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Doe Quotes

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Doe Quotes

“When I'm following what a character does in a book I don't have to think about my own life. Where I am. Why I'm here. My moms and my brother and my old man. I can just think about the character's life and try and figure out what's gonna happen. Plus when you're in a group home you pretty much can't go anywhere, right? But when you read books you almost feel like you're out there in the world. Like you're going on this adventure right with the main character. At least, that's the way I do it. It's actually not that bad. Even if it is mad nerdy.”

“First, what does truth require? It requires us to face the facts as they are, not to involve ourselves in self-deception; to refuse to think merely in slogans. If we are to work for the future of the city, let us deal with the realities as they actually are, not as they might have been, and not as we wish they were.”

“I think the best thing a person can do is to read through the Gospels in the Bible and really look at Jesus, because if a person does this, they will realize that the Jesus they learned about in Sunday school or the Jesus they hear jokes about or the skinny, Gandhi Jesus that exists in their imaginations isn't anything like the real Jesus at all.”

“Can we find nothing good to say about TV? Well, yes, it brings scattered solitaries into a sort of communion. TV allows your isolated American to think that he participates in the life of the entire country. It does not actually place him in a community, but his heart is warmed with the suggestion (on the whole false) that there is a community somewhere in the vicinity and that his atomized consciousness will be drawn back toward the whole.”

“Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.”

“But I would like to think for a moment about a man who in the morning teaches his students that a false attribution of a Watteau drawing or an inaccurate transcription of a fourteenth-century epigraph is a sin against the spirit and in the afternoon or evening transmits to the agents of Soviet intelligence classified, perhaps vital information given to him in sworn trust by his countrymen and intimate colleagues. What are the sources of such scission? How does the spirit mask itself?”

“I'm going to keep talking about what I think is interesting for my entire career. If you want to hear about how women do a lot of shoe shopping or how being married sucks, go see the guy who does jokes about that. But if you come to see my live show, there's going to be 20 minutes on religion for the rest of my life, probably. If that makes me a caricature, so be it.”

“I suppose my interest in looking for life elsewhere in the universe really dates back to my teens. What teenager doesn't look up at the sky at night and think am I alone in the universe? Well most people get over it, but I never did and though I made a career more in physics and cosmology than astrobiology I've always had a soft spot for the subject of life because it does seem so mysterious.”

“You usually get one or the other, you get someone who knows how to tell a story but they don't necessarily know about light and camera and rhythm, or you get someone who can make beautiful images but they can't necessarily tell a great story. He does both and I think he's going to be one of the film-makers that our time is remembered for.”

“I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.”

“How I Shed My Skin is, simply put, a brilliant book. While I was reading, I kept thinking two things. One, this is totally shocking. Two, it's not at all shocking, but a familiar part of my life and memory. Grimsley's narrative is straightforward and plain-spoken while at the same time achingly moving and intimately honest, and it does more to explain the South than anything I've read in a long, long time.”

“The world that seemed so various and new, well, it does contract. One's burning desire to investigate human behavior, and to make, or imply, statements about it, does fall off. And so one does find that early works are full of energy and also full of vulgarity, crudity, and incompetence, and later works are more carefully finished, and in that sense better literary products. But . . . there's often a freshness that is missing in later works--for every gain there's a loss. I think it evens out in that way.”

“Does it seem to you impossible to imagine anything more inextricable than the social contract, when you think of the frightful number of relations that it must regulate -- something like squaring the circle, or finding perpetual motion? That is the reason why, wearied of the struggle, you fall back on absolutism and force.”

“People who know little are usually great talkers, while men who know much say little. It is plain that an ignorant person thinks everything he does know important, and he tells it to everybody. But a well-educated man is not so ready to display his learning; he would have too much to say, and he sees that there is much more to be said, so he holds his peace.”

“Respectability is a very good thing in its way, but it does not rise superior to all considerations. I would not for a moment venture to hint that it was a matter of taste; but I think I will go as far as this: that if a position is admittedly unkind, uncomfortable, unnecessary, and superfluously useless, although it were as respectableasthe Church of England, the sooner a man is out of it, the better for himself, and all concerned.”

“I think that at the end of the day I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the New York Times crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.”

“If you look at a photograph, and you think, 'My isn't that a beautiful photograph,' and you go on to the next one, or 'Isn't that nice light?' so what? I mean what does it do to you or what's the real value in the long run? What do you walk away from it with? I mean, I'd much rather show you a photograph that makes demands on you, that you might become involved in on your own terms or be perplexed by.”

“The truth is that art does not teach; it makes you feel, and any teaching that may arise from the feeling is an extra, and must not be stressed too much. In the modern world, and in Canada as much as anywhere, we are obsessed with the notion that to think is the highest achievement of mankind, but we neglect the fact that thought untouched by feeling is thin, delusive, treacherous stuff.”