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T Quotes

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All T Quotes

“There's that wonderful line in Measure for Measure. I forget which of the characters has committed adultery and is going to die. He looks at his hand and says, "How could this die?" That's the joke. I've always thought, and this is nothing new, that we don't really believe we die. I think you're going to die, because I know that's what happens but I can't imagine I'm going to die.”

“There's the 5% of the people that are wise and righteous and I'd definitely be amongst them, building, communicating, and continuing to try and figure out how we can awaken the 85%. The 85% are walking around [like] cattle, not realizing the things we do, the violence we do; you see people falling victim to all sorts of unnecessary things because they just don't know the way and nobody is showing them the way.”

“There's the ambiguity of human relationships, for instance. A relationship between two people, just like a sequence of words, is ambiguous if it is open to different interpretations. And if two people do have differing views about their relationship - I don't just mean about its state, I mean about its very nature - then that difference can affect the entire course of their lives.”

“There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.”

“There's the complex categorization of low warmth/high competence. This is the hostile stereotype of Asian Americans by white America, of Jews in Europe, of Indo-Pakistanis in East Africa, of Lebanese in West Africa, of ethnic Chinese in Indonesia, and of the rich by the poor most everywhere. It's the same low-high derogation: They're cold, greedy, clannish - -but, dang, they're sure good at making money and you should go to one who is a doctor if you're seriously sick.”

“There's the excitement of adding color, which I didn't know anything about until 1997 or so, when I did my first picture book. So, the kid's book in particular have been exciting for me because it forced me to go back to the work I loved as a young boy reading Sunday's supplements and comics in the Sunday papers when I was six, seven, eight, nine. And number of which have been in wonderful collections, beautifully reproduced.”

“There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.”

“There's the instability of my attitude as an artist, the instability of our perception of the world, and the idea that with this mix, you never know exactly what's the point of view of the filmmaker. This breaks the stability of the belief that a filmmaker is somebody who has a logical relationship with his own material. These elements create this atmosphere that I find more interesting than a normal atmosphere, based only on the characters.”