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Husband Quotes

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Husband Quotes

“She saw herself riding in the passenger seat, Sam behind the wheel. Like two of those little peg people in a toy car. Husband peg, wife peg, side by side. Facing the road and not looking at each other; for why would they need to, really, having gone beyond the visible surface long ago. No hope of admiring gazes anymore, no chance of unremitting adoration. Nothing left to show but their plain, true, homely, interior selves, which were actually much richer anyhow.”

“You have to learn to follow your heart. You can’t let other people pressure you into being something that you’re not. If you want God’s favor in your life, you must be the person He made you to be, not the person your boss wants you to be, not even the person your parents or your husband wants you to be. You can’t let outside expectations keep you from following your own heart.”

“My mother says that when Mrs. Rowley is mean, which is generally the case, it is really because she is just unhappy, and who could blame her with a husband like that . . . She says this is really the only reason people are ever mean--they have something hurting inside of them, a claw of unhappiness scratching at their hearts, and it hurts them so much that sometimes they have to push it right out of their mouths to scratch someone else, just to give themselves a rest, a moment of relief.”

“When you stop expecting people to be perfect, you can like them for who they are.”

“Husbands are not Christ. But they are called to be like him. And the specific point of likeness is the husband's readiness to suffer for his wife's good without threatening or abusing her. This includes suffering to protect her from any outside forces that would harm her, as well as suffering disappointments of abuses even from her. This kind of love is possible because Christ died for both husband and wife. Their sins are forgiven. Neither needs to make the other suffer for sins. Christ has borne that suffering. Now as two sinful and forgiven people we can return good for evil.”

“She'd always believed that people come in two varieties: those who look out the windshield and those who stare in the rearview mirror. She'd always been the windshield type: gotta focus on the future, not the past, because that's the only part that's still up for grabs. Mom throws me out? Gotta get some food and find a place to live. Husband dies? Gotta keep working, or I'll end up going crazy. Got some guy stalking me? Gotta figure out a way to stop it.”

“People changed lots of other personal things all the time. They dyed their hair and dieted themselves to near death. They took steroids to build muscles and got breast implants and nose jobs so they'd resemble their favorite movie stars. They changed names and majors and jobs and husbands and wives. They changed religions and political parties. They moved across the country or the world -- even changed nationalities. Why was gender the one sacred thing we weren’t supposed to change? Who made that rule?”

“We all to some extent meet again and again the same people and certainly in some cases form a kind of family of two or three or more persons who come together life after life until all passionate relations are exhausted, the child of one life the husband, wife, brother, sister of the next. Sometimes, however, a single relationship will repeat itself, turning its revolving wheel again and again.”

“How many boys like him were out there in the ether, holding on to their big brothers and sisters who were still alive? How many husbands were floating between life and death, clinging to their wives in this world? And how may millions and millions of people were there in the world like Charlie who wouldn't let go of their loved ones when they're gone?”

“("Let's stand under a tree," she said. "Why?" "Because it's nicer." "Maybe you should sit on a chair, and I'll stand above you, like they always do with husbands and wives." "That's stupid." "Why's it stupid?" "Because we're not married." "Should we hold hands?" "We can't." "But why?" "Because, people will know." "Know what?" "About us." "So what if they know?" "It's better when it's a secret." "Why?" "So no one can take it from us.")”

“Sometimes people let the same problem make them miserable for years when they could just say, "So what." "My mother didn't love me." So what. "My husband won't ball me. So what. "I'm a success but I'm still alone." So what. I don't know how I made it through all the years before I learned how to do that trick. It took a long time for me to learn it, but once you do, you never forget.”

“Some people appear to be happy, but they simply don't give the matter much thought. Others make plans: I'm going to have a husband, a home, two children, a house in the country. As long as they're busy doing that, they're like bulls looking for the bullfighter: they react instinctively, they blunder on, with no idea where the target is. They get their car, sometimes they even get a Ferrari, and they think that's the meaning of life, and they never question it. Yet their eyes betray the sadness that even they don't know they carry in their soul. Are you happy?”

“Miss Celia stares down into the pot like she's looking for her future. "Are you happy, Minny?" "Why you ask me funny questions like that?" "But are you?" "Course I's happy. You happy too. Big house, big yard, husband looking after you." I frown at Miss Celia and I make sure she can see it. Because ain't that white people for you, wondering if they are happy ENOUGH.”

“I truly believe that the death of my mother has made me the way I am today. I am a survivor, mentally strong, determined, stronwilled, self-reliant, and independent. I also keep most of my pain, anger and feelings inside. I refuse to be vulnerable to anyone, especially my husband. The only people who see that more emotional or softer side are my children. That too because of my mother.”

“Turn around, and the people you thought you knew might change. Your little boy might now live half a world away. Your beautiful daughter might be sneaking out at night. Your ex-husband might by dying by degrees. This is the reason that dancers learn, early on, how to spot while doing pirouettes: we all want to be able to find the place where we started.”