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Direct Quotes

“That's a big responsibility, and the details obsess me. And, also, I no longer feel I have to do the Tonight Show every time I open my mouth. Twenty years ago, I told myself I'd rather direct than act, and it's taken me this long. You lose your passion in acting. You make too many mistakes. Maybe that's why I make so many movies; if you don't like this one, another one's opening on Tuesday. But then I spent six months of my life on 'At Long Last Love,' a picture nobody saw. I enjoyed making it, I learned from it, I grew, but that's too much time out of my life.”

“If you choose to do both [acting and directing] on a set, than you're admitting that you understand that everyone is in it for the same goal and it's a collaborative experience. You can't really jump into being an actor, and than direct yourself. At some point, you have to be willing to accept other people's opinions. I think that's helpful. If you try to micro-manage and control all of it, than you're probably heading for disaster.”

“I'm an actor who loves to direct film, if I find something that I'm compelled to do and want to spend three or four years doing. I really love the process, though. I might have to just say, "Yeah, I want to direct that," because I want to direct something, but that's just not the way my being is. It's got to be a necessity for me, otherwise I'll just keep acting.”

“The basis of self-ownership is the fact that each person has direct control over the scarce resource of his body and therefore has a better claim to it than any third party (and any third party seeking to dispute my self-ownership must presuppose the principle of self-ownership in the first place since he is acting as a self-owner).”

“But actually my dad is a very talented director and not just his use of shots and camera, but he's very good with actors and he knows acting well. It's great to see him do that and be really good at it and he's been doing it for a while and he certainly knows how to make movies, and little movies I guess for a television show, and he's going to come back in November to direct a second episode, which I'm really excited about.”

“Osama Bin Laden was responsible for the deaths of thousands of innocent people. Terror was brought to many countries on his direct orders and in his name, against men, women and children, Christians and Muslims. Osama Bin Laden claimed to be acting in the name of Islam, but in reality he made a mockery of the basic values of his and all other religions.”

“I hope, my career is never predictable. And my interests are diverse in that way. I feel very lucky that when I'm burnt out of acting I take to the pen and I write something I want to direct. And then when I'm tired of taking on too much responsibility as a director I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.”

“People create the illusion of acting natural, which is what I think most documentarians do in part because of the direct cinema orthodoxies that came into play really in the '60s. That moment of performance is a tremendous opportunity to make visible something hitherto invisible, which is how people want to be seen. How do they see themselves? What are the scripts, fantasies, genres by which they imagine themselves? How is storytelling part of what we are as human beings? We wouldn't kill each other en masse if it weren't for storytelling. We wouldn't be able to live with ourselves.”

“I'm always writing, but directing takes priority over everything, unless the acting is a job that lifts that whole brand. If I get a part in a big film with a big director and I was going to direct one of my one films, I would take the former job because that job will only help anything that I then intend to do. I think in the long run, directing is the thing that will outlive everything else. Maybe that and writing.”

“My preference will always be theatre because it's where my heart lies and it's what I started with and eventually I want to direct it. It's where my real interest is. But I just love trying out new stuff. Acting for me isn't just for me about being in front of a camera ... it's so much more than that. It's always about telling a story and there are so many ways of doing that, so I'll always want to try something else.”

“Once I hit 25, I realized I had to do more than just be an actor. I love acting, but there's something that makes it difficult to just be a man, a grownup. Not to take away from any actors, but I knew I wasn't going to be Tom Cruise. I knew I was a character actor, which is great and I'm proud of it. But I knew that I wanted to do more. I started producing and directing and writing and stuff for the theater, and then that grew out of hand and I sort of lost my control. I've always loved the process of filmmaking. Now I'm much more into producing docs, but I want to direct features.”

“Acting is such a high art, and coming from theater, I know how hard it is and respect the craft. I want to look back when it ends, and say I challenged myself. I wanted to be an actor you always remember, and those who are the great ones. That's just a personal journey. If you're too comfortable you're taking it too easy. The director can direct you for two months but before that it's just you and your internal drive. I want people to go to my movies and know it'll be good, and with great actors. You never know what you'll learn from just staying in the same space with them.”

“Look around. Oil companies guzzle down the billions in profits. Billionaires pay a lower tax rate than their secretaries, and Wall Street CEOs, the same ones the direct our economy and destroyed millions of jobs still strut around Congress, no shame, demanding favors, and acting like we should thank them. Does anyone here have a problem with that?”

“When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.”

“The [Great] Actor is able to approach in himself a cosmic dread as large as life. He is able to go from his dread to a joy so sweet that it is without limit. Only then will the actor have direct access to the life that moves in him, which is as free as his breathing. And like his breathing, he doesn't cause it to happen. He doesn't contain it, and it doesn't contain him.”