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Antiques Quotes

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Antiques Quotes

“It was when Boston invited us to do a parade one November, and I was the only [Star Wars] cast member skeptical of the willingness of people to come out to see us five actors drive by in antique cars in the Boston rain. Well, it was the first time I really understood the show's popularity.”

“What Brighton's got is a major sea port on either side, good for importing drugs, great for exporting cash, stolen cars, stolen antiques. It's got the largest number of antique shops in the UK, so it's a great place to fence stolen goods. It's got tremendous communication: you've got the sea ports, you've got the channel tunnel, you've got Gatwick Airport 25 minutes away, and London's 50 minutes away by train. So all these escape routes... Which is what villains like.”

“I had a big fight about how to make something come into the real, to make it physical. It sounds really antique, but it's a question of, how do I make this idea happen? You can't just will it into existence. You have to educate, you have to persuade, you have to seduce, you have to do all this stuff to make something three-dimensional and happen. It's not just a concept. It's actually a reality.”

“Certain movies that are trying to evoke history are just like being in an antique store, and all you notice is that all the stuff has been gathered together, and it feels like a pile of antiques. How can you think that that will evoke the past? It doesn't even have to evoke anything, but anyway, it's how we're living. It's this moment where nobody has to immediately think too much about how things are being documented. It's a great time.”

“My room is like an antique shop, full of junk, and weird stuff. There's a big sword in there. And a taxidermy bird, and a couple of birdcages. And a lot of newspaper cuttings. I used to have a weird thing about cutting out morbid headlines from newspapers, and collecting them. I was fascinated with drowning, which is kind of strange.”

“When evening comes, I return home and go into my study. On the threshold I strip off my muddy, sweaty clothes of everyday, and put on the robes of court and palace, and in this graver dress I enter the antique courts of the ancients and am welcomed by them, and there I taste the food that alone is mine, and for which I was born. And there I make bold to speak to them and ask the motives of their actions, and they, in their humanity, reply to me. And for the space of four hours I forget the world, remember no vexation, fear poverty no more, tremble no more at death; I pass indeed into their world.”

“Is it wrong, wanting to be at home with your record collection? It's not like collecting records is like collecting stamps, or beermats, or antique thimbles. There's a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.”

“Louis-Cesare’s anger suddenly filled the small room like water, and in a heartbeat his eyes went from silver tinged to as solid as two antique coins. I sat frozen, awash in a sea of power. I was beginning to understand why Mircea had wanted him along, only Daddy had failed to mention anything about the hair-trigger temper. I guess he assumed the red hair would clue me in.”

“He had mourned each of those great trains as, one by one, they were pulled off the lines and left to rust in some yard, like old aristocrats, fading away; antique relics of times gone by.”

“Kat," Hale groaned, then fell back onto the pillows. "Funny, I didn't hear a doorbell." "I let myself in; hope that's okay." Hale smiled. "Or the alarm." She stepped inside, tossed a pocket-size bag of tools onto the bed. "You're due for an upgrade." Hale propped himself against the antique headboard and squinted up at her. "She returns." He crossed his arms across his bare chest. "You know, I could be naked in here.”

“A precious, mouldering pleasure 't is To meet an antique book In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind, The literature of old.”

“The antique, almost primitive band he held between his fingers caught the sunlight, glinting silver. “I found this ring shortly after I was banished from heaven. I kept it to remind myself of how endless my sentence was, how eternal one small choice can be. I’ve kept it a long time. I want you to have it. You broke my suffering. You’ve given me a new eternity. Be my girl, Nora. Be my everything."”

“When we're young, everyone over the age of thirty looks middle-aged, everyone over fifty antique. And time, as it goes by, confirms that we weren't that wrong. Those little age differentials, so crucial and so gross when we are young erode. We end up all belonging to the same category, that of the non-young. I've never much minded this myself.”

“A man rising in the world is not concerned with history; he is too busy making it. But a citizen with a fixed place in the community wants to acquire a glorious past just as he acquires antique furniture. By that past he is reassured of his present importance; in it he finds strength to face the dangers that lie in front of him.”

“Among the virtues and vices that make up the British character, we have one vice, at least, that Americans ought to view with sympathy. For they appear to be the only people who share it with us. I mean our worship of the antique. I do not refer to beauty or even historical association. I refer to age, to a quantity of years.”

“This is precisely the reason for the dissatisfaction of some, who end up sad - sad priests - in some sense becoming collectors of antiques or novelties, instead of being shepherds living with 'the odor of the sheep.' This I ask you: Be shepherds, with the 'odor of the sheep,' make it real, as shepherds among your flock, fishers of men.”

“Force yourself to write down what is of no interest, what is most obvious, most common, most colourless...antique shops, clothes, hi-fi, etc. Don't say, don't write 'etc'. Make an effort to exhaust the subject, even if that seems grotesque, or pointless, or stupid. You still haven't looked at anything, you've merely picked out what you've long ago picked out.”