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Claims Quotes

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Claims Quotes

“I am not even an atheist so much as I am an antitheist; I not only maintain that all religions are versions of the same untruth, but I hold that the influence of churches, and the effect of religious belief is positively harmful. Reviewing the false claims of religion, I do not wish, as some sentimental materialists affect to wish, that they were true. I do not envy believers their faith. I am relieved to think that the whole story is a sinister fairy tale; life would be miserable if what the faithful affirmed was actually the case.”

“The argument that the literal story of Genesis can qualify as science collapses on three major grounds: the creationists' need to invoke miracles in order to compress the events of the earth's history into the biblical span of a few thousand years; their unwillingness to abandon claims clearly disproved, including the assertion that all fossils are products of Noah's flood; and their reliance upon distortion, misquote, half-quote, and citation out of context to characterize the ideas of their opponents.”

“Does it take a blanket presupposition for a historian to discount some miracle stories as legendary? No, because, as even Bultmann recognized, there is no problem accepting reports even of extraordinary things that we can still verify as occurring today, like faith healings and exorcisms. However you may wish to account for them, you can go to certain meetings and see scenes somewhat resembling those in the gospels. So it is by no means a matter of rejecting all miracle stories on principle. Biblical critics are not like the Committee for Scientific Investigation of Claims of the Paranormal.”

“Mystery fiction is, after all, a substitute for tranquilizers, strong drink, and bad, if diverting, companions. One slips into bed ... onto the train ... into the chair in the sickroom ... and is suddenly transported to a place where light fights dark and wins. When the story's over, one is left without a hangover, without remorse. Can any other opiate make that claim?”

“The short story is at an advantage over the novel, and can claim its nearer kinship to poetry, because it must be more concentrated, can be more visionary, and is not weighed down (as the novel is bound to be) by facts, explanation, or analysis. I do not mean to say that the short story is by any means exempt from the laws of narrative: it must observe them, but on its own terms.”

“In the country field, we’re brought up in spiritual homes, we’re taught to “judge not lest you be judged,” and it’s always been a mystery to me how people jump all over things just to criticize, condemn and judge other people when that is so un-Christian – and they claim to be good Christians! We’re supposed to love one another. We’re supposed to accept and love one another. Whether we do or not, that’s a different story. But that’s what we’re supposed to do.”

“It's called "Pickman's Mephitic Models," based on the story [Pickman's Model by H. P. Lovecraft].Certain things about it many people don't realize. Pickman was a real painter who lived between 1888 and 1926. Now, there's a question mark [gesturing toward the writing in the margins of the painting], because Lovecraft claims that he turned into a ghoul. God knows how old he is now.”

“Perhaps the dumbest of these story lines is that [Pope] Francis has re-opened conversation and debate in a Church that had been closed and claustrophobic for 35 years under John Paul II and Benedict XVI. I defy anyone who, over the last 35 years, has spent time on the campuses of Notre Dame or Georgetown, or who has read the National Catholic Reporter, or who has gone to a meeting of the Leadership Conference of Women Religious, to make that claim without experiencing a twinge of conscience that says, "I should wash my mouth out with soap."”

“I'm convinced that the Christian claim is really true, that this is just a warm up to the big event. That this is just the appetizer to the feast, and if we can plug into that and understand that this part of our story is just the introduction, it is not even the first line of the first paragraph, it's just the first letter or first word. We are just getting started.”

“Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish.”

“We look down our noses at people who've made mistakes in relationships. She's so stupid! How could she do that! Our superiority makes us feel better. But I’d bet everything I have on the fact that people to claim to have a perfect record in love are either lying or have very limited dating experience. People who say, I’d never do that! Someday, unless you are very, very lucky, you’ll have a story to tell. Or not to tell.”

“And of course these days I feel like there is a nation of us - displaced southerners and children of the working class. We listen to Steve Earle, Mary J. Blige, and k.d. lang. We devour paperback novels and tell evil mean stories, value stubbornness above patience and a sense of humor more than a college education. We claim our heritage with a full appreciation of how often it has been disdained. And let me promise you, you do not want to make us angry.”

“How to avoid cliche at the root of conception? Practice sincerity. If we've come by ... material honestly, through our own personal experience or imagination, we may rightly claim it as our own. ... The way to make material your own is to look for it in yourself. ... It should be a story that only you can tell, as only you can tell it.”

“I hope to make pictures like I walk in the desert—under a spell, an instinct of motion, a kind of knowing that is essentially indirect and sideways.Of all the things I wondered about on this land, I wondered the hardest about the seduction of certain geographies that feel like home–not by story or blood but merely by their forms and colors. How our perceptions are our only internal map of the world, how there are places that claim you and places that warn you away. How you can fall in love with the light.”