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W Quotes

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All W Quotes

“What are your thoughts?' 'My thoughts?' I replied, before I even realized what I was saying. 'My thoughts created my world.' Mac sat up in his seat. He scrunched his curls with his hands, perplexed. 'Who said that?' I told him the truth. 'Oh, just someone I used to know,' I said, stroking the naked skin on my middle finger.”

“What arouses the indignation of the honest satirist is not, unless the man is a prig, the fact that people in positions of power or influence behave idiotically, or even that they behave wickedly. It is that they conspire successfully to impose upon the public a picture of themselves as so very sagacious, honest and well-intentioned.”

“What art should be about,' they will say, 'is revealing exquisite and resonant truths about the human condition.' Well, to be honest - no, it shouldn’t. I mean, it can occasionally, if it wants to; but really, how many penetrating insights to human nature do you need in one lifetime? Two? Three? Once you’ve realised that no one else has a clue what they’re doing, either, and that love can be totally pointless, any further insights into human nature just start getting depressing really.”

“What art should do, I think, is advance the generation into the next era. It should be one step ahead of the ordinary, ahead of what is already known. Art is what pulls on the next age. I’m not saying that my art is that, but that it would be good if it could be.”

“What art Thou then, my God? what, but the Lord God? For who is Lord but the Lord? or who is God save our God? Most highest, most good, most potent, most omnipotent; most merciful, yet most just; most hidden, yet most present; most beautiful, yet most strong; stable, yet incomprehensible; unchangeable, yet all-changing; never new, never old; all-renewing, and bringing age upon the proud, and they know it not; ever working, ever at rest; still gathering, yet nothing lacking; supporting, filling, and overspreading; creating, nourishing, and maturing; seeking, yet having all things.”

“What art thou, life, that we, must court thy stay? A breath one single gasp must puff away! A short-lived flower, that with the day must fade! A fleeting vapor, and an empty shade! A stream that silently but swiftly glides To meet eternity's immeasured tides! A being, lost alike by pain or joy? A fly can kill it, or a worm destroy! Impair'd by labor, and by ease undone, Commenced in tears, and ended in a groan.”

“What Art was to the ancient world, Science is to the modern: the distinctive faculty. In the minds of men the useful has succeeded to the beautiful. Instead of the city of the Violet Crown, a Lancashire village has expanded into a mighty region of factories and warehouses. Yet, rightly understood, Manchester is as great a human exploit; as Athens.”

“What Artistic and Scientific Experience Have in Common - Where the world ceases to be the scene of our personal hopes and wishes, where we face it as free beings admiring, asking, and observing, there we enter the realm of Art and Science. If what is seen and experienced is portrayed in the language of logic, we are engaged in science. If it is communicated through forms whose connections are not accessible to the conscious mind but are recognized intuitively as meaninful, then we are engaged in art. Common to both is the loving devotion to that which transcends personal concerns and volition.”

“What Asia's postwar economic miracle demonstrates is that capitalism is a path toward economic development that is potentially available to all countries. No underdeveloped country in the Third World is disadvantaged simply because it began the growth process later than Europe, nor are the established industrial powers capable of blocking the development of a latecomer, provided that country plays by the rules of economic liberalism.”

“What assurance have we that our masters will or can keep the promise which induced us to sell ourselves? Let us not be deceived by phrases about 'Man taking charge of his own destiny'. All that can really happen is that some men will take charge of the destiny of the others. They will be simply men; none perfect; some greedy, cruel and dishonest. The more completely we are planned the more powerful they will be. Have we discovered some new reason why, this time, power should not corrupt as it has done before?”

“What astonishes us about Earl Patrick's castle works is the extraordinary beauty and refinement of their architecture. At all of them it is obvious that he employed the same architect. And it is equally obvious that this architect was an artist of the first rank, with a scholarly ans sensitive acquaintance and understanding contemporary design, particularly in France. Yet this group of buildings, so beautiful and so refined, were erected to serve the tyrannical purposes of the worst scoundrel of his time in Scotland.”

“What astonishing changes a few years are capable of producing! I am told that even respectable characters speak of a monarchical form of government without horror. From thinking proceeds speaking, thence to acting is often but a single step. But how irrevocable and tremendous! What a triumph for the advocates of despotism to find that we are incapable of governing ourselves, and that systems founded on the basis of equal liberty are merely ideal and falacious! Would to God that wise measures may be taken in time to avert the consequences we have but too much reason to apprehend.”

“What attracted me about my mirrors was the idea of having nothing manipulated in them. A piece of bought mirror. Just hung there, without any addition, to operate immediately and directly. Even at the risk of being boring. Mere demonstration. The mirrors, and even more the Panes of Glass, were also certainly directed against Duchamp, against his Large Glass.”

“What attracted me to immunology was that the whole thing seemed to revolve around a very simple experiment: take two different antibody molecules and compare their primary sequences. The secret of antibody diversity would emerge from that. Fortunately at the time I was sufficiently ignorant of the subject not to realise how naive I was being.”

“What attracted me was less art itself than the artist’s life and all that it meant for me: the idea of creativity and freedom of expression and action. I had been attracted to painting and drawing for a long time, but it was not an irresistible passion; what I wanted, at all costs, was to escape the monotony of life.”

“What attracted men? Good looks? Certainly if a girl was pretty then she tended to get the attention of men; that was beyond any doubt at all. But it was not just prettiness that mattered, because there were many girls who did not look anything special but who seemed to find no difficulty in making men notice them. These girls dressed in a very careful way; they knew which colours appealed to men (red, and other bright colours; men were like cattle in that respect) [...]”