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Fantastic Quotes

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Fantastic Quotes

“Congratulations to all the members of the wonderful Treorchy Male Choir past and present. In moments of grief or joy, the sound of the Choir can move and uplift and restore spirits like no other sound. Masters of their craft, each and every singer plays a vital role in helping maintain such a fantastic musical tradition. Long may the Choir prosper and continue to the delight of audiences around the world.”

“A fantastic analogy for the power of focus is racing cars. When your car begins to skid, the natural reflex is to look at the wall in an attempt to avoid it. But if you keep focusing on what you fear, that's exactly where you'll end up. Professional racers know that we unconsciously steer in the direction of our focus, so with their lives on the line, they turn their focus away from the wall and towards the open track.”

“I feel somewhat privileged because I often feel very sorry for kids. I often feel very sorry for 20-year-olds and teens who grew up with the internet and have grown up completely connected because, for me, people like me know what it was to struggle, but it wasn't a struggle. It was great! It was fantastic. The thrill of the hunt.”

“When your show keeps coming back, year after year, you have a responsibility because your fans know your show sometimes better than you do. You can't play games with them. You have to be really focused and concentrated, and play at your best in every department. The writing staff has to be fantastic. Our director line-up has to be great. Everything has to be better and better. Your fans keep track of the details.”

“So each of the commercials- basically it's an action movie cliché. "Bus" is very much inspired by Speed obviously, where you have a high-jacked out of control bus, and you have heroes who are trying to jump from a moving vehicle to the bus and they just can't do it because the moving vehicle can't get close enough, because all these VW cars have this distancing technology, which is really fantastic.”

“I just adored Peter Medak, the director. He's such a character, but he was so much fun. Some directors come in and they truly get angry about things.Peter was still in a fantastic mood. He's a delightful person. He threw a big party at the end of the pilot, which was so sweet. And his wife is an opera singer. He's just a very warm, crazy beautiful individual.”

“Funnily enough we have never had one enquiry for Paul Scholes. You know why? Because they all know he will never leave. in my time he would be in the top six or seven (best United players ever) without a doubt. His contribution and quality have been great, even without the fantastic goals he has scored. [ . . . ] He has that wonderful velvet touch on the ball. When he gets it, it goes stone dead. It is wonderful to see that amidst all the mayhem that can happen in a football match.”

“I don't know why people don't paint more warthogs. Warthogs are fantastic. They have the most marvelous faces, like cracked mud with tusks. And the eyelashes! Like many otherwise hideous animals, they have truly spectacular eyelashes. But nooo, it's always the charismatic mammals, like foxes and wolves and tigers. Have you ever smelled a fox? Believe me, the warthog produces a light, airy fragrance suitable for the home or office compared to a fox. Um. What was I saying again?”

“The promises of pie-in-the-sky liberal environmentalists that we can convert to 'clean' energy sources and stimulate our economy are based on dubious environmental and economic assumptions, fantastic notions about alternative energy, and a disturbing acceptance of the tyrannies inherent in command-control economies.”

“I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction!”

“Turkey was fantastic, Turkey was like mystical and such a special place. Just unique, something that's really hard to describe, such beauty, those mountains and the stone is kind of, eroded? Special erosion which makes what you see just something that seems, it's been made for a movie, it's like something out of fantasy except it's real.”

“I get ticked off a lot because I don't think she [Faith Hill] gets the respect she deserves. I tell her all the time, "If you were 300 pounds and dog ugly, people would think you were the greatest singer in the world." They have the tendency to look at her and never really listen to her. The reason it works is she's a fantastic artist. It's almost embarrassing for me to sing with her sometimes.”

“The fantastic thing about the theatre is that it can make something be seen that's invisible, and that's where my interest in theatre is- that you can be watching this thing happening with actors and costumes and light and set and language, and even plot, and something emerges from beyond that, and that's the image part that I'm looking for, that sort of added dimension.”

“Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.”

“You know something has really stuck in Tim's head when he's drawn what the character looks like. Weird Girl and Elsa actually switched places, at one point. I may be mis-remembering it, but the original design for Weird Girl was actually Elsa, but then it became Winona Ryder's character, and the new Weird Girl was just fantastic with those giant wide eyes.”

“The scripts for Marco Polo are absolutely, positively fantastic. The challenge of making that show in China has proved to be as formidable as we feared. It's not like making a movie in China where, once you load up and you leave, you're gone. We have to be able to come back and capture something that's going to feel like a major feature film, on a television budget, and do it, hopefully season after season, so we are taking more time than the producers thought.”

“I did do a little research. I went to a couple really fantastic strip clubs with really talented dancers, just in terms of their physical prowess. For the scene, there was a whole dance routine that I had to do, so I worked with a pole dance instructor who helped me choreograph a number for that scene. We broke down the principles of pole dancing, for three days, for an hour a day.”