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Erotic Quotes

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Erotic Quotes

“In a world ordered by sexual imbalance, pleasure in looking has been split between active/male and passive/female…In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness”

“Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon.”

“A very common symptom in maniacal conditions is erotic excitement. This varies from mere coquetry, a somewhat extended application of the command "love one another", an undue attention to the opposite sex, and so forth, up to the extreme of salacity, when the mind is wholly occupied by the urgent sexual appetite, and all restraint is abandoned.”

“Anna Journey, in her new book of poems, Vulgar Remedies, creates an alchemical self whose shimmering limbic / alembic lyrics distill the mysterious terrors of childhood, the dangerous passions of adults, into her own honey-dusk 'voodun': protective, purified to gold. Poetry is always a time machine: here we are invisible travelers to a bewitched past, a beautifully occluded future. These poems are erotic, vertiginous, revelatory, their dazzling lyric force reflecting profound hermetic life.”

“Physical separateness can never be overcome by electronics, but only by 'conviviality,' by 'living together' in the most literal physical sense. The physically divided are also the conquered and the controlled. 'True desires' - erotic, gustatory, olfactory, musical, aesthetic, psychic, & spiritual - are best attained in a context of freedom of self and other in physical proximity & mutual aid. Everything else is at best a sort of representation.”

“Once we begin to feel deeply all the aspects of our lives, we begin to demand from ourselves and from our life-pursuits that they feel in accordance with that joy which we know ourselves to be capable of. Our erotic knowledge empowers us, becomes a lens through which we scrutinize all aspects of our existence, forcing us to evaluate those aspects honestly in terms of their relative meaning within our lives. . . .”

“A thinking mind is not swallowed up by what it comes to know. It reaches out to grasp something related to itself and to its present knowledge (and so knowable in some degree) but also separate from itself and from its present knowledge (not identical with these). In any act of thinking, the mind must reach across this space between known and unknown, linking one to the other but also keeping visible to difference. It is an erotic space.”

“A Hamburger is warm and fragrant and juicy. A hamburger is soft and nonthreatening. It personifies the Great Mother herself who has nourished us from the beginning. A hamburger is an icon of layered circles, the circle being at once the most spiritual and the most sensual of shapes. A hamburger is companionable and faintly erotic. The nipple of the Goddess, the bountiful belly-ball of Eve. You are what you think you eat.”

“On the train: staring hypnotized at the blackness outside the window, feeling the incomparable rhythmic language of the wheels, clacking out nursery rhymes, summing up moments of the mind like the chant of a broken record: god is dead, god is dead. going, going, going. and the pure bliss of this, the erotic rocking of the coach. France splits open like a ripe fig in the mind; we are raping the land, we are not stopping.”

“The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.”

“The Genie declared that in his time and place there were scientists of the passions who maintained that language itself, on the one hand, originated in 'infantile pregenital erotic exuberance, polymorphously perverse,' and that conscious attention, on the other, was a 'libidinal hypercathexis' - by which magic phrases they seemed to mean that writing and reading, or telling and listening, were literally ways of making love.”