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Concerned Quotes

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Concerned Quotes

“My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying . . . one must ruthlessly suppress everything that is not concerned with the subject. If, in the first chapter, you say there is a gun hanging on the wall, you should make quite sure that it is going to be used further on in the story.”

“Every building you come out of, there is a parasite there exercising his constitutional right to make money out of being a parasite, trying to take your photo. Frankly, folks, I go to work, I do my job. I really concentrate, and if you go to the cinema, pay your money and have a good time. That's the end of it, as far as I'm concerned.”

“John Stuart Mill, in his wonderful 1859 book On Liberty, talks about civility. And this is why you should always be concerned about calls for civility. He points out that civility ends up getting defined by the people who are in charge. And you'll notice that when people argue for civility, they tend to actually believe that whatever they say is civil. And if they're angry about it, it's righteous rage. But if you say it and it's kind of sharp or mean, then it's incivil. ... And sometimes, disagreement-to be productive-can't be all that civil.”

“I am myself so exceedingly Nordic, as far as physical constitution is concerned, that I can enjoy almost any weather except what is called glorious weather. At the end of a few days, I am left wondering how the men of the Mediterranean ever managed to do almost all the most active and astonishing things that have been done.”

“There can be no truly moral choice unless that choice is made in freedom; similarly, there can be no really firmly grounded and consistent defense of freedom unless that defense is rooted in moral principle. In concentrating on the ends of choice, the conservative, by neglecting the conditions of choice, loses that very morality of conduct with which he is so concerned. And the libertarian, by concentrating only on the means, or conditions, of choice and ignoring the ends, throws away an essential moral defense of his own position.”

“We are so anxious to achieve some particular end that we never pay attention to the psycho-physical means whereby that end is to be gained. So far as we are concerned, any old means is good enough. But the nature of the universe is such that ends can never justify the means. On the contrary, the means always determine the end.”

“Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.”

“Writing is mysterious, and it's supposed to be...any path that gets you there is a good path in the end. But one true thing among all these paths is the need to tap a deep vein of connection between our own uncontrollable interior preoccupations and what we're most concerned about in the world around us. We write in response to that world; we write in response to what we read and learn; and in the end we write out of our deepest selves, the live, breathing, bleeding place where the picture forms, and where it all begins.”

“I think we are living in an era of being hyper-concerned about, Is it us? Because we have this historical awareness. People really want to know: will it be us or our kids or our grandkids to live through this? We don't want it to happen, we don't want to be the ones with the poisoned water, but at the same time, I think there is this curiosity, like, Am I one of the "lucky" ones who gets to be here at the end? That's the tension I'm interested in.”

“I can't say that there's a common practice that has to do with pitch language or with the way pieces are put together because today, anything is fair game. As far as I'm concerned, my own common practice is a piece that engages the attention of listeners from beginning to end, and doesn't rely on or expect the listener to zone out.”

“H.P.Lovecraft could've been trying to do a Marx to Hegel, that kind of thing, in other words, turn the thing upside down and crawl around inside it. But, look, the guy was eating poorly, he had like a quart of ice cream a day. He was suffering constantly near the end. He wasn't concerned with his body at all, not the way we're concerned with our bodies nowadays.”

“Let each of us examine his thoughts; he will find them wholly concerned with the past or the future. We almost never think of the present, and if we do think of it, it is only to see what light is throws on our plans for the future. The present is never our end. The past and the present are our means, the future alone our end. Thus we never actually live, but hope to live, and since we are always planning how to be happy, it is inevitable that we should never be so.”

“Since love of God is the highest felicity and happiness of man, his final end and the aim of all his actions, it follows that he alone observes the divine law who is concerned to love God not from fear of punishment nor love of something else, such as pleasure, fame, ect., but from the single fact that he knows God, or that he knows that the knowledge and love of God is the highest good”

“Basic dance--and I should qualify the word basic--is primarily concerned with motion. So immediately you will say but the basketball player is concerned with motion. That is so--but he is not concerned with it primarily. His action is a means towards an end beyond motion. In basic dance the motion is its own end--that is, it is concerned with nothing beyond itself.”