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Boys Quotes

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Boys Quotes

“Being a father is the hardest job on the planet, because we don't have parental instincts like women have. You have to learn how to be a father before you even become a father, from a very young age. It's necessary to override what we're told in society a father should be, like if your son falls and scrapes his knee, you got to be tough. Baseball and all that are cool, but it's the tenderness and interactions that are really important. Boys are different; we have to impart that sensibility and that tenderness to them.”

“The gang may be a safer place than home, but it's not without its problems. In some instances, especially in the Latino community, the boys have very traditional views of femininity even though they are gang members. The girls can be [seen] as sexually available, but not the good girl that you want to take home to your family, even by young men in the gangs.”

“I would suppose I learned how to write when I was very young indeed. When I read a child's book about the Trojan War and decided that the Greeks were really a bunch of frauds with their tricky horses and the terrible things they did, stealing one another's wives, and so on, so at that very early age, I re-wrote the ending of the Iliad so that the Trojans won. And boy, Achilles and Ajax got what they wanted, believe me. And thereafter, at frequent intervals, I would write something. It was really quite extraordinary. Never of very high merit, but the daringness of it was.”

“Two young salmon are swimming along one day. As they do, they are passed by a wiser, older fish coming the other way. The wiser fish greets the two as he passes, saying, "Morning boys, how's the water?" The other two continue to swim in silence for a little while, until the first one turns to the other and asks, "What the hell is water?"”

“When I was young, we thought that Oscar Wilde was a great nobleman who had thrown his life away for love. Nothing could be less true. He slept with East Enders who were procured for him by Lord Alfred Douglas. He knew them only 'in Braille' - the curtains were never drawn back in the rooms in Oxford where he met those boys. It was the most sordid life you can imagine. And he was bleating about love and dragging the fair name of Mr. Plato into the trial - after a life like that?”

“What I would say to young women is: Pay attention to the real. Pay attention to what you're really thirsting for. What do you really want? And I think that's much harder to decipher in a culture that has no interest in it. What interests me is, are we going to wake in time? Are human beings going to wake up to ourselves, to the incredible poverty that's on this planet, to what we're doing to the earth, to what we're doing to women, to what we're doing to boys? That's what's important.”

“I knew as a young boy that addiction and alcoholism afflict people - good, loving people - in profound ways, and that some people - usually from those rare "normal" families that I longed for as a child and as an adult wonder if they even exist - didn't understand this and sort of looked down their noses at people suffering with addiction.”

“I walk into office, which is the casting office for CBS in New York. Mainly what they cast out of this office was the CBS daytime shows. I go in and walk into this room which every seat is filled with young African-American boys and girls and they were in their teens. I went, "I'm in the wrong place. Why am I here? What's going on?"So I go in and meet Norman [Lear].”

“My father modestly referred to himself as the Great Santini when we were growing up. And he took it - I later learned he had seen a high-wire aerialist when he was a boy, and he was up doing acrobatics in his airplane, and when he came down one time - when was a young lieutenant - he said, I was better than the Great Santini today. And some of the other pilots heard it, and the nickname stuck.”

“This particular one was very, very heartwarming and is the relationship of an older man and a young boy that are essentially on the run. And so yeah, as I say, Barry Crump wrote a lot of books and this one got into the hands of Taika Watiti who then writing the screenplay decided to really vamp up if that's the word, or ramp up and modernize certain phrases - getting in the humor. So he added a lot of a real comedy perspective onto it which is what I think the story needed anyway, especially for it to turn into a film. And it worked.”

“The work that I've been trying to do with violence against women and children comes from seeing quite a bit of violence. I just think it's important that we try to help the young boys who are watching the fathers do it - because if it's OK for the fathers to do it, then these young boys are watching their dads and going, well, nothing's happening to them, so maybe this is OK. But actually, this violence needs to stop in the sandpits.”

“We also ought to recognize that unpaid labor falls predominantly to women. The other thing I would do in countries like the U.S. is to show more men, even in TV ads, doing household work. Only two percent of ads show men doing chores, and yet we know they actually do several hours of it in real life. Those images affect young boys and girls.”

“Aunt May's values and Spiderman's traumas are kind of what's defined him as a young boy and now that he's becoming a young man, she's there to provide that safe place where he can still be a kid if he needs to be, or know that he has a home base as he's going through all these physical changes. So as long as those essentials are there, we can work on finding the character together.”