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T Quotes

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All T Quotes

“The one with form (sakaar; self) will have to be made formless (nirakaar, Self). The Self is formless. However, opinions about it, reflects the formed state. To have a formed state for that, which is formless, is a contradiction in itself. In order to get rid of the contradiction, one will have to come into the formless intent. ‘We’ (the Gnani) see the formless as formless and we remain in the intent of the formless. To project a shape or form for the Self that is formless is tantamount to chopping off the Self. What a grave mistake is committed!”

“The one word I hear when people have affairs is that they feel alive. They don't talk about the fact they're having sex. They feel like they are engaged with their life. They describe an experience that beats back the deadness inside, which isn't the fault of the marriage or the partner. It's often the deadness that they have allowed to creep in for years on their own. But by definition, it's a transgressive act. And transgression is a breaking of the rules. And it gives you a sense of ownership and freedom. And ownership and freedom gives you a feeling of aliveness. It's a chain.”

“The one-legged never stumble.”

Author:Ernest Bramah

“The one-sided exploitation of existential guilt is thought reform's trump card, and perhaps its most important source of emotional influence over its participants. Revolving around it are issues most decisive to thought reform's outcome.”

“The Oneida Perfectionists, along with some of the others, believed that feminism, and abolitionism, and other causes that they pursued in their own way without participating with other people outside of their communities, were all piecemeal reforms. That's what makes a utopian a utopian, this idea that they were going to create a whole new world from scratch.”

“The oneness of the universe, and the oneness of each element of the universe, repeat themselves to the crack of doom in the creative advance from creature to creature, each creature including in itself the whole of history and exemplifying the self-identity of things and their mutual diversities.”

“The ones as big as sheep were easier to avoid, because you could see them coming, but when they flew in at the window and curled up under your eiderdown, and you did not find them till you went to bed, it was always a shock. The ones this size did not eat people, only lettuces, but they always scorched the sheets and pillowcases dreadfully.”

“The ones I love most are the people who the flaws show. I like doing characters that we see the total person. If people get afraid to show the flaws because they think, "Oh, then nobody will like them," then you end up with a lot of products, and everybody wants to be frigging heroic all the time - not what people are trapped in every day, like your skirt being in your panties after you walk out of the bathroom. Being human. Sometimes when people are drawn to your work, they're drawn because they recognize themselves or their loved ones or their neighbor in it.”

“The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface.”