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Appearance Quotes

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Appearance Quotes

“The appearance of strength is all about you. It would seem to last forever. However... the rotten tree-trunk, until the very moment when the storm-blast breaks it in two, has all the appearance of might it ever had. The storm-blast whistles through the branches of the Empire even now. Listen... and you will hear the creaking.”

“People who thing that they are getting something for nothing, by having government provide what they would otherwise have to buy in the private market, are not only kidding themselves by ignoring the taxes that government has to take from them in order to give them the appearance of something for nothing.”

“The thing is, as an actor, I get bored a little bit. I love to act. And between action and cuts, when you work for somebody great, it's wonderful and I still love it. The moment where you create, that instant is still magic to me. But, all the rest, I get bored with it - all the waiting, and the fact that you have to make appearances, that you have to share your life.”

“I was an advocate of the deregulation movement and I made - along with a lot of other smart people - a fundamental mistake, which is that deregulation works fine in industries which do not pervade the economy. The financial industry undergirded the entire economy and if it is made riskier by deregulation and collapses in widespread bankruptcies as what happened in 2008, the entire economy freezes because it runs on credit.”

“Truth and fact are old-fashioned and out-of-date, my friends, fit only for the dull and vulgar to live by. Appearance, not reality, is what the clever dog grasps at in these clever days. We spurn the dull-brown solid earth; we build our lives and homes in the fair-seeming rainbow-land of shadow and chimera.”

“Let us ban together to invent all the miracles and resurrection appearances which we never saw and le us carry the sham even to death! Why not die for nothing? Why dislike torture and whipping inflicted for no good reason? Let us go out to all nations and overthrow their institutions and denounce their gods! And even if we don't convince anybody, at least we'll have the satisfaction of drawing down on ourselves the punishment for out own deceit.”

“Vanity was the beginning and the end of Sir Walter Elliot's character; vanity of person and of situation. He had been remarkably handsome in his youth; and, at fifty-four, was still a very fine man. Few women could think more of their personal appearance than he did, nor could the valet of any new made lord be more delighted with the place he held in society. He considered the blessing of beauty as inferior only to the blessing of a baronetcy; and the Sir Walter Elliott, who united these gifts, was the constant object of his warmest respect and devotion.”

“So many dancers feel that what they look like is more important than who they are. This is a real danger for dancers who focus for years on appearances and think of themselves as merely a body. The choreographer can't work with them in the realm of ideas. It's a huge problem if they haven't been connecting internally. If they've decided that what's inside is of little value, they can only try to approximate some kind of look.”

“Once we have taken the backward step to an abstract view of our whole system of beliefs, evidence, and justification, and seen that it works only, despite its pretensions, by taking the world largely for granted, we are not in a position to contrast all these appearances with an alternative reality. We cannot shed our ordinary responses, and if we could it would leave us with no means of conceiving a reality of any kind.”

“To translate kinesics or paralinguistic messages into words is likely to introduce gross falsification due not merely to the human propensity for trying to falsify statements about "feelings" and relationship and to the distortions which arise whenever the products of one system of coding are dissected onto the premises of another, but especially to the fact that all such translation must give to the more or less unconscious and involuntary message the appearance of conscious intent.”

“This labour of the artist to discover a means of apprehending beneath matter and experience, beneath words, something different from their appearance, is of an exactly contrary nature to the operation in which pride, passion, intelligence and habit are constantly engaged within us when we spend our lives without self-communion, accumulating as though to hide our true impressions, the terminology for practical ends which we falsely call life.”

“Two large prominent eyes that rolled about to no purpose (for he was utterly short-sighted) a wide mouth, thick lips and inflated visage, gave him the air of a blind trumpeter. A deep untuneable voice which, instead of modulating, he enforced with unnecsessary pomp, a total neglect of his person, and ignorance of every civil attention, disgusted all who judge by appearance.”

“Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.”

“The invention of photography has dealt a mortal blow to the old modes of expression, in painting as well as in poetry, where automatic writing, which appeared at the end of the nineteenth century, is a true photography of thought. Since a blind instrument now assured artists of achieving the aim they had set themselves up to that time, they now aspired, not without recklessness, to break with the imitation of appearances.”