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Color Quotes

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Color Quotes

“The bluebird enjoys the preeminence of being the first bit of color that cheers our northern landscape. The other birds that arrive about the same time--the sparrow, the robin, the phoebe-bird--are clad in neutral tints, gray, brown, or russet; but the bluebird brings one of the primary hues and the divinest of them all.”

“Haiti is the kind of place that grabs your heart, and never lets go ... When you arrive in Port-au-Prince, the first thing that strikes you is how vibrant the colors are. Buses, buildings, fences, clothing, everything is brightly painted in primary hues. On closer inspection, you see the reality behind this brightly colored landscape: a dark, grinding poverty, the worst in the Western hemisphere.”

“Once in his life, a man ought to concentrate his mind upon the remembered earth, I believe. He ought to give himself up to a particular landscape in his experience, to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of noon and all the colors of the dawn and dusk.”

“Well, painting is the one thing I do, that is just me. It's me and easels, and the pencils. And as long as I don't drool too much over the canvas, the colors come out pretty good. And it's a chance to express all that I've got inside, that I sometimes keep hidden. And I think that's why I paint big broad, wide open landscapes.”

“Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.”

“The pleasure a man gets from a landscape would [not] last long if he were convinced a priori that the forms and colors he sees are just forms and colors, that all structures in which they play a role are purely subjective and have no relation whatsoever to any meaningful order or totality, that they simply and necessarily express nothing....No walk through the landscape is necessary any longer; and thus the very concept of landscape as experienced by a pedestrian becomes meaningless and arbitrary. Landscape deteriorates altogether into landscaping.”