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Color Quotes

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Color Quotes

“I didn't like what was on TV in terms of sitcoms—it had nothing to do with the color of them—I just didn't like any of them. I saw little kids, let's say 6 or 7 years old, white kids, black kids. And the way they were addressing the father or the mother, the writers had turned things around, so the little children were smarter than the parent or the caregiver. They were just not funny to me. I felt that it was manipulative and the audience was looking at something that had no responsibility to the family.”

“He[Michael Jackson] had a joy in being alive. There was a joy you felt of him on the stage and making us not just feel good but pushing us against ourselves with the "Man in the Mirror," looking at ourselves critically, "Black or White," what does it mean to get caught in a color as opposed to a rich history and culture?”

“African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States, and excite in his bosom a lively, deep, decided and heart-felt interest.”

“Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.”

“People do not want to be disillusioned by the new president [Barak Obama]. The liberals felt, finally, this is our time. Now they're worried. Now what they see is more business as usual. We all want to give him the benefit of the doubt, we know it's a tough job and he inherited a mess, but at the end of the day, is it really change we can believe in when there's no public options and Wall Street reform has no teeth in it? It really looks a lot like we just changed the color.”

“I woke up early one morning a couple of years ago and felt the tenderness of my being alone, the bitter sweetness of it. It has many colors, being alone. I walked out into my living room and I can say honestly that everything was pouring with life - the red sofa, the chairs with their patterns of roses, even the coffee table with its scattering of books. Everything was alive with the presence of being. Seeing the world though those eyes, I realized that I could never really be alone.”

“As a kid growing up and seeing so much strife taking place in society, and particularly on Blacks and people of color, I had an opportunity as a young man to witness the change that was taking place in Harlem, the exodus of white folks leaving Harlem, which I thought was a very cohesive situation. But they felt that they needed to leave.”

“Let's start with the black glove. We felt it necessary being the fact that the Olympic Games, for the first time ever [in 1968], had been televised worldwide. The second thing is the fact that it was in Technicolor. Never had the games been shown in color before.We wanted it to be understood that we were representing America, but we were representing Black America in particular, so that's why we put the black glove on.”

“'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.”