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Draws Quotes

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Draws Quotes

“Cooking is just as creative and imaginative an activity as drawing, or wood carving, or music. And cooking draws upon your every talent--science, mathematics, energy, history, experience--and the more experience you have, the less likely are your experiments to end in drivel and disaster. The more you know, the more you can create.”

“Courage, the highest gift, that scorns to bend To mean devices for a sordid end. Courage--an independent spark from Heaven's bright throne, By which the soul stands raised, triumphant high, alone. Great in itself, not praises of the crowd, Above all vice, it stoops not to be proud. Courage, the mighty attribute of powers above, By which those great in war, are great in love. The spring of all brave acts is seated here, As falsehoods draw their sordid birth from fear.”

“I know I draw without taking my pen off the page. I just keep going, and that my drawings I think of them as scribbles. I don't think they mean anything to anybody except to me, and then at the end of the day, the end of the project, they wheel out these little drawings and they're damn close to what the finished building is and it's the drawing.”

“Blanket compassion will shift the distribution decisively towards the manipulative end of the spectrum, and may paradoxically decrease the compassion with which the genuinely despairing are treated: for they are apt to get lost in the great mass of pseudo-distress and manipulation, and often their conduct draws less attention precisely because it is less attention-seeking.”

“We talk about a civilization and love and we're seeing it at the end. So many people around the world are - that whole electronic band that Dostoyevsky imagined of love around the world - that every contribution, every moment of love, every act of kindness feeds that and is like a reservoir for somebody in need to draw upon.”

“The persons whom you have idolized can never, in the end, be ungrateful, and, probably, at the time of retreat they still do justice to your heart. But, so long as you must draw persons too near you, a temporary recoil is sure to follow. It is the character striving to defend itself from a heating and suffocating action upon it.”

“Self-love, the spring of motion, acts the soul; Reason's comparing balance rules the whole. Man, but for that no action could attend, And, but for this, were active to no end: Fix'd like a plant on his peculiar spot, To draw nutrition, propagate, and rot; Or, meteor-like, flame lawless thro' the void, Destroying others, by himself destroy'd.”

“Tears are tears, but I don't want to draw tears that aren't proactive. The feeling "Ahh, it's so sad" when people die and it's all over, it doesn't feel quite right. Even though a lot of people died in Gintama. Even if people die, it's not the end. I don't want to draw tears that fall and stay at the same place, but droplets that sprinkle along the road to one's future.”

“Sneezing absorbs all the functions of the soul just as much as the [sexual] act, but we do not draw from it the same conclusions against the greatness of man, because it is involuntary; although we bring it about, we do so involuntarily. It is not for the sake of the thing in itself but for another end, and is therefore not a sign of man's weakness, or his subjection to this act.”

“The troubles of the 20th century are not unlike those of adolescence -- rapid growth beyond the ability of organizations to manage, uncontrollable emotion, and a desperate search for identity. Out of adolescence, however, comes maturity in which physical growth with all its attendant difficulties comes to an end, but in which growth continues in knowledge, in spirit, in community, and in love; it is to this that we look forward as a human race. This goal, once seen with our eyes, will draw our faltering feet toward it.”

“[D]rawing up 'secret war plans' for a possible attack on Iraq wasn't irrational. The low-level war against Saddam was 12 years old, with no end in sight. American and British pilots were getting shot at, sanctions weren't working, and Bush was getting warnings that Saddam had all those terrible weapons and would use them against America. Bush would have been a fool not to draw up plans. Gee, wait till the critics find out that FDR, without ever informing the media, was plotting to fight Japan and Germany before Pearl Harbor.”

“Young men, in the conduct and manage of actions, embrace more than they can hold; stir more than they can quiet; fly to the end, without consideration of the means and degrees; pursue some few principles, which they have chanced upon absurdly; care not to innovate, which draws unknown inconveniences; use extreme remedies at first; and, that which doubleth all errors, will not acknowledge or retract them; like an unready horse, that will neither stop nor turn.”

“I wrote the plot [for the Persepolis ]and Vincent [Paronnaud] and I wrote and discussed the shooting of the script. Vincent then took care of the production design, the actual shooting, and what was going on within each scene. It's very difficult, though, to draw a line between who did what. Because Vincent would say something, and I would add something, and at the end you have this film, yet no clear idea of who did what.”

“I am not a Jew in the sense that I would demand the preservation of the Jewish or any other nationality as an end in itself. Rather, I see Jewish nationality as a fact and I believe that every Jew must draw the consequences from this fact.”

“At some point we must draw a line across the ground of our home and our being, drive a spear into the land and say to the bulldozers, earthmovers, government and corporations, "thus far and no further." If we do not, we shall later feel, instead of pride, the regret of Thoreau, that good but overly-bookish man, who wrote, near the end of his life, "If I repent of anything it is likely to be my good behaviour.”

“What we, or at any rate what I, refer to confidently as memory--meaning a moment, a scene, a fact that has been subjected to a fixative and thereby rescued from oblivion--is really a form of storytelling that goes on continually in the mind and often changes with the telling. Too many conflicting emotional interests are involved for life ever to be wholly acceptable, and possibly it is the work of the storyteller to rearrange things so that they conform to this end. In any case, in talking about the past we lie with every breath we draw.”

“"Each moment you fight is a gift to those in this cavern. Each second we fight is a second longer that thousands of people can draw breath. Each stroke of the sword, each koloss felled, each breath earned is another victory! It is a person protected for a moment longer, a life extended, an enemy frustrated!" There was a brief pause. "In the end they shall kill us"... "But first, they shall fear us!"”

“I come from under the hill, and under the hills and over the hills my paths led. And through the air. I am he that walks unseen. I am the clue-finder, the web-cutter, the stinging fly. I was chosen for the lucky number. I am he that buries his friends alive and drowns them and draws them alive again from the water. I came from the end of a bag, but no bag went over me. I am the friend of bears and the guest of eagles. I am Ringwinner and Luckwearer; and I am Barrel-rider.”

“Born often under another sky, placed in the middle of an always moving scene, himself driven by the irresistible torrent which draws all about him, the American has no time to tie himself to anything, he grows accustomed only to change, and ends by regarding it as the natural state of man. He feels the need of it, more he loves it; for the instability; instead of meaning disaster to him, seems to give birth only to miracles all about him.”

“This Advent we look to the Wise Men to teach us where to focus our attention. We set our sights on things above, where God is. We draw closer to Jesus... When our Advent journey ends, and we reach the place where Jesus resides in Bethlehem, may we, like the Wise Men, fall on our knees and adore him as our true and only King.”