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Between The Lines Quotes

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Between The Lines Quotes

“When Sam told this story to Sadie, she laughed, though she barely seemed to be listening. He had framed the story in a humorous way, smoothed off some of the edges of his hostility toward the woman in the park. But as he told it, he could feel himself back in that dog park. He could feel the dry California heat and the murderous pounding of his heart. Without warning, an anecdote he had meant to be amusing did not feel amusing. Anyone, who had truly looked at Tuesday could not have possibly seen a coyote. But the woman had not truly looked, and the injustice of this hit him. Why was is it acceptable for apparently well-meaning people to see the world in such a general way? Sam was put off by Sadie's laughter. He asked her what was funny. She was confused for a moment---hadn't he wanted her to laugh?---and then she said, annoyed, "You get that this a story about you, right? That's why you lost your mind at a dog park. You're Tuesday. You're the incredibly special dog that no one can classify." It was not long after their huge argument, and things were quite strained between them. Sam told her that she was being reductive, and that her interpretation was insulting to both him and the dog. "It's a story about Tuesday," he insisted. "Maybe it's a story about L.A., too. Maybe it's a story about the kind of people that go to the dog park in Silver Lake. But it's mainly a story about Tuesday." "The text," she said, "perhaps.”

“an Autobiography is the truest of all books; for while it inevitably consists mainly of extinctions of the truth, shirkings of the truth, partial revealments of the truth, with hardly an instance of plain straight truth, the remorseless truth is there, between the lines, where the author-cat is raking dust upon it which hides from the disinterested spectator neither it nor its smell... the result being that the reader knows the author in spite of his wily diligences.”

“We like books that have a lot of dreck in them, matter which presents itself as not wholly relevant (or indeed, at all relevant) but which, carefully attended to, can supply a kind of "sense" of what is going on. This "sense" is not to be obtained by reading between the lines (for there is nothing there, in those white spaces) but by reading the lines themselves looking at them and so arriving at a feeling not of satisfaction exactly, that is too much to expect, but of having read them, of having "completed" them.”

“In a very real sense, the Constitution is our compact with history . . . [but] the Constitution can maintain that compact and serve as the lodestar of our political system only if its terms are binding on us. To the extent we depart from the document's language and rely instead on generalities that we see written between the lines, we rob the Constitution of its binding force and give free reign to the fashions and passions of the day.”

“Few stories are written about what happens to the princess after the wedding. Reading between the lines of other stories, we can sketch out her "happily ever after": The princess gets pregnant and hopes for sons. As long as she is faithful and bears sons, she is considered to be a good wife. We don't hear whether or not she's a good mother, unless something goes wrong with her children.... All of history has been written about the subsequent adventures in the chapters of his life.”

“The whole notion of politics is they always present you with this or this or this. I’ll get a newspaper to read between the lines. Why do you have to adhere to prescribed formulas that they have and people argue over them and they’re all in a box. And you watch Fox claw CNN, and CNN claw Fox. Sometimes I catch a piece of the news and it seems insanity to me. I quietly support candidates. I’m not out there banging a drum for candidates. But I have supported a candidate and it’s a whole other world.”

“As far as people communicating with each other well I think that listening is important. You know really trying to read between the lines of what some body is saying and trying to read their mind a little bit where there at because most people don't really say what they're feeling. Which is the bones of great literature.”

“I'm a spiritual person, I believe that if you read the bible, you get what you want from it. But, when you actually read it, you see the beauty, spirituality, the joy and love and what makes us godly. And then if you read between the lines of all the same books, you always see the human influence in the writing... it's not all about religiousness, it's about spirituality.”

“A lot of things look good on an academic's blackboard in terms of the actions that need to be taken. It's almost like a football coach, when you draw the X's and O's: Every play that is chalked on that board goes for a touchdown. Well, there are a lot of yards to be made between the line of scrimmage and the touchdown.”

“Imagine a poem written with such enormous three-dimensional words that we had to invent a smaller word to reference each of the big ones; that we had to rewrite the whole thing in shorthand, smashing it into two dimensions, just to talk about it. Or don’t imagine it. Look outside. Human language is our attempt at navigating God’s language; it is us running between the lines of His epic, climbing on the vowels and building houses out of the consonants.”

“I moved to leave, and Dylan actually grabbed my shoulders. I was so surprised that i forgot to karate-chop his elbows and break his arms.' “I don’t want anything to happen to you,” he said urgently. “What you want does not matter here,” I said slowly and carefully. I hoped Dylan was sensitive enough to read between the lines, to the subtext of: Let go of me or I’ll kill you.”