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P Quotes

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All P Quotes

“Pa had brought out our entire stock of beer. Simon, Roger and I had the job of serving. We ran to and fro between the kitchen, the living room and the porch. Our h-fi pumped out old Makossa hits: our parents’ favorites. A few women neighbors of their generation, also wearing kaba ngondos, had begun shimmying in the empty space at the center of the room. They looked like they were showing off: you can’t dance the Makossa without showing off.”

“Pa motioned for her to sit at a small table overlooking the wharf. She couldn't read the menu, but he told her most of it, and she ordered fried chicken, mashed potatoes, gravy, white acre peas, and biscuits fluffy as fresh picked cotton. He had fried shrimp, cheese grits, fried "okree," and fried green tomatoes. The waitress put a whole dish of butter pats perched on ice cubes and a basket of cornbread and biscuits on their table, and all the sweet iced tea they could drink. Then they had blackberry cobbler with ice cream for dessert. So full, Kya thought she might get sick, but figured it'd be worth it.”

“Pa never told stories like Grandpa. Or treated the barn like family. Eli knew how Grandpa’s own pa had built the barn by hand, hauling bluestone for the foundation behind a stubborn ox with horns as wide as a tractor. How the smell of the plank walls was like family and how you never washed your chore coat so the animals would smell that you were family, too.”

“Pablito, the Bible was meant to be a bridge, not a wedge. It's the greatest love story ever told, about God's enduring and unconditional love for his creation--love beyond all reason. To understand it, you have to read it with love as the standard. Love God. Love your neighbor. Love yourself. Always remember that.”

“Pablo Casals is a very great artist. What I admire is the firm stand he has taken not only against the oppressors of his countrymen, but also against those opportunists who are always ready to compromise with the Devil. He perceives clearly that the world is in greater peril from those who tolerate or encourage evil than from those who actually commit it.”

“Pablo Emilio Escobar Gaviria, el hombre que puso a finales de los ochenta y principio de los noventa la institucionalidad del Estado colombiano contra la pared, asesinando sin contemplación a todo aquel que se le opusiera, se definió en su juventud como un ciudadano de izquierda. No hay duda de que en este sentido fue coherente con su posición, pues un hombre que venía de abajo, que vivió en carne propia la desigualdad enorme que divide profundamente a un 80% de los colombianos que no tiene nada y un 20% que lo tiene todo, no tenía razones para defender a esa minoría privilegiada que había dirigido los destinos del país desde mucho antes de la independencia.”

“Pablo insiste con vehemencia en sus cartas desde la cautividad a los Efesios y a los Colosenses en que Cristo resucitado ha vencido a todo principado y poder del aire y domina todo el universo. También el relato de la estrella de los Magos está en esta línea: no es la estrella la que determina el destino del Niño, sino el Niño quien guía a la estrella. Si se quiere, puede hablarse de una especie de punto de inflexión antropológico: el hombre asumido por Dios —como se manifiesta aquí en el Hijo unigénito— es más grande que todos los poderes del mundo material y vale más que el universo entero.”

“Pablo Picasso was notorious for sucking the energy out of the people he met. His granddaughter Marina claimed that he squeezed people like one of his tubes of oil paints. You's have a great time hanging out all day with Picasso, and then you's go home nervous and exhausted, and Picasso would go back to his studio and paint all night, using the energy he'd sucked out of you.”

“Pablo's many stories and reminiscences about Olga and Marie-Thérese and Dora Maar, as well as their continuing presence just offstage in our own life together, gradually made me realize that he had a kind of Bluebeard complex that made him want to cut off the heads of all women he had collected in his private museum. But he didn't cut the heads entirely off. He preferred to have life go on and to have all those women who had shared his life at one moment or another still letting out little peeps and cries of joy or pain and making a few gestures like disjointed dolls, just to prove there was some life left in them, that it hung by a thread, and that he held the other end of the thread. From time to time they would provide a humorous or dramatic or sometimes tragic side to things, and that was all grist to his mill.”

“PABLO, The reason that I love thee remains strange & blurry Do I love thee for thy creativity? For the songs thou has written so carefully? Do I love thee for thy strangeness & mystery? Each layer of thy persona is a cure to my melancholy Allow me to worship thy beauty from afar My fated heartache...my unreachable star. Letters To Pablo (forever unpublished)”

“Pace is crucial. Fine writing isn't enough. Writing students can be great at producing a single page of well-crafted prose; what they sometimes lack is the ability to take the reader on a journey, with all the changes of terrain, speed and mood that a long journey involves. Again, I find that looking at films can help. Most novels will want to move close, linger, move back, move on, in pretty cinematic ways.”

“Paciencia: Hay gente que hace cosas por miedo al látigo. Hay gente que hace cosas por temor a perder sus familias o sus vidas. Hay gente a la cual es posible comprar y vender. ¿Acaso no son esclavos? - Voluntad: Son esclavos de sus pasiones. Su miedo les gobierna. ¿Qué poder tienes sobre mi si tu látigo no me da miedo? ¿Soy tu esclavo si no temo perder a mi familia? Te obedezco de forma completa y fiel porque así lo he escogido: ¿soy tu esclavo? Y cuando llegas a odiarme porque soy libre y mi libertad es mayor que la tuya, y me ordenas hacer lo que no pienso hacer, entonces me alzo ante ti y no obedezco. Castígame entonces; he escogido ser castigado. Y si el castigo es superior a lo que estoy dispuesto a consentir, entonces usaré cuanta fuerza sea necesaria para hacer que pares de castigarme, y no más. Pero nunca, ni por un instante, he hecho nada que no haya escogido hacer voluntariamente.”

“Pacifiers are also blamed for delayed language development, which seems logical, too—how's he going to talk with that thing in his mouth?—but there's no evidence for this either. There is evidence that the lack of evidence hasn't stopped people from making the claim: a British speech therapist even admits she was disappointed her study's data showed no link between pacifiers and speech problems. And teeth? Pacifiers only screw up the palate if used past the age of five, well after the vast majority of children have stopped.”

“Pacifists have usually regarded the use of violence as absolutely wrong, irrespective of its consequences. This, like other ‘no matter what’ prohibitions, assumes the validity of the distinction between acts and omissions. Without this distinction, pacifists who refuse to use violence when it is the only means of preventing greater violence would be responsible for the greater violence they fail to prevent.”

“pacifists lead a lonely life. Not even gathering together can take the place of that vast, warm sun of approval that is shed on motherhood, on law-abiding, on killing, and on making money. Someday will we come into our own? Well, motherhood may move into the shade. Law-abiding is going through a trauma. But killing and making money are good for a long, long time.”