Quotessence
Home / Topics / Descriptive Quotes

Descriptive Quotes

Browse 137 quotes about Descriptive.

Descriptive Quotes

“Then it cleared: farther down the hallway, a door had opened on a flourish of sunlight. Into the light stepped a youth, white and gold, a celestial apparition—the Earl of Southampton. His face was beardless still, the eyes pale blue and with the lashless look of redheads. His auburn tresses, artfully curled, fell almost to his elbows. He was six feet tall and lovely as a waterfall, as pretty as a flowering tree. White silk, white velvet, cloth of gold. A gold filigree earring in one ear. Emilia knew him from her days of attendance on the Queen: an uncanny, androgynous youth with the despotic pout of the beautiful, who can never be sufficiently loved.”

“I turn my face to the window as the train starts to move. Charles suggested I take the car, but I prefer this strange elevated route out of town, the rooftop tour of south London as the carriages rattle between spires and old smokestacks and the tips of poplars; the sudden glimpses into school playgrounds and street markets and quiet litter-strewn alleys, narrow avenues of blackened brick. Little by little the city falls away, like something giving up, and then the acoustics of the carriage change, and we're out in the open: meadows riven with streams, the fast blue shadows of clouds on the hills.”

“Standing there small among the boxes of Kandy Kakes that rose like brownish cartoon cliffs around him, he resembled the videos I'd seen of sea lions floating angelically among the kelp, black bodies filmed from below, their shapes cut out in bright sunlight, bodies mistakable for those of a human being. I felt the memory of a shadowy arm around me, a watcher again, sitting there on the couch with my boyfriend, watching the animals become prey. Somewhere there were giant whales feeding on creatures too small to see, pressing them against fronds of baleen with a tongue the size of a sedan. There were polar bears killing seals, tearing ovoid chunks from out of their smooth, round bellies. In the surrounding vastness of the warehouse, I heard something scratching against the concrete floor and knew there were rats here, scraping a thin film of nutrient from the dry packaged matter that surrounded them. Life was everywhere, inescapable, imperative.”

“This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose. The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose. Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure. ....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close.”

“His undergraduate years, each time he spoke of them, acquired a limelit, incandescent magic, as if they belonged to another life, a life to which I had no access since it already belonged to the past. Proof of its existence trickled, as it did now, in his ability to mix drinks, or to tell arcane grappas apart, or to speak to all women, or in the mysterious square envelopes addressed to him that arrived at our house from all over the world. I had never envied him the past, nor felt threatened by it. All these facets of his life had the mysterious character of incidents that had occurred in my father's life long before my birth but which continued to resonate into the present. I didn't envy life before me, nor did I ache to travel back to the time when he had been my age.”

“On our way we passed a shop where my mother always ordered flowers. As a child I liked to watch the large storefront window awash in a perpetual curtain of water which came sliding down ever so gently, giving the shop an enchanted, mysterious aura that reminded me of how in many films the screen would blur to announce that a flashback was about to occur.”

“Bonnie saw ropes hanging loose, poles falling away, tree-tops sinking beneath her. As they rose, the sun rose with them. Its warmth turned the dark skin of the fiery balloon midnight blue. They flew straight up. Above them, the sweet, clear music of the lonely pipe called to them. Then the smooth sky puckered into cloth-of-blue and drew aside. They passed straight through...”

“In front of us, the ocean stretched for eternity. Around us, reggae mussy floated through the air. In our drying clothes and still-damp hair, we ate junk food and talked. At some point we finished and went for a long walk in the sand. We picked up shells, laughed, and talked. Before I knew it, the sun was going down and we went back to the van. We lay side by side, stretched out on the blanket. When the sun dropped completely below the horizon, we let the moon illuminate us.”

“A fighter, muses Rachel, is a fighter through and through, consistently irregular, a fighting man on every scale. Fractal, fractious, with a rough complexity! Nothing she can do. A fractal, Papa once told her, is a way of seeing infinity. In Zachariah, she sees infinity. Mandelbrot famously wrote a paper called 'How Long Is the Coast of Britain?,' the answer to which, of course, is that it depends how you look at it. The closer one looks, the larger it is. And more and more intricate, on an infinite scale. There is a template for all things.”

“It is perfectly scientific,' Lev protests, rising to draw the heavy dining room curtains against the streetlamp light, reducing it to a glow that bleeds amber round the edges and between the panels of plum brocade. Lev turns back into the room but stays by the window a moment to observe the new play of light, the chandelier casting shards of glitter upon mahogany and bold shadows across the high brow and long sharp plains of Katya's timeless face. Oh my wife.”

“Rachel believes in it, the laws of of pattern formation and how they are universal: whatever she sees, crystallizing, a landscape of fractals, of emergence and symmetry, her world falling happily into shape where he must forge it, a pioneer of industry, sooty and scarred. For Rachel Wolff, quite simply, there are patterns everywhere, she can't help it; she is an illustrator, naturalist, cartographer—and her eye, a kaleidoscope.”

“Even when she had to make some one a present of the kind called 'useful,' when she had to give an armchair or some table-silver or a walking-stick, she would choose 'antiques,' as though their long desuetude had effaced from them any semblance of utility and fitted them rather to instruct us in the lives of the men of other days than to serve the common requirements of our own.”