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Faults Quotes

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Faults Quotes

“Nature has left every man a capacity of being agreeable, though not of shining in company; and there are a hundred men sufficiently qualified for both who, by a very few faults, that they might correct in half an hour, are not so much as tolerable.”

“It is not so much the being exempt from faults as the having overcome them that is an advantage to us; it being with the follies of the mind as with weeds of a field, which if destroyed and consumed upon the place where they grow, enrich and improve it more than if none had ever sprung there.”

“As there are some faults that have been termed faults on the right side, so there are some errors that might be denominated errors on the safe side. Thus we seldom regret having been too mild, too cautious, or too humble; but we often repent having been too violent, too precipitate, or too proud.”

“Now see what a Christian is, drawn by the hand of Christ. He is a man on whose clear and open brow God has set the stamp of truth; one whose very eye beams bright with honor; in whose very look and bearing you may see freedom, manliness, veracity; a brave man--a noble man--frank, generous, true, with, it may be, many faults; whose freedom may take the form of impetuosity or rashness, but the form of meanness never.”

“Persons in great stations have seldom their true character drawn till several years after their death. Their personal friendships and enmities must cease, and the parties they were engaged in be at an end, before their faults or their virtues can have justice done them. When writers have the least opportunities of knowing the truth, they are in the best disposition to tell it.”

“None, none descends into himself, to find The secret imperfections of his mind: But every one is eagle-ey'd to see Another's faults, and his deformity.”

“A perfect Judge will read each work of Wit With the same spirit that its author writ: Survey the Whole, nor seek slight faults to find Where nature moves, and rapture warms the mind.”

“[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.”