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Color Quotes

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Color Quotes

“Looking for the essence of beauty is comprehending and appreciating that quality in an object which is fairer and better than only what our eyes see or our ears hear, whether that be a patch of blue in an overcast sky, the fleeting laughter from a voice we love, or something as unexpected as the rainbow colors in a spot of oil on the driveway.”

“As might be expected of creatures so heavenly in color, the disposition of bluebirds is particularly angelic. Gentleness and amiability are expressed in their soft musical voice. Tru-al-ly, tru-al-ly, they sweetly assert when we can scarcely believe that spring is here; tru-wee, tur-wee they softly call in autumn when they go roaming through the countryside in flocks of azure.”

“I spoke with the crows before leaving for Los Angeles. They were the resident storytellers whose strident and insistent voices added the necessary dissonance for color. They had cousins in California, and gave me their names and addresses, told me to look them up. They warned me, too, what they had heard about attitude there. And they were right. Attitude was thick, hung from the would-be's and has-beens and think-they-ares, so thick that I figured it was the major source of the smog.”

“Stacy Schiff is that rare combination: a first-rate historian and a brilliant storyteller. Using a wide range of sources, she spins straw into gold, conjuring the world of Ptolemaic Egypt in full vibrant color, and returning the voice of one of the most powerful, fascinating, and maligned women in history. Cleopatra is impossible to put down.”

“Some things cannot be spoken or discovered until we have been stuck, incapacitated, or blown off course for a while. Plain sailing is pleasant, but you are not going to explore many unknown realms that way. We articulate the truth of a situation by carrying the whole experience in the voice and allowing the process to blossom of its own accord. Out of the cross-grain of experience appears a voice that not only sums up the process we have gone through, but allows the soul to recognize in its timbre, the color, texture, and complicated entanglements of being alive.”

“It is easier to talk about issues; it is easier to say you're a feminist because it's actually awesome to be one. The panopoly of people identifying as feminists is really excellent now that we've come to a point where all these really interesting voices are rising up and saying they're feminists - women of color, trans people, gay folks, everybody. It's an exciting time to actually define as that because it means that people are really feeling like their voice is what's the most important thing in the movement, and I love that.”

“There are advances in technology and enabling voices, but there are issues with the stories themselves. I think people of color are still not seen as human beings. They're still associated with types, with comedy, but we're in a crisis right now, with things like Black Lives Matter. We need films that address these issues.”

“To sing is to praise God and the daffodils, and to praise God is to thank Him, in every note within my small range, and every color in the tones of my voice, with every look into the eyes of my audience, to thank Him. Thank you, God, for letting me be born, for giving me eyes to see the daffodils lean in the wind, all my brothers, all my sisters, for giving me ears to hear crying, legs to come running, hands to smooth damp hair, a voice to laugh with and to sing with...to sing to you and the daffodils.”

“Everything comes from one thing, everything comes from the Spirit. Jazz would not exist had it not been for gospel music, the blues would not exist had it not been for spiritual blues, which goes back to slave songs our fore fathers were singing while they were out in the field. So it's all one continuous growth from one group of people. Of course jazz now is played by various cultures and colors around the world. But the stimulus is One Voice.”

“I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.”

“Everything is blooming most recklessly; if it were voices instead of colors, there would be an unbelievable shrieking into the heart of the night.”