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Air Quotes

“How can it be other than right to worship the Body of the Lord, all-holy and all-reverend as it is, announced as it was by the archangel Gabriel, formed by the Holy Spirit, and made the Vesture of the Word? It was at any rate a bodily hand that the Word stretched out to raise her that was sick of a fever (Mk. 1:31): a human voice that He uttered to raise Lazarus - the dead (Jn. 11:43); and, once again, stretching out His hands upon the Cross, He overthrew the prince of the power of the air, that now works (Eph. 2:2) in the sons of disobedience, and made the way clear for us into the heavens.”

WayHumansMadeBodyHandsChristianSpiritHeavenVoiceLordClearAirSonHolyWorshipCrossesSickRaisesRateHoly SpiritOrthodoxDisobedienceFeverOrthodox ChristianStretchingGabrielArchangelHuman VoiceReverendsLazarus
Author:John of Kronstadt
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“The music throbbed in a voice of singular and delicate power; the air was resonant with melody, love and pain. The meanest Italian in the gallery far up beneath the ceiling, the most exalted of the land in the boxes and the stalls, leaned indulgently forward, to be swept by this sweet storm of song.”

BookPainSongVoiceAirLandSweetBoxesStormMelodyItalianDelicateCeilingsGalleryExaltedLove And Pain
Book:The Judgment House (Volume 1 of 2 ) (EasyRead Super Large 18pt Edition)
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“perhaps these men in the House Caucus Room [Committee on Un-American Activities] are determined to spread silence: to frighten those voices which will shout no, and ask questions, defend the few, attack cruelty and proclaim the rights and dignity of man. ... America is going to look very strange to Americans and they will not be at home here, for the air will slowly become unbreathable to all forms of life except sheep.”

MenLooksHomeAmericaFormAsksHouseVoiceRoomsSilenceRightsAirStrangeActivityDignitySpreadDeterminedCrueltyCensorshipSheepCommitteesCaucus
Author:Martha Gellhorn
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“The trees change their voices in autumn as well as their shapes. No longer do they whisper to one another in muffled tones as they did in summer; they talk in a different leaf-language now. The wind moves through the boughs like fingers drawn across the strings of a harp filling the air with the harsh dry sound of sapless leaves. It is the main theme of the autumn music, this murmuring counterpoint of dead leaves.”

WellsDifferentMovingLanguageSoundVoiceAirTreeWindShapesSummerFingersToneThemeDryAutumnStringsHarshLeafsFillingHarpsMurmuring
Book:The Glory of the Garden
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“He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.”

PeopleKnowsTryingYearsSaidCountrySchoolYoungSongActorsFoundVoiceCitiesAirSeaProgramFolksRadioGrandmotherIntroducingSailorCrackedFolk MusicGreat CountryYoung ActorsBanjosYour GrandmotherFolk Songs
Author:Pete Seeger
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“Even the street, the sunshine, the very air had a special Sunday quality. We walked differently on Sundays, with greater propriety and stateliness. Greetings were more formal, more subdued, voices more meticulously polite. Everything was so smooth, bland, polished. And genuinely so, because this was Sunday. In church the rustling and the stillness were alike pervaded with the knowledge that all was for the best. Propriety ruled the universe. God was in His Heaven, and we were in our Sunday clothes.”

ReligionUniverseHeavenVoiceChurchQualityGreaterAirStreetsSpecialClothesSunshineSundayStillnessSmoothFormalPolitePolishedProprietyGreetingsBland
Author:Rose Wilder Lane
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“There are things about how a note sounds on a violin that are really analogous to the human voice - you have a frequency and the air, and then you have a timbre which really is overtones - and making those things work together is one thing. The other thing is mechanical: If you can use your hands and arms to create sound on a fiddle, then learning to sing with it is like adding a third body part. And it's all training.”

IfsHumansUseBodyHandsTogetherSoundVoiceOne ThingAirArmsTrainingThirdsNotesWorking TogetherFrequencyViolinFiddleHuman VoiceTimbre
Author:Bruce Molsky
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“Two large prominent eyes that rolled about to no purpose (for he was utterly short-sighted) a wide mouth, thick lips and inflated visage, gave him the air of a blind trumpeter. A deep untuneable voice which, instead of modulating, he enforced with unnecsessary pomp, a total neglect of his person, and ignorance of every civil attention, disgusted all who judge by appearance.”

PersonsTwoEyePurposeVoiceAttentionAirIgnoranceJudgingMouthsBlindLipsAppearanceWideNeglectThickProminentDisgustedShort Sighted
Book:Horace Walpole: Memoirs and Portraits
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“Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.”

IfsWayMayBookDifferentPlayLyingSoundBlackVoicePiecesHeardAirReaderMusicianPagesLettersMarkMusicalScoreInterpretationFrozenAlphabetViolinist
Author:Margaret Atwood
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“Being the offspring of English teachers is a mixed blessing. When the film star says to you, on the air, 'It was a perfect script for she and I,' inside your head you hear, in the sarcastic voice of your late father, 'Perfect for she, eh? And perfect for I, also?'”

FilmFatherStarsVoicePerfectTeacherAirBlessingLateScriptsSarcasticOffspringEnglish TeacherFilm Stars
Book:Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets
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“I had a hole in my voice. It's an area in the voice where it's air. It's just - there's no - it's just very airy. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in that middle area, it was really hard. It was like a passage. And many singers go through this and work it out. But I realized in jazz, I could just take advantage of that and take advantage of having a voice that was very different in different areas.”

DifferentHardStrongVoiceTeacherAirMiddleHigherLowsAdvantageAreasJazzNotesSingersI RealizedHolesWorking ItPassagesFrustratedRegisterAiry
Author:Cecile McLorin Salvant
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