enduring ordeal that enabled them to transcend their own personhood’s shallow desire merely to survive. By enduring hardships, experiencing breathtaking encounters with the physical world, and undergoing a spiritual renaissance, the hero gains a hard-won sense self-discovery, comprehends his or her place in society, and accepts their role as a teacher. A hero is a bearer of light, wisdom, and charity. The hero reenters society and shares their culmination of knowledge by devoting their life to teaching other people.”

“Original sin, therefore, appears to be a hereditary, depravity and corruption of our nature, diffused through all the parts of the soul, rendering us obnoxious to the divine wrath and producing in us those works which the scripture calls 'works of.”