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Antiques Quotes

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Antiques Quotes

“Harvard (across the river in Cambridge) and Boston are two ends of one mustache. ... Without the faculty, the visitors, the events that Harvard brings to the life here, Boston would be intolerable to anyone except genealogists, antique dealers, and those who find repletion in a closed local society.”

“Wheresoe'er I turn my view, All is strange, yet nothing new: Endless labor all along, Endless labor to be wrong: Phrase that Time has flung away; Uncouth words in disarray, Trick'd in antique ruff and bonnet, Ode, and elegy, and sonnet.”

“The idea of beauty which man creates for himself imprints itself on his whole attire, crumples or stiffens his dress, rounds off or squares his gesture, and in the long run even ends by subtly penetrating the very features of his face. Man ends by looking like his ideal self. These engravings can be translated either into beauty or ugliness; in one direction, they become caricatures, in the other, antique statues.”

“[Shahrazad] had perused the books, annals and legends of preceding Kings, and the stories, examples and instances of by gone men and things; indeed it was said that she had collected a thousand books of histories relating to antique races and departed rulers. She had perused the works of the poets and knew them by heart; she had studied philosophy and the sciences, arts and accomplishments; and she was pleasant and polite, wise and witty, well read and well bred.”

“Fences, unlike punishments, clearly mark out the perimeters of any specified territory. Young children learn where it is permissible to play, because their backyard fence plainly outlines the safe area. They learn about the invisible fence that surrounds the stove, and that Grandma has an invisible barrier around her cabinet of antique teacups.”

“Antique art has come down to us in a fragmentary condition, and we have virtuously adapted our taste to this necessity. Almost all our favorite specimens of Greek sculpture, from the sixth century onward, were originally parts of compositions, and if we were faced with the complete group in which the Charioteer of Delphi was once a subsidiary figure, we might well experience a moment of revulsion. We have come to think of the fragment as more vivid, more concentrated, and more authentic.”

“Freedom is not just something with which we are born; it is something we achieve. America did not receive a perpetual endowment of freedom; it has had to struggle and fight to preserve it. Freedom is not an heirloom or an antique; it is a life that must fight against the corrosive powers of death and nourish itself on the daily bread of goodness and virtue.”

“You know, where I come from, an antique, to be called an antique, it has to be at least a hundred years old. That's a law: before you can call something an antique, it has to be a hundred years old. In L.A., something that's been around for a couple of weeks is an antique. It's true! People are like, Look at this old-fashioned iPod. Look at this! It's the size of a man's hand! Ha ha ha ha. Back then-back then, people thought Mel Gibson was just acting crazy. It was a very different time.”

“Our collection of men is very antique, they stand in my list thus: A man of sense, a little rusty, a beau a good deal the worse for wearing, a coxcomb extremely shattered, a pretty gentleman very insipid, a baronet very solemn, a squire very fat, a fop much affected, a barrister learned in Coke upon Littleton, but who knows nothing of `long ways for marry as will', an heir apparent, very awkward; which of these will cast a favourable eye upon me I don't know.”

“The thing I'm obsessed with is really great bad paintings. I have a storage locker full of them and I want to give them their own museum. You don't even know who these artists are - you can buy them at garage sales, antique stores and places like that. They're brilliant because they were done with the intention of being great, but the artist sort of made a wrong turn. Some of them are hilarious and I can't get enough of them.”