Quotessence
Home / Topics / Direct Quotes

Direct Quotes

Browse 2841 quotes about Direct.

Related topics

Direct Quotes

“It is alleged by men of loose principles, or defective views of the subject, that religion and morality are not necessary or important qualifications for political stations. But the Scriptures teach a different doctrine. They direct that rulers should be men who rule in the fear of God, able men, such as fear God, men of truth, hating covetousness. But if we had no divine instruction on the subject, our own interest would demand of us a strict observance of the principle of these injunctions. . . .”

“With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use - I don't use the accident - 'cause I deny the accident... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.”

“Don't try and mimic men - how they operate, how they do business, how they direct, write or are creative. They are not perfect. Women do it all differently, and that should be celebrated. We believe in collaboration, we are empathetic and sympathetic and we do tend to connect to stories and people on a different level. And this should all be celebrated.”

“I've basically been able to do everything, I basically run my own career and the decisions I make - whether it's how I'm gonna roll out music, how I'm gonna play on tours, different strategies for releasing and marketing things - and that comes from being college educated and someone who's interested in that side of the business rather than only the music. If anything I think that's where the biggest direct influence comes from.”

“People's conceptions about themselves and the nature of things are developed and verified through four different processes: direct experience of the effects produced by their actions, vicarious experience of the effects produced by somebody else's actions, judgments voiced by others, and derivation of further knowledge from what they already know by using rules of inference”

“He [God] made us free, and He respects that. It is two different spheres of causality. Interdependent, though. It is not two boxes looking at one another without any kind of direct connections. There are very direct connections. That's why the question of "how are we free if God is omnipotent?" is a real, constant question. Ultimately, God is all powerful, and yet we are free.”

“When I'm writing a song, things are always popping into my head, it's not so direct. It feels more like I'm in a room and there's this whole big jumble of clothes on the floor and it's like choosing what to wear. There are a lot of different things in there and you kind of pull something out and think, "No, that's not right," or you're like, "Yes I'll put this on with this."”

“So that in the nature of man, we find three principal causes of quarrel. First, competition; secondly, diffidence; thirdly, glory. The first maketh men invade for gain; the second, for safety; and the third, for reputation. The first use violence, to make themselves masters of other men's persons, wives, children, and cattle; the second, to defend them; the third, for trifles, as a word, a smile, a different opinion, and any other sign of undervalue, either direct in their persons or by reflection in their kindred, their friends, their nation, their profession, or their name.”

“There's not one way to direct a film, there are so many different ways to do it. Everything affects the way it turns out in the end. Even the smallest things. You don't want to really acknowledge that, because you want to believe that you are the only creative asset as a director. You want to believe you're the only one. But I really feel that everyone teams up and everybody really affects everything. Actually, it's the closest I will get to playing in a band.”

“Our confused society badly needs a community of contrast, a counterculture of ordinary pilgrims who insist living a different way. Unlike popular culture, we will lavish attention on the least "deserving" in direct opposition to our celebrity culture's emphasis on success, wealth, and beauty.”

“Anarchism means all sort of things to different people but the traditional anarchists' movements assumed that there'd be a highly organized society, just one organized from below with direct participation and so on. Actually, one piece of the media confusion has a basis because there really are two different strands in the occupy movement, both important, but different.”

“I wrote a number of poems about Kah Tai lagoon, when Safeway was building that huge, ugly store down there where I used to love to watch the birds nest. That political poem, or environmental poem, was unsuccessful because Safeway built there anyway. And yet the poem has something to say today, as it did then. And I speak here only of my own poems. The agenda for every poet has to be different because most of us write from direct human experience in the world.”

“I fell in love with that movie [Now You See Me]. I liked the actors. I thought it was an interesting world. When they called me with the opportunity to direct the next one, the first question I needed to address was, what are we going to do to make it different? How can I add something to the franchise? If I can't add anything, then there's no reason for me to do it.”

“There are four different kinds of power in a communication: position power (the CEO talking to her direct reports), emotion power (passion sometimes rules the day), expertise (people often listen to the most knowledgeable person in the room), and conversational power (the subtlest, this is the ability to direct the conversation through body language).”

“With theatre, you can interpret the most complex play on stage for it have meaning to an audience because you're dealing in images, you're dealing in action, you can use different idioms to interpret and clarify something which is obscured in the reading and of course there are different kinds of play, there are mythological plays, there are what I call the dramatic sketches, direct political theatre which is virtually everybody, but I find that you can use the stage as a social vehicle, you know, which any kind of audience.”

“There is an interesting and new way to be excited about the fashion world today maybe. The traditional path of fashion as simple magazine images has dissolved - we are seeing new and innovative ways to share, create, and enjoy ideas. I am challenged to learn and explore paths of finding new photographers, stylists, and vision-makers online or through direct contact, connecting with ideas and creativity in new ways, and making images with different outlets. Sometimes more unbridled avenues and unconventional ways lead to things I wouldn't have thought of yet.”

“There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.”

“The way that I'm feeling the shift in movie industry is that women are allowed to be part of the development process. So I do feel like things are changing because I'm allowed to option books or write an original screenplay or direct. Those possibilities are really wide open. I think that males still struggle to write for females, which is totally fine because I don't think I could write a really impactful male role because that's not the life that I lived. So we'll just keep shouting and say we need more opportunities for not just women but people that are just different.”

“When you raise the budget, you make creative compromises. The higher the budget goes, the more cuts in your movie happen. When people talk about how movies are watered down, that's a direct reflection of money and budget. The less money you spend; the more risks you can take. That doesn't mean it will be successful, but at least you can try different stuff. The higher your budget is, the less you can do that.”

“I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.”

“Actors always direct themselves. A good actor shows up onset ready, especially in television, and you've done your homework and you know your character. The director may have some variation on what you're thinking or they may have a different interpretation of the scene. So you come prepared to shoot and you've given yourself notes. In television, it may be the first time you're meeting this director and you've been living in this character's skin for a couple of years. It's always great to have fresh perspective and fresh insight, but no one knows your character better than you do.”

“Maybe an artist's position in society is different today because it's more individualistic. You're not a direct servant anymore to the patron-you're an indirect servant, or a servant with a choice, or maybe you could not even serve. It's the way you make something. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract. If you don't enjoy making work, then it's bad... artwork is brutal for so many people... I like the idea of an artist as sombody who works.”

“I think that initially all I wanted to do was work as an actress, and then, as I started to work more consistently, you start to maybe want to challenge yourself in different ways, so I think it's something that developed over time - this desire to direct and also to produce. I think as you watch other actresses do it so successfully and so gracefully, you're like, I think that would be fun! It's definitely something that has become more of a priority for me.”

“Whereas if you're a reader, you can enter other people's minds, you can be in direct contact with people who may have lived hundreds or thousands of years ago. You can know what's like to be old if you're young or young if you're old. You can know what it's like to live in a completely different culture and really enter somebody else's mind. There's no amount of historical information that can give you access to the consciousness of a person from another culture or from the past in the way that reading really good novel from that place or time can.”

“Historically different groups find different things in each comics, as with *X-Men*. Gay readers find parallels to living a closeted lifestyle or choosing to come out and be openly gay. Black readers find a relevance to their lives growing up in America as a black guy. Picked-on brainy kids find a metaphor for being an outsider. It's a simple enough, and direct enough metaphor that it has different shades for different people. And so each reader to some degree gets out of it what they bring to it. That's one of the things I think that makes *X-Men* such a strong property.”

“In 1977, I climbed a fairly difficult mountain for the first time, which was Mount McKinley, in Alaska. I climbed the so-called 'American Direct Route,' which was a route straight up to the top. I really enjoyed it. Through such experiences, I learned that mountaineering wasn't just about height. I found that different routes have different charms.”