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Facts Quotes

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Facts Quotes

“The emotions that sustain religious belief are all, in fact, deeply ordinary and deeply recognisable to anybody who has ever made their way across the common ground of human experience as an adult.”

“Love for a dog during childhood is one of the deepest and purest emotions we are ever likely to have, and it remains with us for the rest of our lives. For some people, their first experience with love is with a dog. The fact that the dog returns the love so fiercely, so openly, so unambivalently, is for many children a unique and lasting experience.”

“Short version: For the child. . ., it is not half so important to know as to feel. If facts are the seeds that later produce knowledge and wisdom, then the emotions and the impressions of the senses are the fertile soil in which the seeds must grow. . . . It is more important to pave the way for a child to want to know than to put him on a diet of facts that he is not ready to assimilate.”

“Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way. Being explicit doesn't tap into the mystical aspect of it either in fact, that usually kills it because people don't want to see sex so much as they want to experience the emotions that go along with it. These things are hard to convey in film because sex is such a mystery.”

“White Americans must be made to understand the basic motives underlying Negro demonstrations. Many pent-up resentments and latent frustrations are boiling inside the Negro, and he must release them. It is not a threat but a fact of history that if an oppressed people's pent-up emotions are not nonviolently released, they will be violently released.”

“Pride is the recognition of the fact that you are your own highest value and, like all of man's values, it has to be earned-that of any achievements open to you, the one that makes all others possible is the creation of your own character-that your character, your actions, your desires, your emotions are the products of the premises held by your mind.”

“The fact of the matter is that, since we are determined always to keep our feelings to ourselves, we have never given any thought to the manner in which we should express them. And suddenly there is within us a strange and obscene animal making itself heard, whose tones may inspire as much alarm in the person who receives the involuntary, elliptical and almost irresistible communication of one's defect or vice as would the sudden avowal indirectly and outlandishly proffered by a criminal who can no longer refrain from confessing to a murder of which one had never imagined him to be guilty.”

“The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.”

“Women believe -- or at least often pretend to believe -- that all our tenderness for them springs from desire; that we love them when we have not for a time enjoyed them, and dismiss them when we are sated, or to express it more precisely, exhausted. There is no truth in this idea, though it may be made to appear true. When we are rigid with desire, we are apt to pretend a great tenderness in the hope of satisfying that desire; but at no other time are we in fact so liable to treat women brutally, and so unlikely to feel any deep emotion but one.”

“Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.”

“When a candidate for public office faces the voters he does not face men of sense; he faces a mob of men whose chief distinguishing mark is the fact that they are quite incapable of weighing ideas, or even of comprehending any save the most elemental - men whose whole thinking is done in terms of emotion, and whose dominant emotion is dread of what they cannot understand. So confronted, the candidate must either bark with the pack or be lost... All the odds are on the man who is, intrinsically, the most devious and mediocre.”