Quotessence
Home / Quotes / O Quotes

O Quotes

Browse famous quotes beginning with O. This page is a child index of the full Popular Quotes A-Z directory.

All O Quotes

“Originality is a thing we constantly clamour for, and constantly quarrel with; as if, observes our author himself, any originality but our own could be expected to content us! In fact all strange thing are apt, without fault of theirs, to estrange us at first view, and unhappily scarcely anything is perfectly plain, but what is also perfectly common.”

“Originality is also very important to a writer. And all of the writers I've mentioned, of course, are original, but it's important to me that every book that I do be really a completely fresh and new look at the world. And of course, that makes it frightening to start a new book because you can't really depend upon what you've done with previous books.”

“Originality is another criterion of aesthetic value. We may formulate an originality principle, according to which highly valuable works of art provide hitherto unavailable insights.... Notice that, although originality is a necessary condition of high aesthetic value, it is far from a sufficient condition. Many original works have little or no aesthetic value. An artwork may present a novel but uninteresting perspective, or one that is original but wrong.”

“Originality is dangerous. It challenges, questions, overturns assumptions, unsettles moral codes, disrespects sacred cows or other such entities. It can be shocking, or ugly, or, to use the catch-all term so beloved of the tabloid press, controversial. And if we believe in liberty, if we want the air we breathe to remain plentiful and breathable, this is the art whose right to exist we must not only defend but celebrate. Art is not entertainment. At its very best, it's a revolution”

“Originality is merely a minor, secondary bonus to the pleasure of thought. Individuality, too, is a secondary aspect of the will and desire. The will is never mine; desire is never mine. For them to be will and desire, they have to circulate and be exchanged as symbolic material. For want of this symbolic devolution, we operate a technical transfer of all these functions on to machines — a transference of the human on to the inhuman. Now, if some human being thinks for me, nothing is lost. He is not lost, neither am I. Whereas if a machine thinks in my stead, we are both lost. In fact, this stage of the transference on to the machine is past. Today, it is machines which transfer their functions on to man. Man's fetishization of the machine has been succeeded by the fetishization of man by the machine. Today, it is man who has become the object of the perverse desire of the machine, of its desire to function at all costs. The machine is no longer an excrescence or a protruberance of man – it is man who is now merely the sex organ of the machine (Burroughs). And this is still quite a large claim, for what sex is the machine? Man has, rather, become the inflatable prosthesis of a sexless machine – the phantom limb of a useless function. The infinite degree, the degree zero, degree Xerox of the libido. Among those devices whose virtual libido man stokes up, there is of course the computer, of which man is the unconscious masturbator and his brain a hyper-object of concupiscence, but there is also the spectacularized body of woman, become a bachelor machine, a promotional and pornographic hypostasis, of which man is merely the sexless operator, the slavish voyeur, the auto-decoder.”