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“Hypocrisy versus authenticity among men is not always so black and white, and as is righteousness, humility is often self-proclaimed. The Church is most definitely supposed to be a hospital for the spiritually, emotionally, mentally, and physically sick, hurting, and broken individual, yet ironically, many of its critics are those who ran away and permanently denounced its members after they visited and felt that they were sneezed on.”

“I didn't like what was on TV in terms of sitcoms—it had nothing to do with the color of them—I just didn't like any of them. I saw little kids, let's say 6 or 7 years old, white kids, black kids. And the way they were addressing the father or the mother, the writers had turned things around, so the little children were smarter than the parent or the caregiver. They were just not funny to me. I felt that it was manipulative and the audience was looking at something that had no responsibility to the family.”

“He[Michael Jackson] had a joy in being alive. There was a joy you felt of him on the stage and making us not just feel good but pushing us against ourselves with the "Man in the Mirror," looking at ourselves critically, "Black or White," what does it mean to get caught in a color as opposed to a rich history and culture?”

“I have always secretly felt that what mankind should be in an ideal sense is that mixture of people and races. I really believe in it. I don't think there is anything sacred in the integrity of race, white or black.”

“Spike Lee made such a difference in terms of black filmmakers, the subtleties - those authors, those writers who write from love, and those who write from that lofty position of superiority.I felt he took aspects of the black experience in America and held it up for us to see. He tried to put it in perspective. He did put it in perspective in his unique way.”

“Coming from the South, I just felt you had to work just a little bit harder. It was not going to be handed to you. I’d get the letters from all the major schools but no one came out to talk to me face to face until this small, dominant black school, Mississippi State Valley University sent a coach out to me. I had a chance to talk to him and he said, ‘Hey Jerry, we’re going to be doing some great things at Mississippi Valley State University and we would love to have you there.’”

“Whatever success I have achieved, whatever positions of leadership I have held have depended less on Ivy League degrees or SAT scores or GPAs and have instead been due to that sense of connection and empathy, the special obligation I felt as a black man like you to help those who need it most, people who didn't have the opportunities that I had because there, but for the grace of God go I. I might have been in their shoes. I might have been in prison. I might have been unemployed. I might not have been able to support a family. And that motivates me.”

“It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.”

“Ron Karenga wrote a book back in 1968, and in that book, he said that the reason, part of his motivation for starting Kwanzaa was because he felt that Christianity was the white man religion, and he didn't like Jews, and so he made up this lie. And he called it an African holiday because he was concerned that if he didn't call it an African holiday, that black Americans would not participate in it.”

“Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.”

“As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.”

“One of the facets of growing up the way I did, I never had the experience of being solely in the black community. Even my family, my mother is what they call Creole, so she's part French, part black, and grew up in Louisiana. It's a very specific kind of blackness that is different than what is traditionally thought of as the black community and black culture. So, I never felt a part of whatever that was.”