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S Quotes

Browse famous quotes beginning with S. This page is a child index of the full Popular Quotes A-Z directory.

All S Quotes

“Stargirl began to improvise. She flung her arms to a make-believe crowd like a celebrity on parade. She waggled her fingers at the stars. She churned her fists like an egg-beater. Every action echoed down the line behind her. The three hops of the bunny became three struts of a vaudeville vamp. Then a penguin waddle. Then tippy-toed priss. Every new move brought new laughter from the line.”

“Stariji oficir, koji ne voli rodomontade svog mlađeg druga pita, ima li nešto, osim violin, da se vidi u Kremoni ? Ima nešto da se čuje, kažem, u Kremoni. Tamo se rodio jedan veliki Talijan, koji se zvao Monteverdi. Prvi put sam ga slušao, u mladosti, u Parizu. Zatim, sa svojom mladom ženom, u Fiorenci. Vanredno su ga svirali, iako ne meni, nego svima – u Štokholmu. A sa gospođom Martom, sa domaćicom, išli smo, da ga slušamo, i u Rimu, u Svetoj Ceciliji. Domaćica na to kaže tužno : Nećemo više slušati Monteverdija u Rimu. Rat je. Gleda nas. Pita se gde ćemo kroz godinu dve biti ? Ljudska reč, čovečji glas, katkad, i pri običnom razgovoru, može da unese u razgovor neku jezu. Duboku. Tako i ta fraza domaćice, sa tim imenom, unosi među nas “nikad više”, jezivo. Došao je kraj jednoj Evropi. Došao je kraj i našem krugu u Rimu. Ona zatim, valjda i sama uplašena, uzvikuje : Dosta s tim – basta ! Uplašili su se smrti buržuji. A smrt je prirodna pojava, kao i rat. Umire bilje, umiru laste, zašto bi ljudi trebalo da budu besmrtni ? Za nama će ostati, lešina, smrad, kaljuga, hemijska formula. Milioni će, međutim, opet živeti. Večno živeti. Nijedna violina u Kremoni ne zvuči lepše, nego detinji plač – prvi. Pošto se zna, među nama, da ta žena nema dece, taj zvuk nam je tim tužniji i neshvatljiviji. Njen muž, ušeprtljavši, predlaže, da prekinemo te lude razgovore id a se to ostavi, i reši sutra, a da se sad čita, malo, Vergilije.”

“Staring and staring into the mirror, it sees many faces within its face - the face of the child, the boy, the young man, the not-so-young man - all present still, preserved like fossils on superimposed layers, and, like fossils, dead. Their message to this live dying creature is: Look at us - we have died - what is there to be afraid of? It answers them: But that happened so gradually, so easily. I'm afraid of being rushed.”

“Staring at her face, she began to fancy her outer layer had begun to melt away while she wasn't paying attention, and something -- some new skeleton -- was emerging from beneath the softness of her accustomed self. With a deep, visceral ache, she wished her true form might prove to be a sleek and shining one, like a stiletto blade slicing free of an ungainly sheath. Like a bird of prey losing its hatchling fluff to hunt in cold, magnificent skies. That she might become something glittering, something startling, something dangerous.”

“Staring at the floor, she didn't even look up as the final contestant entered. Not until she heard a deep, rich baritone that filled the hall with the most beautiful sound she had ever heard. Her heart pounding, she looked up to see Stryder holding his mother's lute. Only it wasn't a love song he sang. More like a limerick, it was a song about a woman who fancied herself a goose. And a man who gobbled her up. Laughter and applause rang out as soon as he strummed the last note. Breathe, breathe. It was the only thing Rowena could think. And even that couldn't get her to take a breath as Stryder approached her. He smoothed her hair and straightened her feathered crown. "Methinks my goose has molted." Rowena laughed as more tears streaked down her face.”

“Staring at the soft fur of his stomach, listening to his heart beat, it required a different gryphon to have the strength of will to operate the saw. She was not that gryphon, and not a day went by when she didn't wish she'd pushed Mignet up at the cost of her own life. The way her pride ha treated her had made her cold and cruel like the ice that had taken her lover, but Satra was not that gryphon. She stood up and kicked the saw away from Jonas with a bloody paw.”

“Staring into his cold, pale eyes, she felt the chill of the future. Slowly, as if irresistibly drawn, he slid his fingers into her hair, loosening the already drooping chignon at the base of her neck. Leaning his face toward her, he spoke, his voice gravelly with desire. "I love your hair. It's as thick and rich as sable. I'll see this spread over my pillow before a fortnight has passed. I'll bury my face in it and drink in the scent. I'll use it to hold you in place while you thrash beneath me and moan with pleasure." She was shocked by every word. By every threat and every promise. But more than that, she watched his soft, tempting lips move with his words, and she wanted those lips on hers.”

“STARING INTO THE ABYSS by Richard Thomas is an outstanding book, a grim tapestry of broken lives and shattered dreams, of dark fantasies and dark reflections. It's one of the better single-author collections I've had the pleasure to read in recent years, and as such, gets my highest recommendation. It's also a fine testament to a talent I suspect we are going to be hearing a lot more from, and soon.”

“Staring into the naked orange flames of the firepit, naked flesh, naked Carrie Donaldson on the bare rug in exhausted, sated semi-sleep beside him, Jack Barron felt a carapace of image-history-skin encysting him like steel walls of a TV set, a creature imprisoned in the electronic circuitry of his own head perceiving through promptboard vidphone fleshless electronic speed of light ersatz senses, separated from the girl beside him by the phosphor-dot impenetrable glass TV screen Great Wall of China of his own image. First time I remember being blown feeling like wet put-down ugliness, he brooded. Ugly, he told himself, is a thing you feel — truth is ugly when it's a weapon, lie is beautiful when an act of love ugly when it's one-sided fuck is beautiful when it's simple, mutual, nobullshit balling, ugly when chick gets her kicks off you that really isn't there, is why you feel like a rotten lump of shit, man. Getting blown Sara go down being dug by woman's a pure gas; being sucked off, image-statue living lie, someone else's lie being eaten (Let me eat you, let me eat you, baby!) is a dirty act of plastic cannibalism, her dirtiness, not mine. Whole world's full of plastic cannibals feeding their own little bags off meals of my goddamned image-flesh, eating Jack Barron ghost that isn't there. And now Morris and my so-called friend Luke are hot to package my living-color bod into TV dinners, sell to hundred million viewer-voter cannibals for thirty pieces of power silver.”

“Staring out from a movie poster on the wall of the dinky town cinema were her sister's two bright blue eyes. Brigid was the star of the summer's blockbuster movie. "That fucking bitch!" Phoebe swore a little too loudly. An old lady gasped and two teenage girls froze in their tracks. "It's my sister!" Phoebe tried to explain. The two teenage girls tittered and hurried away. Nobody in Nowheresville, Georgia, was going to believe that the unkempt daughter of a swamp-living, Haitian-born artist was related to a lily-white movie star. Phoebe bought a ticket to the matinee. There, in the dark, empty theater, she watched her sister lop off zombie heads with a samurai sword and sobbed for ninety-four minutes straight.”