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Character Quotes

“Being a former dancer, classical dancer, it informed me as a human being just in terms of the grace I guess. Ballet is a very graceful form of art. You also become very aware of your body and your mind and your body is working in conjunction. That kind of helps you in acting as well. It's not only using your mind, it's like making your mind communicate this character into your body so that you can bring it to life and physicalize it.”

“You can teach almost anyone determined to learn them the basics required to write sentences and paragraphs that say what you want them to say clearly and concisely. It's far more difficult to get people to think like a writer, to give up conventional habits of mind and emotion. You must be able to step inside your character's skin, and at the same time to remain outside the dicey circumstances you have maneuvered her into.”

“Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.”

“Everyone who comes within the reach of your knowledge is, as it were, on trial in your mind. It is easy to be an unjust, ignorant, and even a merciless judge. The real character of the actions of others depends in great measure on the motives that prompt them, and these motives are unknown to you.”

“A library represents the mind of its collector, his fancies and foibles, his strength and weakness, his prejudices and preferences. Particularly is this the case if, to the character of a collector, he adds - or tries to add - the qualities of a student who wishes to know the books and the lives of the men who wrote them. The friendships of his life, the phases of his growth, the vagaries of his mind, all are represented.”

“The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.”

“Paranoia imposes its own vision on the external world; it differs from other kinds of visionary experience in that the paranoid wants others to share his view—even insists on it. Paranoia is very like poetic creativity. This accounts for my fascination with certain people in whom this state of mind was evident: ‘characters’ met by chance, whose words and gestures would haunt me for years until, finally, in a poem I was able to dispel them.”

“Robert Creeley has forged a signature style in American poetry, an idiosyncratic, highly elliptical, syntactical compression by which the character of his mind’s concentrated and stumbling proposals might be expressed … Reading his poems, we experience the gnash of arriving through feeling at thought and word.”

“Independence of mind or strength of character is rarely found among those who cannot be confident that they will make their way by their own effort.... Indeed, when security is understood in too absolute a sense, the general striving for it, far from increasing the chances of freedom, becomes the greatest threat to it.”

“Pride is the recognition of the fact that you are your own highest value and, like all of man's values, it has to be earned-that of any achievements open to you, the one that makes all others possible is the creation of your own character-that your character, your actions, your desires, your emotions are the products of the premises held by your mind.”

“L'homme est ne pour la socie te ; se parez-le, isolez-le, ses ide es se de suniront, son caracte' re se tournera, mille affections ridicules s'e le' veront dans son coeur; des 274 pense es extravagantes germeront dans son esprit, comme les ronces dans une terre sauvage. Man is born to live in society: separate him, isolate him, and his ideas disintegrate, his character changes, a thousand ridiculous affectations rise up in his heart; extreme thoughts take hold in his mind, like the brambles in a wild field.”

“Literature is the voice of the age and the state; the character, energy, and resources of the country are reflected and imaged forth in the conceptions of its great minds; they are organs of the time; they speak not their own language, they scarce think their own thoughts; but under an impulse like the prophetic enthusiasm of old, they must feel and utter the sentiments which society inspires.”

“Be sure the safest rule is that we should not dare to live in any scene in which we dare not die. But, once realise what the true object is in life — that it is not pleasure, not knowledge, not even fame itself, 'that last infirmity of noble minds' — but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man — and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!”

“From the beginning it was drilled into me that a golf course was a place where character fully reveals itself -- both its strengths and its flaws. As a result, I learned early not only to fix my ball marks but also to congratulate an opponent on a good shot, avoid walking ahead of a player preparing to shoot, remain perfectly still when someone else was playing, and a score of other small courtesies that revealed, in my father's mind, one's abiding respect for the game.”

“By the study of their biographies, we receive each man as a guest into our minds, and we seem to understand their character as the result of a personal acquaintance, because we have obtained from their acts the best and most important means of forming an opinion about them. "What greater pleasure could'st thou gain than this?" What more valuable for the elevation of our own character?”

“For the lost are lost by nature, all your ideas of moral regeneration will make no difference, there is AN INNATE DETERMINISM, there is an undeniable incurability in suicide, crime, idiocy, madness, there is an invincible cuckoldry in man, there is a congenital weakness of the character, a castration of the mind.”

“Great occasions rally great principles, and brace the mind to a lofty bearing, a bearing that is even above itself. But trials that make no occasion at all, leave it to show the goodness and beauty it has in its own disposition. And here precisely is the superhuman glory of Christ as a character, that He is just as perfect, exhibits just as great a spirit in little trials as in great ones.”

“The habit of seen the public rule, is gradually accustoming the American mind to an interference with private rights that is slowly undermining the individuality of the national character. There is getting to be so much public right, that private right is overshadowed and lost. A danger exists that the ends of liberty will be forgotten altogether in the means.”

“Worry is the most popular form of suicide. Worry impairs appetite, disturbs sleep, makes respiration irregular, spoils digestion, irritates disposition, warps character, weakens mind, stimulates disease, and saps bodily health. It is the real cause of death in thousands of instances where some other disease is named on the death certificate.”

“No matter where the skeptical thought originates, or how it gets access to our minds, we see at once that it flattens the level of life and every aspiration. It makes our character less vigorous. The gospel is not simply a philosophy of religion or law of life, but it is an apocalypse, showing the heavens to our thought, and so bringing its spiritual benedictions to every heart and life.”

“If there be a mind that, not perceiving in the narratives we have compared the fingermarks of tradition, and hence the legendary character of these evangelical anecdotes, still leans to the historical interpretation, whether natural or supernatural; that mind must be alike ignorant of the true character both of legend and of history, of the natural and the supernatural.”