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Appearance Quotes

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Appearance Quotes

“It is phenomenologically absurd to speak of the phenomenon as if it were something behind which there would be something else of which it would be a phenomenon in the sense of the appearance which represents and expresses [this something else]. A phenomenon is nothing behind which there would be something else. More accurately stated, one cannot ask for something behind the phenomenon at all, since what the phenomenon gives is precisely that something in itself.”

“Curves, Clothes, Character (The Sonnet) Your abs won't last, your racks won't last, Eventually everything ends up in wrinkle. Polish the outside all you want but, All curves are crookery if the heart is wrinkled. Slimness is not the same as fitness, Skinship is not the same as kinship. Etiquettes don't elevate the world, Apparels don't bring liberty and leadership. Waste not the life on measuring your waist, All waist is waste if the backbone is malnourished. Fitness is fiction when shallowness runs rampant, All curves are filth if the being remains prejudiced. Curves and clothes have no bearing on character whatsoever. Better a character out of shape, than a shape without character.”

“A passerby discovered a toddler sitting on the chilly concrete on an alley, playing with the wrapper of a cat food container. By the time she was brought to the hospital, her limbs were blue with cold. She was a wizened little thing, too thin, made of sticks. She knew only one word, her name. Wren. As she grew, her skin retained a slight bluish cast, resembling skimmed milk. Her foster parents bundled her up in jackets and coats and mittens and gloves, but unlike her sister, she was never cold. Her lip colour changed like a mood ring, staying bluish and purple even in summer, turning pink only when close to a fire. And she could play in the snow for hours, constructing elaborate tunnels and mock-fighting with icicles, coming inside only when called. Although she appeared bony and anaemic, she was strong. By the time she was eight, she could lift bags of groceries that her adoptive mother struggled with. By the time she was nine, she was gone.”

“Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one’s spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today’s poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.”

“At seventeen, he has grown tall, towering over me, lithe and finely muscled. His hair catches the moonlight, warm gold threaded with platinum, bangs parting around small goat horns, eyes of shocking amber, and a constellation of freckles across his nose. He has a trickster's mouth and the swagger of someone used to people doing what he wanted.”

“Right/Wrong Things To Say To A Client About Footwear Don’t Say… Unusual size of feet or bunions can be problematic to finding shoes. Do Say… Let’s find some shoes to fit your needs. I know a number of good brand/retail options.”

“But -- my dear, my heart is BROKEN! I have seen the perfect Peter Wimsey. Height, voice, charm, smile, manner, outline of features, everything -- and he is -- THE CHAPLAIN OF BALLIOL!! What is the use of anything? ... I am absolutely shattered by this Balliol business. Such waste -- why couldn't he have been an actor?”

“The word "ambition" was etymologically created from the Latin word “ambire”/going around, which was used when a politician went from house to house to ask for votes. Ambition, in its negative connotation, is the strong desire to appear great, not necessarily to become great. The struggle to become a famous person, not necessarily to become an admirable one.”

“We all line up except for this guy in a wheelchair, Devyn. He smiles at me when I line up, introduces himself. He has a movie star smile, just white teeth and charisma, big eyes, dark skin. He’d be perfect looking if he didn’t have such a large nose, but the truth is it looks good on him, natural and powerful. He winks at Issie, who blushes. “You can do it, Is,” he says. She rolls her eyes, twists her lip, and says, “As long as I don’t pass out.” “If you pass out, I’ll put you in my lap and wheel you across the finish line,” he says, and it somehow isn’t sleazy because you can tell by his eyes how much he cares about Issie. I instantly like him. She blushes worse. Her face looks like she’s already sprinted a mile.”

“Nick saunters into the gym and my heart basically stops. He’s ridiculously cute in his PE shorts and dark green T-shirt; and people that good-looking seem vulnerable, almost like they can’t be real. He’s real, though. He’s all dark skin and dark hair and dark eyes. Okay. His eyebrows, like Devyn’s nose, are a little big and if you stare at him long enough you realize that his lips are a bit lopsided. I have kissed his lips. I have felt his breath in my ear and I know without a doubt that he’s real, even if he is a werewolf. The massive muscles in his legs redefine themselves as he walks toward me. He waves a late pass at the coach and yells, “Sorry I’m late. I’ve got a pass.” “Not a problem, buddy,” Coach yells back. He and Nick are all jock bonding. Nick pockets the note, which is probably a fake. I can smell his deodorant even though he’s still far away. There are these things called pheromones, odors that guys give off to attract women. I swear his pheromones have my freaking name written on them. They hone in and attack. “You are getting all swoony faced,” Issie tells me with her singsong voice. She pokes me in the ribs with her elbow, gently. She turns to Devyn, who is smiling like a crazy man, just hanging back in his wheelchair watching the scene. “Dev. Look at Zara. She’s got her lovey-dovey look on.” As Is gazes at Devyn with her own lovey-dovey look, he says, “Yeah. Teen love. So obvious. So hormonal.” “I am not hormonal.” I fake glare at him.”

“Your attire and grooming are some of the simplest things you can do to maintain your professional bearing. Don’t allow yourself to get lazy and allow these small oversights to cost you your credibility, job or career.”

“His gaze locked with mine and a slow grin appeared on his face. He didn’t look like he had last night. More like he did every day at school. Worn jeans. A black henley instead of a T-shirt and beat-up sneakers, but goodness, I couldn’t think. Okay. Not true. I could think, but I was thinking things I really had no concept of. I was thinking about those full, slightly curved lips and how they must feel in places...other than my forehead or cheek. I was thinking about his hands and how strong they were and the oddly pleasant calluses on his palms. I was thinking about...about a lot of things—things that now didn’t feel so wrong since he was actually single. Noticing my near-prone position, Ainsley looked over her shoulder. “Oh, my good God almighty,” she murmured. “That’s him?” “Yes,” I whispered. That was so him.”

“The major was very interested in the mountains, and we in turn were very interested in the major, a spare spruce man of nearly sixty who wore light shantung summer suits and was very studious of his appearance generally, and very specially of his smooth grey hair. He also had three sets of false teeth, of which he was very proud: one for mornings, one for evenings, and one for afternoons.”

“A face stared up at her from the mirror beside her hand. Was that really what she looked like? Was that really what she looked like, all sharp lines and huge silver-grey eyes? Certainly, no one would ever call those features beautiful, Jame thought ruefully; but were they really enough like a boy's to have fooled that old man the alley? Well, maybe with that long black hair out of sight under a cap. It was a very young face and a defiant one, she thought with a odd sense of detachment, but frightened, too. And those extraordinary eyes... what memories lived in them that she could not share? Stranger, where have you been she asked silently. What have you seen? The thin lips locked in their secrets. "Ahhh!" Jame said in sudden disgust, tossing away the mirror. Fool, to be obsessed with a past she couldn't even remember. But it was all behind her now.”

“Anyway, you're to have four sets- to match jewels, I suppose- white gold, pale gold, yellow gold and rose gold. Can't have your oculars clashing with your bracelets, I suppose. I'll send the 'prentice up with them later. I'm waiting for the frames to cool now." "If the Princess is not here, you can leave them with her handmaiden, Iris," Lady Thalia put in, and came around to take a look at the Sophont's handiwork. She blinked. "Good heavens. That is 'much' more flattering!" "Yes, it is," Balan agreed with a lopsided smile. "Now you can see what pretty eyes she has. Well, I'm off! Lady Thalia, it was a pleasure meeting you. Princess, a delight to serve you!" As soon as he was out of the room, Andie was out of the chair. Picking up the skirt of her gown this time to keep it from tripping her, she ran to her bedroom to peer into the little mirror over her dressing table. The difference was astounding. The old oculars had been small, vaguely rectangular, and had cut across her face like a slash mark. These were large, circular and, for the first time, did not obscure her eyes. If anything, they made her eyes look bigger, like those of a young animal, soft and giving an impression of innocence and vulnerability. The frame, of white gold, was very simple and polished, somehow less fussy than Balan's frame of twisted wire had been. "Gracious!" Iris exclaimed. "What a difference!" "You don't think they look-well- 'owlish'?" Lady Thalia asked, a little doubtfully. "Not a bit!" Iris declared. "Just look how big they make her eyes look! And 'you've' heard all those daft poets, my Lady, going on about a girl's eyes supposed to be like a doe's, or big pools of water!”

“Unglamoured, my skin is the pale blue-grey of hydrangea blooms, smeared with dirt along one cheek and across my nose. My hair is so woven with leaves and twigs and mud that it would be almost impossible to know that underneath it is an even darker blue. I have the same pointy chin I had when I thought I was mortal. A thin face, with large eyes, and an expression of startlement, as though I expect someone else when I look in the mirror. At least my eyes could pass for human. They're green, deep and dark. I smile a little to see the awfulness of my sharp teeth. A mouth full of knives. They make even the Folk flinch.”

“A faerie crouched beside me. It was very small, its frame skeletal with a face full of teeth and two sharp black stones for eyes tucked beneath a ravenskin that it seemed to wear as a sort of cloak, but the skin had been poorly cleaned and the eyes were absent. It had all the substance of cobwebs and was both there and not there; viewed from certain angles, it was merely the shadow of a stone, and from others, a live raven. It was digging around in my pockets with fingernails the length again of its spindly arms and sharp enough to slit my throat without my noticing the injury immediately.”

“But Peter just stood there gazing at her, mouth agape. Wendy looked down at herself; she hadn't even realized how heroic a pose she struck. From her shadow- which took this opportunity to actually behave- she realized how she appeared:powerful, strong... with a scandalously short tunic cinched around her waist and improvised leggings that showed a prodigious amount of her newly tanned skin. Her hair was down around her shoulders. She bet she was the spitting image of an Amazon, short a bow. "Gosh, Wendy, you sure look different from when I first saw you," Peter mumbled. Tinker Bell put her hands on her hips and started to jingle. "Well, I must be off," Wendy said quickly. "Bye!" And she took off into the air, like Nike, triumphant.”

“I’d hate to see the look on my face when that mask came down and I saw the face behind it. Thinner than I remember. Paler. The eyes sunk deep into their sockets, kind of glazed over, like he’s sick or hurt, but I recognize it, I know whose face was hidden behind that mask. I just can’t process it. Here, in this place. A thousand years later and a million miles from the halls of George Barnard High School. Here, in the belly of the beast at the bottom of the world, standing right in front of me. Benjamin Thomas Parish. And Cassiopeia Marie Sullivan, having a full-bore out-of-body experience, seeing herself seeing him. The last time she saw him was in their high school gymnasium after the lights went out, and then only the back of his head, and the only times that she’s seen him since happened in her mind, the rational part of which always knew Ben Parish was dead like everyone else.”

“I feel the boy’s gaze on me, and I turn to him. He is still lying on the sand, propped on one arm, staring at me like a fisherman who has unexpectedly caught a shark in his nets. I return his gaze with equal candor, adding him up. His stubbled jaw is strong and just slightly crooked, his copper eyes large and expressive, his lips full. A small, cheap earring hangs from his left earlobe. A handsome boy growing into a man’s body, already powerfully built. Were he a prince or a renowned warrior, he would have entire harems vying for his attention. As it is, his rough beauty is hidden in his poorly cut clothing.”

“She hadn't gotten his expression quite right in her imagination, because the stunned, vacant expression on Shane's face when she started down the stairs was even better than fantasy. His mouth actually dropped open. Next to him, Michael turned around, and although she hadn't counted on it, there was a warm fuzzy to making a hot golden-angel vampire blink and give her a quick, involuntary once-over. Claire stopped on the steps above them and did a tentative hip-shimmy. "Okay?" she asked. Shane's mouth shut with a snap, and Michael actually cleared his throat. "Fine," Michael said. "Fine?" That was Eve, coming down the stairs behind Claire. She moved around the roadblock and punched Michael in the arm. "She looks amazing. I'm not half g*y and I think she's hot." Shane wasn't saying anything. Claire felt warm and a little dizzy, the way he was looking at her. She resisted the urge to check to see if her skirt was straight -- she'd done it a dozen times already --and forced herself to meet his gaze and smile. "You sure this is smart?" Shane asked, which was not what she'd expected, not at all. "You look fantastic." "Thanks -- " He interrupted her. "Fantastic in this town pops you to the top of the take-out menu." She held up her left hand and pointed to her wrist. The gold bracelet was clearly visible. "I'll be okay," she said. "The vamps won't bother me." "Not even talking about the vamps. You're going to be drawing every guy there who's looking to get off.”

“Hands grab me, steady me. I jerk back, but they are surprisingly gentle. He doesn’t smile as I turn to see his face. He just stands there, letting me inspect him. He’s tall with a wide forehead and dark blond hair that’s cut short. His green eyes are deeply set beneath that forehead. His lips are wide and rugged like the rest of him. His hands have huge knuckles like he’s a boxer or arthritic or hits walls. He looks like he did when he pulled me out of the car, but stronger, taller somehow. He must be completely healed. He looks my age and he looks good, like the guy in high school that everyone, even the teachers, fall in love with.”