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Classics Quotes

Browse 195 quotes about Classics.

Classics Quotes

“And the roses were humbled. “You’re lovely, but you’re empty,” he went on. “One couldn’t die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she’s the one I’ve watered. Since she’s the one I put under glass. Since she’s the one I sheltered behind a screen. Since she’s the one for whom I killed the caterpillars (except the two or three for butterflies). Since she’s the one I listened to when she complained, or when she boasted, or even when she said nothing at all. Since she’s MY rose.”

LoveBeautyImportanceClassicsFavorites
Book:The Little Prince
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“You are going, Jane?" "I am going, sir." "You are leaving me?" "Yes." "You will not come? You will not be my comforter, my rescuer? My deep love, my wild woe, my frantic prayer, are all nothing to you?" What unutterable pathos was in his voice! How hard was it to reiterate firmly, "I am going!" "Jane!" "Mr. Rochester." "Withdraw then, I consent; but remember, you leave me here in anguish. Go up to your own room, think over all I have said, and, Jane, cast a glance on my sufferings; think of me." He turned away, he threw himself on his face on the sofa. "Oh, Jane! my hope, my love, my life!" broke in anguish from his lips. Then came a deep, strong sob.”

RomanceHeartbreakClassics
Book:Jane Eyre
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“his feelings as to a first, strong attachment; sentences begun which he could not finish, his half averted eyes and more than half expressive glance; all, all declared that he had a heart returning to her at least; that anger, resentment, avoidance, were no more; and that they were succeeded, not merely by friendship or regard, but by the tenderness of the past. Yes, some share of the tenderness of the past. she could not contemplate the change as implying less. He must love her.”

RomancePersuasionJane AustenClassics
Book:Persuasion
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“I tought how tragic it would be if you were wasted. For there is such a little time that your youth will last - such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth.”

NovelOscar WildeClassicsDorian Gray
Book:The Picture of Dorian Gray and Three Stories
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“It was the beginning of what I thought I had lost. Time—you know that—is diluted death, a poison administered slowly, in harmless doses. At first it stimulates us and even makes us feel immortal—but drop by drop and day by day it grows stronger and destroys our blood. Even if we wanted to buy back our youth at the price of the years that are still ahead of us, we couldn't; the acid of time has changed us, the chemical combination isn't the same any more. It would take a miracle. That miracle happened in Zurich." He stood still, looking down at the sparkling city. "This is the most terrible night in my life," he said slowly. "I want to remember it as the happiest. Shouldn't memory be able to do that? It must. A miracle is never perfect when it happens; there are always little disappointments. But once it's gone for good and nothing can change it, memory could make it perfect, and then it would never change. If I can just call it to life now, won't it always stay the same? Won't it stay with me as long as I live?”

NovelClassics
Book:The Night in Lisbon
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“Straightway [Juno] sought the filthy slimy shack Where Envy dwelt deep in a dreary dale, A gruesome sunless hovel, filled with frost, Heart-numbing frost, its stagnant air unstirred By any breeze, for ever lacking warmth Of cheerful fire, for ever wrapped in gloom. ... The door flew wide and there She saw foul Envy eating viper's flesh, Fit food for spite, and turned her eyes away. ... [Envy's] cheeks are sallow, her whole body shrunk, Her eyes askew and squinting; black decay Befouls her teeth, her bosom's green with bile, And venom coats her tongue. She never smiles Save when she relishes the sight of woe; Sleep never soothes her, night by night awake With worry, as she sees against her will Successes won and sickens at the sight. She wounds, is wounded, she herself her own torture,”

PrideEnvyJealousyClassicsAdmelville
Author:Ovid
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“...and all that day and through the windless night they laboured at the indefatigable oar. They worked like oxen ploughing the moist earth. The sweat pours down from flank and neck; their rolling eyes glare out askance from under the yoke; hot blasts of breath come rumbling from their mouths; and all day long they labour, digging their hoofs into the soil. Thus the crew of Argo all through the night ploughed the salt water with their oars”

Greek MythologyClassicsRieu Translation
Author:Apollonius of Rhodes
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“Many scholars forget, it seems to me, that our enjoyment of the great works of literature depends more upon the depth of our sympathy than upon our understanding. The trouble is that very few of their laborious explanations stick in the memory. The mind drops them as a branch drops its overripe fruit. ... Again and again I ask impatiently, "Why concern myself with these explanations and hypotheses?" They fly hither and thither in my thought like blind birds beating the air with ineffectual wings. I do not mean to object to a thorough knowledge of the famous works we read. I object only to the interminable comments and bewildering criticisms that teach but one thing: there are as many opinions as there are men.”

ReadingLiteratureEducationBooksCriticismWordsOpinionsClassics
Author:Helen Keller
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“I recognized it instantly. It was a made-up story, a fantasy, the tale of four kids who went through a magic wardrobe and found themselves in a strange new world. I'd read it more times than I could remember, and although I sneered at the thought of a magical land with friendly, talking animals, there were times when I wished, in my most secret moments, that I could find a hidden door that would take us allout of this place.”

ReadingBooksClassics
Book:The Immortal Rules
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“Classics are books which, the more we think we know them through hearsay, the more original, unexpected, and innovative we find them when we actually read them. Of course this happens when a classic text 'works' as a classic, that is when it establishes a personal relationship with the reader. If there is no spark, the exercise is pointess: it is no use reading classics out of a sense of duty or respect, we should only read them for love.”

LoveReadingClassics
Book:Why Read the Classics?
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“A classic is a work which gives pleasure to the minority which is intensely and permanently interested in literature. It lives on because the minority, eager to renew the sensation of pleasure, is eternally curious and is therefore engaged in an eternal process of rediscovery. A classic does not survive for any ethical reason. It does not survive because it conforms to certain canons, or because neglect would not kill it. It survives because it is a source of pleasure, and because the passionate few can no more neglect it than a bee can neglect a flower. The passionate few do not read "the right things" because they are right. That is to put the cart before the horse. "The right things" are the right things solely because the passionate few like reading them. Hence—and I now arrive at my point— the one primary essential to literary taste is a hot interest in literature. If you have that, all the rest will come. It matters nothing that at present you fail to find pleasure in certain classics. The driving impulse of your interest will force you to acquire experience, and experience will teach you the use of the means of pleasure. You do not know the secret ways of yourself: that is all. A continuance of interest must inevitably bring you to the keenest joys.”

ReadingLiteratureClassics
Author:Arnold Bennett
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“What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.”

DeathDreamsArchitectureUnhappinessClassicsMuseum
Book:The Secret History
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“Αυτά γιά τ'όργωμα της γης καί γιά τήν επιμέλεια Των ζωντανών εγώ έψαλλα, καί γιά τά δέντρα ακόμα, Όταν ο μέγας Καίσαρας τινάζει του πολέμου Τ'αστροπελέκι στό βαθύν Ευφράτη και χαρίζει Νόμους στούς πρόθυμους λαούς νικώντας, και το δρόμο Αρχίζει πρός τόν Όλυμπο. Καί τόν καιρόν εκείνον Εμένα τό Βεργίλιο, που εμέστωνα στές τέχνες Άδοξης σκόλης η γλυκειά μ'εθρεφε Παρθενόπη, Εμέ που παιγνιδίζοντας των πιστικών τραγούδια Είχα τονίσει μία φορά καί τολμηρό κοπέλλι, Τίτυρε, κάτου απ'της οξιάς τή στέγη εσέ είχα ψάλει.”

CultureHistoryLandPoemClassics
Book:The Georgics
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“When sonneteering Wordsworth re-creates the landing of Mary Queen of Scots at the mouth of the Derwent - Dear to the Loves, and to the Graces vowed, The Queen drew back the wimple that she wore - he unveils nothing less than a canvas by Rubens, baroque master of baroque masters; this is the landing of a TRAGIC Marie de Medicis. Yet so receptive was the English ear to sheep-Wordsworth's perverse 'Enough of Art' that it is not any of these works of supreme art, these master-sonnets of English literature, that are sold as picture postcards, with the text in lieu of the view, in the Lake District! it is those eternally, infernally sprightly Daffodils.”

CriticismDeepClassicsWordsworthHalf Witted Sheep
Book:Fifty Works of English Literature We Could Do Without
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“I tell you I must go!” I retorted, roused to something like passion. “Do you think I can stay to become nothing to you? Do you think I am an automaton?—a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;—it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God’s feet, equal,—as we are!”

FeelingsEmotionsClassicsJane Eyre
Book:Jane Eyre
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