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Exciting Quotes

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Exciting Quotes

“I like playing... I don't know. I think that's what was really exciting about playing Knives, too, from the beginning was that you get to kind of do both of that. She's almost like two different people, but that's what's cool about it, because I get to show her growth and that's the thing that's really cool about Knives, you get to really see her grow up from being meek and innocent and naïve at the beginning to this powerful girl who is going for what she really believes in and what she really wants.”

“I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.”

“One of the things about crowd work that's so exciting is when you discover a character in the audience who's interesting or funny, who you can vibe off of. If someone's got a weird job that you can make reference to throughout, or you can bring that person onstage - humiliate them, or celebrate them! You can put people in conversation with one another. The best is when something that they're doing can reflect back on something that you're doing.”

“Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie. The new ones are exciting because they're fresh. But if it's not that, if the story is not what you get into, maybe it's the crowd response. You hit the first chords of 'She's In Love With The Boy' and 20,000 people start to scream, you're pretty motivated. You get what you need. And it's a great story. It works.”

“So many people took my opinion and some will give it more serious consideration because of who I am. Not because I have a specility in this field that I gave my opinion on, but simply because I am a little bit famous. I find that kind of power to presaude both frightening and exciting. My hope, my most frevent hope, is that I use this louder voice that success has given me, wisely. That I always remember that fame is the by product, not the substance of what I do.”

“In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.”

“Well, I'd say that I'm mostly drawn to people who are genuine and willing to take a step to the unknown. So when I play with these people, usually there's this sense of that 'yes, we are doing it together right at this moment without any agenda' feeling which is so exciting! It means that there is this sense of trust, that whatever I throw in the music that's happening, they will make it work and send something to work with in my direction. Hopefully they feel the same about me.”

“To keep the readers interested, and coming back, and to keep coming up with new and exciting ways to present stories and to present the character in a reflection of the times, is an absolutely incredible accomplishment. Hats off to all these people who have done such incredible creative work and still do every week.”

“The competitiveness, playing in front of 18-19,000 people every single night, people asking for my autograph, getting recognized, being able to do something like this with Sega and being on the front of a box, and being involved in video games, and listening to movies where they reference my name like in Swingers. All these things they make life so exciting, you don't know what to expect next.”

“I feel like, these days there's so much music and so many bands, that it's exciting to hear when people go through the whole process with their own sort of system of making the music. It gives it a much more personal individual feel, like unique feel, when somebody has a really idiosyncratic set-up, or they just have what might be considered strange ways of going about the process that yields results that are not just cookie-cutter sounds like everything else... and I think that can only be a positive thing.”

“Radio is the medium that most closely approximates the experience of reading. As a novelist, I find it very exciting to be able to reach people who might not ever pick up one of my books, either because they can't afford it (as is often the case in Latin America), or because they just don't have the habit of reading novels.”

“I love really exploring... you know, a cop drama for example is a great way to explore class in this country and explore, you know, really, identity in the country and who we are in a way that is extremely exciting, but it's also real, you know, it's also real people and real drama. The same with the military. I mean, a good science fiction story is also great.”

“I think there are lots of opportunities to improve the product. When you read the press, people say, "Oh, the product needs improvement." I look at that and say, "Hey, that's an exciting thing to get behind!" Because they can improve that product. That leaves more upside from an innovation and revenue potential than you're gonna find in a lot of places. So you could say that's a downside, I see that as an opportunity.”

“I think, you know, for someone who does play, let's say, old music or, you know, Baroque music or Renaissance music - and you know, and I do play a lot of that, obviously - engaging with new composers, engaging with young composers, is really exciting because it makes me look at people of the past in a very different way that they are also living, that there was a lot of subjectivity in the decisions that they were making.”

“In the beginning this was just an idea. Then it was a short story. Then it was a script. Each step was pretty exciting to see people come on board to support the project. It's gratifying to know that more people are seeing my work in this form than my work as a playwright. And it's been fun to hear people's response to seeing it. I've been having some deep conversations with strangers and friends about how much it has made them think about slavery and its impact today.”

“It was a book [George Packer written on our presence in Nigeria] that was killed by the response of other people. Which sounds quite cowardly, perhaps, but it was the first manifestation of what is currently a really big issue: how political correctness defines the limits of what you can do. In that sense, it was super-exciting and maybe the most magical project we did, but at the same time fraught with mixed feelings.”

“However, the positive, and I mean this, Jay Lethal and Kyle O'Reilly are two of my favorite opponents. I couldn't ask for two guys I'd rather be in a triple threat match with. On top of that, creatively, if we are able to make something that's really exciting for the fans, any time there are more bodies in the ring, you can always create something that's different because there's more than two people in the ring.”

“I just always liked the company. The people who hung around her were amazing storytellers, whether it was actors or crew. They were just exciting people. And I knew that they were different when I would go see a friend or stay at someone else's house. It just wasn't as cool. So I always loved the theater, and that's where I started: at a theater up in Canada.”

“Surprisingly, a large number of people who fell out with their partners contacted us, saying that they would love to fly on a Virgle spaceship. But out of April Fools' jokes come real things, and I wouldn't be surprised, within the next 50 years, [if] there are one-way trips heading out into space with people on it. It would be very exciting.”

“Overachievement is aimed at people who want to maximize their potential. And to do that, I insist you throw caution to the wind, ignore the pleas of parents, coaches, spouses, and bosses to be "realistic." Realistic people do not accomplish extraordinary things because the odds against success stymie them. The best performers ignore the odds. I will show you that instead of limiting themselves to what's probable, the best will pursue the heart-pounding, exciting, really big, difference-making dreams-so long as catching them might be possible.”

“At network television you could make a show like Freaks and Geeks, and even though 7 million people watch is every week, you were considered a terrible failure, and they got rid of you and staff. Now ... It's like a world where the replacements are the biggest fans in the world. It's, the Elvis Costellos of television are the winners. Creativity is king and it's very very exciting.”