Quotessence
Home / Topics / Horses Quotes

Horses Quotes

Browse 195 quotes about Horses.

Horses Quotes

“The murders were so ghastly you might think it peculiar that Lucinda, no matter how lonely she might be, would leave her house at all, or, accepting the peculiarity, you may wrongly attribute great courage to her when you hear she had driven, unaccompanied, through streets that were still, for the most part, unlighted. Further, she was by no means insensible to this murderer. She was informed that he was, in all likelihood, a butcher or, the press suggested, an unsuccessful apprentice.”

“Behind the abandoned house, two faerie horses chew on dandelions as they wait for their riders. Slight as deer, with a soft halo of light surrounding their bodies, they glide between the trees like ghosts. Oak goes to the first. Her coat a soft grey, her mane braided into something that looks like netting, and which is hung with gold beads. Tooled leather saddlebags rest against her flanks. She nuzzles into his hand.”

“For the first time, they were seeing the dream beneath the flesh. Karla stared at the pointed ears that had come from the Dea al Mon, the hands with sheathed claws that had come from the Tigre, the hooves peeking out from beneath the black gown that could have come from the centaurs or the horses or the unicorns. Most of all, she stared at the tiny spiral horn. The living myth. Dreams made flesh. But, oh, had any of them really thought about who the dreamers had been? No wonder the kindred love her. No wonder we've all loved her. Karla quietly cleared her throat to ask the question she suddenly hoped wouldn't be answered. "Who is going to war with Terreille?" "I am," Witch said.”

“Lacan, as we have seen in our discussion of Freud, regards the unconscious as structured like a language. This is not only because it works by metaphor and metonymy: it is also because, like language itself for the post-structuralists, it is composed less of signs — stable meanings — than of signifiers. If you dream of a horse, it is not immediately obvious what this signifies: it may have many contradictory meanings, may be just one of a whole chain of signifiers with equally multiple meanings. The image of the horse, that is to say, is not a sign in Saussure’s sense - it does not have one determined signified tied neatly to its tail - but is a signifier which may be attached to many different signifieds, and which may itself bear the traces of the other signifiers which surround it. (I was not aware, when I wrote the above sentence, of the word-play involved in ‘horse’ and ‘tail’: one signifier interacted with another against my conscious intention.) The unconscious is just a continual movement and activity of signifiers, whose signifieds are often inaccessible to us because they are repressed. This is why Lacan speaks of the unconscious as a ‘sliding of the signified beneath the signifier’, as a constant fading and evaporation of meaning, a bizarre ‘modernist’ text which is almost unreadable and which will certainly never yield up its final secrets to interpretation.”

“Lucien whipped his head to the right, listening, his eye whirring softly. The hair on my neck stood, and I had my bow drawn in a heartbeat, pointing in the direction Lucien stared. 'Put your bow down,' he whispered, his voice low and rough. 'Put your damned bow down, human, and look straight ahead.' I did as he said, the hair on my arms rising as something rustled in the brush. 'Don't react,' Lucien said, forcing his gaze ahead, too, the metal eye going still and silent. 'No matter what you feel or see, don't react. Don't look. Just stare ahead.' I started trembling, gripping the reins in my sweaty hands. I might have wondered if this was some kind of horrible joke, but Lucien's face had gone so very, very pale. Our horses' ears flattened against their heads, but they continued walking, as if they'd also understood Lucien's command. And then I felt it.”

“The Waifs' Home was an old building which had apparently formerly been used for another purpose. It was located in the country opposite a great big dairy farm where hundreds of cows, bulls, calves and a few horses were standing. Some were eating, and prancing around like they wanted to tell somebody, anybody, how good they felt. . . .When I got out of the wagon with the other boys the first thing I noticed was several large trees standing before the building. A very lovely odor was swinging across my nostrils. "What flowers are those that smell so good?" I asked. "Honeysuckles," was the answer. I fell in love with them, and I'm ready to get a whiff of them any time.”

“I must purchase this eunuch from You," she said to Ptah-nem-hotep, Who smiled agreeably. "Are they not delightful?" He asked, and looked at the dark bodies of these five slaves with the same love I had seen my great-grandfather give to a team of matched horses or twin bulls, and indeed, since the slave wore nothing, one could see not only their plump and muscular haunches, but the shiny stump where their testicles had been and this gave them a nice resemblance to geldings.”

“Still with her head out the window, she had spied a stone-fenced pasture beyond the gardens. Half a dozen glorious white horses grazed there, the faint dapples of their coats gleaming like silver coins in the sunshine. As she watched, a coal-gray foal galloped in a circle around its elders, tossing its head and flicking its tail. "Such beautiful horses!" she called to the footman. "Yes, miss. My lord's Andalusians." "Indeed! I thought they must be!" Suddenly she couldn't wait to escape the confines of the carriage. For a moment she felt like her usual self, thrumming with energy, avid to run through the gardens to the pasture, to lean across the stone fence to admire those horses.”

“It's one of the things Cam and I discussed last evening- he said it's characteristic of Hathaway women, this need for demonstrations of affection." Amused and fascinated, Poppy made a face. "What else did he say?" Harry's mood altered with quicksilver speed. He threw her a dazzling grin. "He compared it to working with Arabian horses... they're responsive, quick, but they need their freedom. You never master an Arabian... you become its companion." He paused. "At least, I think that's what he said. I was half dead from exhaustion, and we were drinking brandy." "That sounds like Cam." Poppy raised her gaze heavenward. "And after dispensing this advice, he sent you to me, the horse." Harry stopped and pulled her against him, nudging her braid aside to kiss her neck. "Yes," he whispered. "And what a nice ride it was.”

“In every nation’s history time comes to behave like wild horses, to refuse any kind of authority which tries to eliminate your freedom!”

“Jasper set an intercepting course towards that Rhylonian Star Duster. Maybe we can catch them on their blind side.” “Doesn’t this ship have a cloak?” Jaq asks. “Miss Synergy, I don’t know what they teach now a’days at the Academy, but ships do not wear clothes.”

“She points to where he went and looks to the neutral Baumen. “He—he did that to me on purpose! He’s insane. Literally, insane!” The munchkin just shrugs. “Welcome aboard!” and returns unconcerned to his work.”

“The cracks grew over him like vines, faster and faster. At first he bucked, whinnying metallic screeches. Then he gradually stilled, looking up at me with frightened glass eyes. He was growing. New, molten glass leeched out between his fissures, cooled and hardened only to crack again and make room for more liquid glass. The gears inside him moaned and creaked, and metal filings gathered at the base of his transparent stomach, only to fly up again and form more joints and chains and gears. Black smoke poured from his nostrils. Soon he was the size of a large dog, then a man, and still he grew and grew until he towered over my bed, as big as any plow horse I’d ever seen. Glass dripped down his flanks like sweat, a few rivulets still glowing with molten heat.”

“Vivi picks stalks of ragwort that grow near the water troughs. After finding three that meet her specifications, she lifts the first and blows on it, saying, 'Steed, rise and bear us where I command.' With those words, she tosses the stalk to the ground, and it becomes a raw-boned yellow pony with emerald eyes and a mane that resembles lacy foliage. It makes an odd keening neigh. She throws down two more stalks, and moments later three ragwort ponies snort the air and snuffle at the ground. They look a little like sea horses and will ride over land and sky, according to Vivi's command, keeping their seeming for hours before collapsing back into weeds.”